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Richard Stalley<br />
will obey (441e-442b). Sōphrosunē will consist in an agreement and harmony among the parts,<br />
whereby appetite and spirit willingly accept the rule of reason (442c-d). There is an important link<br />
between the order and harmony of the soul and that of music, but it is not to be understood, in<br />
Eryximachus’s way, as a balance between opposites. The key point is that reason must be in control.<br />
Only then can the soul as a whole and its individual parts achieve their good.<br />
Eryximachus concludes his speech by commenting that, while love in general is all powerful,<br />
the love that is concerned with the things that are good and is ‘completed with justice and temperance<br />
(sōphrosunē )’ has the greatest power and creates happiness community and friendship among men<br />
and gods (188d). But he has done very little to explain what makes things good, nor why the love of<br />
them creates friendship rather than competition, envy and greed. Nor has he explained how justice and<br />
sōphrosunē enter into the picture.<br />
On the surface, at least, neither Aristophanes nor Agathon recognise the need for restraint in<br />
love matters. But both their speeches remind the reader that love can be a source of moral danger.<br />
According to Aristophanes, lovers are seeking their missing ‘halves’. But Zeus split human beings in<br />
two because of their hubristic behaviour. So it looks as though the reunion of the halves might make<br />
them disruptive once again. Agathon sees love as spreading peace and happiness wherever it goes.<br />
But Plato has given him a speech which reminds readers why sexual desires can pose a particular<br />
threat to sōphrosunē. Love insinuates itself unnoticed into our souls, preferring those which are soft<br />
and malleable to those that are hard and tough. But Agathon claims that, since it does not use force, it<br />
is just and temperate. As evidence of Love’s bravery he refers to Ares’ scandalous love affair with<br />
Aphrodite. This is supposed to show that even the god of war can be overcome by love but it might<br />
equally serve as proof that love undermines sōphrosunē. So Agathon turns features that reveal the<br />
moral danger of Love into arguments for its virtue. His speech is Gorgianic, not only in its language,<br />
as Socrates suggests (198b-199b), but also in its paradoxical arguments. We may recall that in the<br />
Gorgias Plato depicts oratory, which aims at pleasure rather than the good, as the enemy of<br />
sōphrosunē.<br />
It is tempting to assume that Socrates is Plato’s philosophical mouthpiece and that his speech<br />
must therefore contain the solution to the problems raised in the dialogue. In some respects that<br />
approach looks promising. The lack of an adequate conception of the good prevented Pausanias and<br />
Eryximachus from giving satisfactory accounts of sōphrosunē. In Socrates’ speech, on the other hand,<br />
Diotima makes it clear that the ascent of love involves a gradual development in one’s understanding<br />
of the good. Those who make significant progress on that ascent will, doubtless, display the attributes<br />
associated with sōphrosunē. They will, for example, be above the temptation to over-indulge in drink<br />
or sex. This is possible, not because they have suppressed their desires but, rather, because they have<br />
reshaped them and redirected them towards the beautiful and the good. They have achieved selfknowledge<br />
because they understand the nature of their desires and their proper place in the economy<br />
of the soul. Socrates himself has evidently achieved at least part of this ascent. So we can see the<br />
Diotima section as describing an ideal sōphrosunē which is, in part at least, exemplified in the<br />
dialogue by the figure of Socrates.<br />
There is some truth in this picture but it cannot be the whole truth. The ascent to the beautiful<br />
apparently requires powers that are almost divine. Socrates learns about it from an imaginary priestess<br />
who has demonstrated divine power by postponing the Athenian plague (201d). She argues that Love<br />
is himself a semi-divine daemon who mediates between gods and men. In order to embark on the<br />
ascent one needs guidance which, presumably can be provided only by someone like Diotima herself.<br />
No doubt this explains Socrates’ lack of success in improving Alcibiades’ character. More<br />
prosaically we may notice that Diotima says nothing about inner conflict or about the need to restrain<br />
unruly desires. Nor does she say anything about the way in which ordinary men and women might<br />
achieve some kind of virtue. So while the <strong>Symposium</strong>, as a whole, emphasises that we are embodied<br />
beings with desires that may need restraint, Diotima seems to envisage a ‘heavenly’ virtue which has<br />
little to do with the lives of ordinary mortals. By allowing Alcibiades to have the last word, Plato<br />
warns us that Socrates has not provided a definitive answer to the problems raised in the dialogue.<br />
To find a more rounded answer we must look back at the speeches of Pausanias and,<br />
particularly, Eryximachus. The latter is well aware that we have desires which should not be satisfied.<br />
Virtue consists in replacing the discord in our souls with order and harmony. In this respect virtue is<br />
to the soul what health is to the body. Eryximachus is unable to weld these ideas into a coherent<br />
account, but they are all to be found elsewhere in Plato, most notably in the Republic. There the good<br />
and healthy condition of the soul is one in which the appetites and the desire for honour follow the<br />
direction of reason. This can come about only if children need are brought up in the right kind of<br />
environment and receive the right kind of education in music and gymnastics. But that alone is not<br />
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