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Symposium - AIC

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Giovanni R.F. Ferrari<br />

those around him make fools of themselves. It is a situation rich in comic possibilities.<br />

But although the philosopher among his fellow human beings is as a superior going uninvited<br />

to the feasts of the inferior, this is not the condition to which he aspires. In his pursuit of wisdom he<br />

resembles, as we have seen, an inferior going uninvited to the feasts of his superiors. And ultimately,<br />

he would wish to be as the gods themselves could be said to be (and in the Phaedrus, are said to be):<br />

the good going uninvited to the feasts of the good. 2<br />

Both of these latter situations, in fact, are alluded to also in this opening scene between<br />

Socrates and Aristodemus. The allusion is contained in Socrates' garbling of Homer's treatment of<br />

Menelaus. Homer, so Socrates claims, made Menelaus out to be a "soft spearman," while portraying<br />

his brother Agamemnon as a superior fighter; despite which, Homer has Menelaus arrive uninvited, as<br />

inferior to superior, when Agamemnon arranges a feast for the Greek generals at Troy (174b-c).<br />

Aristodemus, ever subservient to his idol Socrates, accepts Socrates' account of Homer without<br />

objection. But Plato's readers should not. Socrates has had to stretch to find that slighting evaluation<br />

of Menelaus' soldierly prowess: it occurs in the seventeenth book of the Iliad (17.587), separated by<br />

much incident from the feast that Agamemnon held in the second book. What is more, it is an insult<br />

put in the mouth of Apollo rather than uttered as a judgment of the narrator. Menelaus in Homer is<br />

generally quite as brave a fighter as most — indeed, Apollo's taunt here is an attempt to discount a<br />

conspicuous act of valour that Menelaus has just performed.<br />

Thus alerted, the reader who considers more closely the incident in Book 2 will recall that the<br />

reason Homer gives for Menelaus having come unbidden to Agamemnon's feast is that, as<br />

Agamemnon's younger brother, he knows the elder's mind without needing to be told: "And<br />

Menelaus of the strong war cry came to him of his own accord, for he knew in his heart the cares that<br />

troubled his brother" (2. 408-9). That is, as one brother to another, he took his invitation for granted<br />

at such a time, even if Agamemnon's worries caused him to forget to include Menelaus among the<br />

formally invited guests. (This is how Plutarch interprets the passage at Moralia 706f.) Although the<br />

brothers differ in status —Agamemnon being the elder and exercising the greater kingly authority —<br />

they belong together by nature.<br />

To the extent that the description "inferior going uninvited to superior" still fits Menelaus'<br />

situation, then, it does so in a positive sense. Although not his brother's equal, he too, like his brother,<br />

is a valiant warrior. And it is with this positive spin that his situation corresponds to the philosopher's<br />

pursuit of godlike wisdom. The philosopher is not equal to the divine; but he has within him the<br />

godlike spark of reason that allows him to aspire, by nature, to associate himself as closely with the<br />

divine as a human being can (as, for example, at the summit of Diotima's ascent, where the<br />

philosopher keeps company with the beautiful itself, 211e-212a). It is with the divine that the<br />

philosopher naturally belongs — ultimately, as the good having gone uninvited to the good.<br />

To seek out invitations, by contrast, is to look for acknowledgment from one's fellows and to<br />

find in this a source of validation. Yet the love that seeks a return of this or indeed of any sort is a less<br />

adequate love than the uninvited love felt by the philosopher for the divine. This is the philosophic<br />

point embodied in the theme of going uninvited in the <strong>Symposium</strong>. The philosopher seeks creative<br />

self-realization through belonging, to the fullest extent, with that to which the best in his nature is<br />

congenial; he seeks Diotima's "birth in the beautiful," not the quid pro quo that is the basis of the<br />

standard love-affair between Athenian males or of the everyday sacrificial transactions between the<br />

Greeks and their gods. 3 Those who seek invitations in the <strong>Symposium</strong> duly come unstuck.<br />

We have already seen one such case, when Aristodemus gets left in the lurch on the way to<br />

Agathon's house. Aristodemus, described by his kindred spirit Apollodorus as a "huge fan" or "lover"<br />

of Socrates at the time (erastês, 173b), makes the mistake of loving and seeking sponsorship from<br />

Socrates, rather than simply loving what Socrates loves. That is why he goes barefoot like his idol,<br />

and reports on his every word (173b). He imitates Socrates, rather than the divine. When Socrates<br />

2 These three possibilities for uninvited arrival (good to good; superior to inferior; inferior to superior) naturally suggest a<br />

fourth, which would complete the four-place grid: bad going uninvited to bad. It is a possibility realized at the very end of<br />

the dialogue, when the crowd of drunken revellers break in uninvited on the company at Agathon's house. ("Bad" here is a<br />

relative term, and describes the typical behavior of ordinary Athenians by contrast to the aspirational conduct of<br />

philosophers.) The incident represents and is an instance of complete disorder on a humdrum level. It implicitly<br />

acknowledges the necessity of "invitations" — of mutual acknowledgment and negotiation — to the smooth running of<br />

social life. That the philosopher has the ability to transcend such behavior makes him exceptional.<br />

3 Admittedly, in Diotima's initial description of Eros' role as daemonic intermediary between humans and the gods, the<br />

relationship mediated by "the daemonic" (to daimonion) runs both ways, in the manner of traditional religion: requests and<br />

sacrifices are conveyed from men to gods; commands and returns for sacrifice are conveyed from gods to men (202e). But<br />

her account here is preliminary. Once Diotima has left the "Lesser Mysteries" behind for the Greater (209e), the religious<br />

traffic becomes one-way, as the philosopher ascends, through Eros, to join with the divine. Such communion is its own<br />

reward.<br />

132

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