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Carolina Araujo<br />
his alleged incapacity rest on his supposition of a conquest, of achieving a definitive internal divine<br />
state which would infallibly cause success in actions and speeches, and not as an exercise. If he is not<br />
to conquer this kind of excellence, Alcibiades feels slighted and charges Socrates of hubris (214d3;<br />
219c5-6). Confronted with Socrates’ concept of Eros, Alcibiades is the first to realize that he is unable<br />
to love, that loving is too difficult a task for a human being; it involves dealing with what is beyond<br />
control.<br />
What is offered here is the sketch of an argument that would require more than a whole book.<br />
The aim is obviously to seize the occasion for a dialogue about agency in the <strong>Symposium</strong>, egoistically<br />
aiming to benefit myself from the audience’s objections. What I claim is that the narrative in the<br />
<strong>Symposium</strong> transfigures Eros as a cause of action. What was at first a force greater than human, a<br />
divine cause of human accomplishments, has proved to demand control, internal or external, through<br />
laws, knowledge or piety. Socrates claims that this control can be replaced by aspiration and instead<br />
of inspiration he suggests constant exercise, the heaviest of tasks, condemned by those unable to<br />
properly love, but not by Plato.<br />
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philosophos who restlessly schemes after perfection” (Nightingale: 127).<br />
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