Translation Universals.pdf - ymerleksi - home
Translation Universals.pdf - ymerleksi - home
Translation Universals.pdf - ymerleksi - home
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When is a universal not a universal? 59<br />
the source culture. The works included in the BNC, however, were chosen to<br />
represent the language from a perspective of reception as well as production,<br />
and therefore include many bestsellers and widely-circulating books. Since the<br />
descriptive information such as “perceived quality status” and “target audience<br />
size” provided with (some of) the texts is too subjective and unreliable as a basis<br />
for comparison (Burnard, written personal communication, 2002), it is likely<br />
that the two sets of texts in the English Comparable Corpus are not members<br />
of one and the same population, distinguishable only by way of reference to the<br />
translation process undergone by one of them.<br />
Again, this would not in itself be an insurmountable problem if corpus<br />
users were aware of this inherent bias, and tried to factor it out when attempting<br />
to interpret data. One suspects, for instance, that this mismatch might<br />
be one of the causes of Olohan’s (2001) finding that “the language of TEC<br />
may [. . .] be judged as more formal” than the corresponding non-translational<br />
component of ECC. By examining the relevant source texts, this possibility<br />
might be checked and refuted, making the ample evidence in favour of explicitation<br />
as a “universal” feature of translation provided by Olohan all the<br />
more convincing. And if one had access to another MCC in a different language,<br />
the observation of explicitation processes in another context of situation/culture,<br />
subject to different preliminary norms, might enable one to base<br />
generalisations relating to laws of translation on much firmer ground.<br />
Any feature characterizing a corpus of translations may be the result not<br />
just of the process of translation, but of the genres of the texts and of the<br />
influence of the source language or languages. The importance of genre and<br />
target audience for non-fiction texts has been shown by Mauranen (2000,<br />
2002), who compares translated and original Finnish non-fiction texts from<br />
the academic and popular domains. As regards the role of the source language,<br />
it is clear that<br />
[w]hen studying translation as a product entirely in the target language<br />
environment, we can only put forward suggestions regarding the possible<br />
causes that may have led to certain patterns. In order to find an explanation<br />
for our results, we would need to construct and analyse in parallel another<br />
corpus that would include the source texts of the translational component<br />
[. . .]. (Laviosa 1998b:565)<br />
Summing up, if the status of a corpus of translations needs to be assessed<br />
against a comparable corpus of originals in the same language, it also needs<br />
to be assessed against the status of its source text in relation to a comparable<br />
corpus of original source language texts. For instance, we can only claim