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Carolina Araujo<br />
changing objects due to the acknowledgement of their limits in comparison to the reality that strikes<br />
us (κατανοῆσαι - 210a8; b2; b4; b7; c3), meanwhile obstinately devoted to producing logos about this<br />
obscure paradigmatic object (210a7-8; c1-2; d5). Time and again the lover fails to give an account of<br />
reality, however, through the memory of the logos he produces and the effect of this memory, he<br />
becomes humanly immortal. All the stages consist in love’s action inasmuch as they all intend the<br />
sudden sight of beauty (210e4-6) 17 and they are all right if constantly trying to rescue from oblivion<br />
this fleeting moment through logos, (σχεδὸν ἄν τι ἅπτοιο τοῦ τέλους - 211b6-7 in opposition to ἱνα<br />
γνῷ αὐτὸ τελευτῶν ὅ ἐστι καλόν – 211c8-d1): the unity of the ladder is given both by the unity of<br />
beauty and by action of the lover. 18 This permanent exercise of love is real excellence (212a5-7) and<br />
its immortality takes place in others by means of all the erotic speeches produced along the journey. 19<br />
Alcibiades presents the effect of these speeches in his eulogy for Socrates as the daimonic<br />
agent (214d3; 221c4-6). 20 According to his imagery, gods are inside Socrates (215b3) 21 , causing him<br />
to be hubristic for being simultaneously excellent and disdainful (215b7, see also 175e7; 216d6-7; e2-<br />
5; 219d4-7; 222a3). This internal divine nature, said to be also νοῦς (222a2-3) makes Socrates a<br />
unique human being (221d2), capable of producing speeches that produce possession (κατεχόµεθα –<br />
215d6). In a reappraisal of the enthusiastic model, the daimonic possession or philosophical madness<br />
(218b3) is presented as an effect of speech on human beings, felt as an Aristophanic suffering<br />
(ἐκπεπληγµένοι– 215d5-6; ἔπασχον - 216e5), which arouses the divine in others through the distress<br />
(ἐτεθορύβητό - 215e6) about the way one ought to live (216a1-2). The speech is hence not only a<br />
product of love that can immortalize actions, as poets and legislators do; it is a producer of love,<br />
immortalizing the production of speeches by producing daimonic lovers. 22 The daimonic way of<br />
living qua possession is irresistible – and here Pausanias’ voluntary servitude comes back to the fore<br />
(ποιητέον εἶναι ἔµβραχυ ὅτι κελεύοι Σωκράτης 217a1-2; 218a3-5) in again a merging of<br />
Aristophanes’ and Agathon’s meanings of love (216d2-3; 221d1-6; see also 177d7-8; 198d1-3) –, but<br />
Alcibiades is simply incapable of living it (216b3-5). Both Alcibiades’ mistake about Socrates 23 and<br />
states that “the philosophic initiate begins, then, at a level lower than that attained by the honor lover in the Lesser Mysteries<br />
(whom he will overtake in the due course)” (256). What the higher mysteries seem to reveal is how the constant exercise of<br />
lack and reasoning, described in the lesser mysteries, can result in excellence.<br />
17 Being an educational process between at least two people, the ladder is the action of a lover to turn someone else also into<br />
a lover, and it is as the common way of living of lovers that love takes place among individuals. If this daimonic way of life<br />
is marked by the constant experience of falling short of giving an account of the reality that strikes us, beauty is the constant<br />
object of love in persons, bodies, souls, laws, activities, etc. This constancy implies that even the vocabulary of “exclusive”<br />
or “inclusive” interpretations, proposed by Moravcsik (293), is misleading, not to mention the whole debate about love for a<br />
person as a person. For this topic, see my To orthos paiderastein: righteousness and eroticism in Plato’s <strong>Symposium</strong>,<br />
forthcoming.<br />
18 Halperin (186) seems to neglect this daimonic model of action in claiming that the link between the stages is made only in<br />
objective and not in subjective terms, although he recognizes that Plato considers the lover’s sexual desire identical to the<br />
philosopher’s desire (188).<br />
19 “What is generated at the summit is, for the first time, not described as a kind of discourse, but rather as ‘true virtue’”<br />
(Ferrari: 259). The form of beauty will cause the experience of failure in the attempt to give an account of it, because i) it is<br />
sudden; ii) because it is loved, it is never possessed. Hence it determines the rectitude of all the process without a logos of<br />
itself, the same kind of rectitude that must be implied in a right opinion, an internal state ratified by practical effectiveness.<br />
All the speeches in the ladder are about beauty (in diverse instances) and they fall short because of their object. “If Socrates<br />
has indeed been gazing on the Form of Beauty, the offspring he produces will be not logoi, but interior virtues. Such virtues<br />
may, however, be manifested in action”. (Blondell: 158). The evidence of excellence in actions is what explains Alcibiades’<br />
mistaken claim about Socrates’ inner states.<br />
20 Robin: 109, 161-164; however, we cannot accept Robin’s theses that Eros is the nous or the soul, (125, 137) nor is the<br />
feeling of love cut off from philosophy (159), a theory that would destroy the principle of lack and desire for immortality.<br />
Robin’s intellectualism even considers Platonic love as an inferior principle of action (164-165), a conclusion based in its<br />
synthetic function that would, again, hold against his identification of Eros and nous. Interestingly enough some of Robin’s<br />
claims can also be found in Nussbaum: “It is, we see, the old familiar eros, that longing for an end to longing, that motivates<br />
us here to ascend to a world in which erotic activity, as we know it, will not exist”. (183). Closer to our approach here is<br />
Belfiore’s definition of Socratic eros as: “a passionate desire for the wisdom, beauty and other good things that one<br />
recognizes that one lacks”(3).<br />
21 Reeve’s understanding of agalmata as “an image for what is itself necessarily beyond image”(138) seems to imply a too<br />
radical philosophical experience in what Alcibiades sees in Socrates. What Alcibiades sees is the success in speeches and the<br />
excellence in actions, i.e., Socrates’ efficiency in performing tasks that Alcibiades would like to perform equally well.<br />
22 Lear insightfully suggests the connection between beauty and immortality through memory, which “makes one wonder<br />
whether his quasi-immortality is not something altogether different from enduring for a very long time in the minds of<br />
others” (111); a point of view shared by Price: “so long as the boy lives, and does not deteriorate, the man’s virtues will be<br />
alive in him” (28). However these approaches do not consider Socratic love as a producer of lovers in which it is one’s own<br />
excellence instead of the memory of someone else’s deeds that immortalizes the love.<br />
23 So Alcibiades’ unreliableness lies in his ignorance and misunderstanding of reasons, not in his description of past facts or<br />
phenomena, his parresia, which is assured by the silence of Socrates himself. “Plato’s text encourages his readers to adopt a<br />
hermeneutic of suspicion towards Alcibiades’ interpretation of Socrates, but not towards the veracity of incidents that he<br />
recounts” (Lane: 47). “In Alcibiades' speech, Socrates is sophos, and therefore godlike and lacking in desire, rather than the<br />
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