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David T. Runia<br />
given for why Plato might want to end his speeches with the themes of aretê, eudaimonia and the<br />
good life. It has everything to do with the role of protreptic in his philosophy. It can be argued that the<br />
question ‘how should one live’ as so strikingly formulated in the Gorgias (492d5), is the central theme<br />
of Plato’s philosophy. The main subject of the <strong>Symposium</strong> is erôs, but of course with a specific<br />
philosophical focus: how can love, that phenomenon that plays such a central role in both the cosmos<br />
and in human life, contribute to the achievement of the central quest of human beings, to live the good<br />
or even the best life. Implicit is the so-called protreptic argument, namely that all human beings desire<br />
to achieve the state of eudaimonia and the good life, that only philosophy can bring about this state,<br />
that one should therefore change one’s way of life and practise philosophy, and thereby achieve one’s<br />
goal (telos) and become eudaimoon. 12 It is significant that, as we saw, Diotima expounds in her<br />
speech (205a) a key proposition of that argument, namely that in achieving eudaimonia, the<br />
attainment of the highest good, one reaches the end-point of the argument. So, by placing the<br />
protreptic theme so emphatically at the end of four main speeches, and particularly as the climax of<br />
the most important speech, that of Diotima–Socrates, Plato has created a philosophical framework that<br />
gives the theme of love its ultimate place. The themes of aretê and eudaimonia are of course not<br />
exclusively philosophical. It is clever how Plato introduces them right from the start in seemingly<br />
non-philosophical contexts and then gradually deepens them until in the climax of the dialogue they<br />
play a key role.<br />
I also cannot resist returning to my earlier hypothesis about a possible link between the theme<br />
of the telos and the closure of a literary piece, in the case of the <strong>Symposium</strong>, the speech. As we have<br />
seen, in Diotima’s speech Plato emphasizes both the end of an argument (205a3) and the end of a<br />
quest (210e4) in connection with eudaimonia and the good life. I believe that this connection with the<br />
end may still have played a role in bringing about the striking feature of the speeches that we have<br />
focused on, namely that they end so deliberately with the theme of the goal of human life. Admittedly,<br />
unlike in the Timaeus, there is no direct literary reference to the telos in any of these conclusions, 13<br />
but it seems to me that the conjunction of the two kinds of end may have contributed in the<br />
background.<br />
But there is remains a seventh speech which we have not yet discussed. After Socrates has<br />
finished recounting what he learnt from the priestess Alcibiades bursts in. His quite lengthy speech<br />
falls outside the formal arrangements of the <strong>Symposium</strong>, but nevertheless it must be seen as the<br />
seventh speech in the dialogue’s sequence. And it too builds up to a climax. Alcibiades returns to the<br />
hollow statues of Silenus as the image of Socrates. These are now ‘truly worthy of a god, bursting<br />
with figures of virtue inside, of great, no indeed of the greatest importance for anyone who wants to<br />
be a truly good man (kalos kagathos) (222a3–6)’. We have here the climax of Alcibiades’ speech,<br />
before he closes with a brief peroration. Plato returns to the theme of aretê now personified in the life<br />
and logoi of Socrates (219d, 221d). This recalls above all the ending of the speech of Pausanias,<br />
where as we saw the role of aretê is central, but also of the other speeches (except that of Agathon 14 )<br />
in which it is explicitly mentioned or implicitly assumed. 15 But here Plato does not go the further step<br />
and have Alcibiades speak of eudaimonia and the good life. I am convinced that this is very<br />
deliberate. Alcibiades comes under Socrates’ sway and feels the attraction of the life of excellence<br />
and virtue, but he does not go the further step of embracing that life, as of course his very behaviour<br />
on that night demonstrates. He stops short of doing what he ought and so the good life promised by<br />
the philosophical life embodied by Socrates will elude him. In a parallel way, too, that is why the final<br />
speech of the dialogue does not exhibit the full-blown conclusion involving eudaimonia and the good<br />
life that we have seen to be a key feature of the majority of speeches preceding it.<br />
Bibliography<br />
A. Nehemas and P. Woodruff, ‘<strong>Symposium</strong>’ in J. M. Cooper (ed.), Plato Complete Works<br />
(Indianapolis 1997) 458–505.<br />
C. J. Rowe, Plato: <strong>Symposium</strong> (Warminster 1998).<br />
D. T. Runia, Bios eudaimoon (inaugural lecture, Leiden 1993).<br />
F. C. C. Sheffield, ‘The Role of the Earlier Speeches in the <strong>Symposium</strong>: Plato’s Endoxic Method,’ in<br />
J. H. Lesher and D. Nails (edd.), Plato’s <strong>Symposium</strong>: Issues in Interpretation and Reception<br />
12 For this argument see esp. the locus classicus Euthd. 278e–282d. On philosophical protreptic in the fourth century and in<br />
Plato see Slings (1999) 59–164.<br />
13 But note the use of verbs involving the role of τέλος: ἀποτελούµενος 188d6; ἐκτελέσαιµεν 193c4.<br />
14 Agathon only praises the aretai of Erôs, not those of human beings affected by him.<br />
15 See the speech of Phaedrus 180b6; of Pausanias 185b7; of Eryximachus 188d5–6 (moderation and justice); of<br />
Aristophanes 193d4 (piety towards the gods); of Diotima 212a5.<br />
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