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Philip Krinks<br />
By using the participle of the verb to be (ōn), translated ‘is’ above, and literally meaning ‘being’, he<br />
means that one must describe what erōs is like, and that that same description must also show how<br />
erōs can make those gifts to human beings.<br />
The next sentence confirms this:<br />
‘There is one correct way for any praise of anything: to go through in one’s speech what kind of thing<br />
(hoios) it happens to be (ōn), such that it is cause (aitios) for the things (hoiōn), concerning which the<br />
speech (logos) is made’ (195a1-3)<br />
The verb ‘to be’ and its participle ōn appears again, but this time with the notion of ‘cause’ (aitios)<br />
being explicit. Agathon’s principle is that there must be an explanatory or causal link between the<br />
characteristics of erōs and what the gifts are. One must say what kind of thing erōs is, such that it is<br />
thereby shown how erōs is responsible for the gifts.<br />
The reader might think that seems a fair enough principle for the praise of erōs. But it is not<br />
clear that Agathon is correct to say the others failed to honour it. It seemed that each symposiast had<br />
his reasons to say that his description of erōs explained it being beneficial. For example, Phaedrus had<br />
his reasons to say that the great age of erōs explained it being beneficial.<br />
Agathon’s complaint is aimed, however, specifically at the structure of their praises:<br />
‘It is just for us also to praise erōs first himself for the kind of thing he is, and then his gifts’ (195a3-<br />
4)<br />
The problem, then, is, in the first place, with the descriptions. If erōs is to be praised ‘for the kind of<br />
thing he is’, then he must be described as something which is in itself praiseworthy. But the others’<br />
descriptions of erōs (as old, co-working with Aphrodite, pervasive in the cosmos, and so on) are not in<br />
themselves praiseworthy. When Phaedrus made his modifications to encomium convention, having in<br />
mind, I suggested, previous attacks on erōs, the result was a strategy to defend erōs which was<br />
indirect. This indirect strategy characterised erōs in a neutral way (as opposed to the negative<br />
characterisations offered by the attackers), and then showed how on some neutral characterisation<br />
erōs provided benefits to humans and was therefore defensible. Until now, noone has questioned this<br />
indirect strategy. Agathon does, and requires instead that the description of erōs should itself show<br />
how erōs can cause benefits. 16<br />
One reason Agathon might doubt the indirect strategy, is that he might hold, as some pre-<br />
Socratic philosophers seem to have done, that what causes something to be F must itself be F: that Fness<br />
must be somehow transmitted between the two. 17 This then suggests a more direct strategy,<br />
where the description of erōs would be as in itself praiseworthy. erōs can be defended as literally<br />
putting its own beauty and goodness into human beings, being in that sense directly the cause of<br />
human beings becoming beautiful and good. The accounts of beautiful and good given by Agathon<br />
then reflect that: a subjectivist account of beauty, where erōs pours beauty into y, in the sense that it<br />
makes y see z as beautiful; and a reductive account of goodness, where erōs is a strong psychological<br />
compulsion which determines right conduct, defined as acting according to the strongest compulsion.<br />
VII: CONCLUSION AND COROLLARY OBSERVATION<br />
The early speakers’ explicitly reflect on method. Phaedrus’ methodological focus is to demonstrate<br />
causality, with erōs is praised as cause (aitios, 178c2) of benefits for humans. Pausanias’ focus is<br />
human praxis (181a1) in all its specificity and context. Eryximachus’ focus is a complete (telos,<br />
186a2) praise. Aristophanes’ focus is acknowledging power (dunamis, 189c6). Agathon’s focus is<br />
intrinsic characterisation: to show ‘what the characteristic of erōs is’ (hopoios tis, 194e7), such that he<br />
gives us these things: else, it is not explained how he does.<br />
Their reflections structure and unify the early part of the dialogue. Their speeches respond to<br />
those preceding. The stated methodological focus of each speaker shapes his speech. Methodological<br />
questions raised by the desire to praise erōs are explored.<br />
A corollary observation, which can only be stated here, concerns the structure of Socrates’<br />
speech. It is the others’ principles which structure Socrates’ speech. After Socrates introduces his own<br />
16 Sedley (2006 p.55f.) is right to highlight this: my interpretation has several points of contact with his<br />
17 On the pre-Socratics, v. Barnes 1979 e.g. vol.1 p.88f. On Plato’s consideration of this question in the Phaedo and<br />
elsewhere, v. Sedley 1998 e.g. p.119<br />
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