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Symposium - AIC

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Laura Candiotto<br />

observation of nature and in general to the relationship between philosophy and physics 14 . By<br />

focusing on these themes it is possible to individuate more clearly the platonic position present in<br />

Eryximachus’s discourse.<br />

Eryximachus’s discourse can be subdivided into six sections 15<br />

Prologue: Eryximachus refers to the discourse of Pausanias saying that it is right to retain a double<br />

nature for Eros but such double nature needs to be extended to the whole cosmos.<br />

Section 1: Eros and medicine. The body manifests Eros’ double nature in the coexistence of healthy<br />

desires and unhealthy desires. Medicine is the science of the erotic tendencies of the body to fill and<br />

empty itself. It enables the distinction between healthy and unhealthy desires. The task of the doctor is<br />

to transform the fight between the two Eros in friendship by operating on opposites: cold/hot,<br />

bitter/sweet, dry/humid.<br />

Section 2: Eros and music. Eryximachus comments Eraclitus’ fragment DK 22 b51, interpreting it<br />

from a temporal perspective: the doctor musician is able to create harmony from an initial discord. He<br />

operates thus through a technique which is able to transform the discordant into concordant. Music is<br />

then the science of love of harmony and rhythm. It is important to take care of both forms of Eros,<br />

using cautiously that of the muse Polyhymnia, enjoying its pleasure without falling sick.<br />

Section 3: Eros and meteorology and astronomy. Prosperity and Health happen when the opposites<br />

find themselves reciprocally united in an ordered love and support each other in harmony and<br />

temperate mixture. When excessive Eros prevails (hybreos Eros), which leads to imbalance, we<br />

witness epidemics, disease and destruction.<br />

Section 4: Eros and religion. Friendship between men and Gods happens by seconding ordered Eros.<br />

Epilogue: Eryximachus concludes by saying that Eros possesses a universal power and that happiness<br />

comes from that Eros which aims to the good with justness and moderation. He passes then the baton<br />

to Aristophanes inviting him to fill the gaps in his speech.<br />

This article focuses on Section two, but it is immediately evident that this section is<br />

intertwined with the other sections, thus it is fundamental to interpret it through an analysis of the<br />

comprehensive significance of Eryximachus’ discourse and of the role that he plays in the dialogue.<br />

Already in section one the text clearly reveals the relevance Eryximachus attributes to the<br />

praxis which establishes friendship between previously contrasting forces. Nature is composed of<br />

opposite forces whose dynamics create movement and transformation. The doctor qua good physicist<br />

and knower of the cosmos must know the Erotic tendencies of elements in order to help them to come<br />

together in relations of mutual friendship. In Eryximachus’ discourse, Empedocle’s two cosmic forces<br />

– philia and neikos – assume an immanent character as forces that compose nature in ordered and<br />

disordered forms. Equilibrium is dynamic 16 : in Empedoclean terms, it is possible to maintain that the<br />

predominance of philia on neikos does not cancel neikos but shapes it in the right proportion.<br />

Eryximachus transforms thus the Empedoclean perspective which defines the starting point of his<br />

discourse by emphasizing the necessary coexistence of the two forces 17 . Such coexistence will not be<br />

conflictual as in Eraclitus, but it will unfold in harmonic proportion. In the second section<br />

Eryximachus transforms in fact Eraclitus’ own maxim to his own advantage. Harmony is not realized<br />

by discordant things but by transforming discordant things into concordant ones. For Eryximachus,<br />

Eraclitus intended to say that harmony is realized by things that before were discordant and that,<br />

thanks to medical praxis, become concordant. Harmony is in fact both consonance (symphonia), and<br />

agreement (omologhia). The physics described by Eryximachus is not an ordered and harmonic whole<br />

but a world in movement and transformation that must be ordered by a doctor-demiurge following the<br />

principle of harmony 18 . In this way, E. emphasizes the role of technique 19 and of human action in the<br />

universe. Such a role consists of creating a dynamic equilibrium by transforming discordant forces<br />

into concordant ones, without falling into the error of eliminating one of the two poles but finding the<br />

right rhythm to enjoy the pleasure that the negative force offers whence a relation is established with<br />

the positive one. Moderation or temperance is not thus the dictatorship of the positive, but the right<br />

proportion between the different constituents of the universe, like the right proportion between water<br />

14 The study of Jouanna (1998) is crucial on this issue.<br />

15 In this division, I am following Bury 1976.<br />

16 Interestingly, this concept will be taken up in Roman times by the Pneumatics, whilst in the nineties of the last century<br />

research on physiology of stress led to the revision of the traditional concept of homeostasis (restoration of the same<br />

equilibrium) and its substitution with the concept of allostasis (different equilibrium). Cf. Bottaccioli 2010, p. 25.<br />

17 It is important to notice that in section two Eryximachus says that he is taking care also of the Eros of the muse<br />

Polyhymnia.<br />

18 According to McPherran the interpretation of Heraclitus’ maxim demonstrates the fact that Eryximachus is not a “slave to<br />

pre-Socratic science”. Mc Pherran 2006, p. 80, n27.<br />

19 For a detailed analysis of the concept in comparison to that present in Gorgias, cf. Levin 2009.<br />

195

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