Translation Universals.pdf - ymerleksi - home
Translation Universals.pdf - ymerleksi - home
Translation Universals.pdf - ymerleksi - home
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When is a universal not a universal? 57<br />
First 20 fiction titles randomly selected from the Index <strong>Translation</strong>um database<br />
(from Italian into English)<br />
1. Calvino, Gli amori difficili<br />
2. Calvino, Il barone rampante<br />
3. Calvino, Le cosmicomiche<br />
4. Calvino, Se una notte d’inverno un viaggiatore<br />
5. Calvino, Ti con zero<br />
6. Camon, Un altare per la madre<br />
7. De Céspedes, Il rimorso<br />
8. Eco, Il nome della rosa<br />
9. Garofalo, Operaio di Dio<br />
10. Lajolo, Il vizio assurdo<br />
11. Levi, Cristo si è fermato a Eboli<br />
12. Moravia, 1934<br />
13. Moravia, Il conformista<br />
14. Moravia, La ciociara<br />
15. Moravia, La vita interiore<br />
16. Orseri, Tikva. La porta della speranza<br />
17. Pavese, Il mestiere di vivere<br />
18. Sciascia, Candido<br />
19. Sciascia, Il giorno della civetta; Il contesto<br />
20. Soldati, La sposa americana<br />
For those acquainted with Italian and English literature it is clear that the<br />
twosetsarenotcomparableatall. 3 Whereas the majority of the English texts<br />
could be described as low-brow or popular literature, the Italian texts are<br />
almost all classics, canonical exemplars from the production of high-brow<br />
authors. This is not, we would suggest, an effect of the text-selection procedure<br />
(random sampling ensures that no human bias was inserted at this stage), but<br />
a distinguishing feature of translation policies in the two cultures.<br />
Let us now consider a monolingual comparable corpus, namely the pioneering<br />
<strong>Translation</strong>al English Corpus (TEC) developed at UMIST, in particular<br />
its Italian component: 4<br />
Italian component of the <strong>Translation</strong>al English Corpus<br />
– Banti,Artemisia<br />
– Buzzati, Restless nights<br />
– Buzzati, The siren<br />
– Capriolo, The woman watching