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Hua-kuei Ho<br />
emotions, perceptions and knowledge come from. (On the Sacred Disease 14) It is the interpreter of<br />
understanding. (15, 16, 17) When the brain is too hot, too cold, too wet or too dry, it becomes<br />
unhealthy. Madness is caused by too much moisture inside the head. Then the brain needs to be put<br />
into motion (to remove the superfluous humidity) and thus the sight and hearing cannot be at rest, and<br />
the person cannot reason properly. (14) When the brain is damaged by phlegm and bile, people<br />
become mad. Being heated or being cooled may change the condition of the brain. (15)<br />
Actually Plato shares the medical view that the “sacred disease” (epilepsy) is caused by<br />
phlegm and bile in the brain. 8 For the brain is the sacred part of our body, the disease is called sacred.<br />
(Timaeus 85a-b) The author of On the Sacred Disease emphasizes that the “sacred disease” is “no<br />
more divine nor sacred than other diseases” but can be explained by natural causes. People call it<br />
divine because they are unable to comprehend it. This is the way in which the author distinguishes<br />
himself from ignorant people. (On the Sacred Disease 1) Plato adopts the medical explanation to<br />
regard the diseases of the soul as resulted from the condition of the body. Madness is one of the two<br />
kinds of disease (the other kind is ignorance). (Timaeus 86b) Considering these, once again we find<br />
that Plato’s position could not be too anti-materialist. However, he seems not as eager to discharge the<br />
divine matters by physical causes as the Hippocratic physicians. 9<br />
In the <strong>Symposium</strong>, philosophy is colored with a divine hue. The divine hue brings a new<br />
reflection on irrationality. In Plato’s early dialogue Ion, the requirement of giving a rational account<br />
distinguishes the genuine τέχνη from the divine inspiration. In the Ion, the rhapsody inspired by<br />
divinity—as the author of On the Sacred Disease says, one thing is called divine when people cannot<br />
comprehend it—is not a genuine τέχνη and thus not knowledge. Ion chooses to be thought divine,<br />
when he fails to provide rational explanations for his irrational performance. (Ion 542a-b) But in the<br />
<strong>Symposium</strong>, the need to go beyond τέχνη is pointed out by Diotima. The communication between god<br />
and human being takes place through ἔρως. This kind of wisdom is something different from wisdom<br />
περὶ τέχνας (about expertise). (203a) The role of Diotima as a priestess from Mantinea (punning on<br />
µαντική (divination)) strengthens the divine tone of her teaching. But now it is not irrationality which<br />
fails to give an account as in the Ion. The ἔρως for wisdom is the rational desire which combines both<br />
rationality (toward the rational aim, wisdom) and irrationality (urged by irrational ἔρως). In Diotima’s<br />
teaching for the initiates, when one ascends from the physical level to the end of the education in love,<br />
and catches the sight of the beauty of its wonderful nature, the beauty will appear “nor as any rational<br />
explanation nor as any knowledge (οὐδέ τις λόγος οὐδέ τις ἐπιστήµη).” (211a7) It does not come short<br />
of rationality, but go beyond.<br />
Philosophy as the ἔρως for wisdom refers to a special state in the soul. Plato does not<br />
emphasize the harmony and health less than any true practitioner of medicine, especially when it is<br />
involved with the soul. But to characterize philosophy, Plato needs to go beyond the model of τέχνη.<br />
Though the corresponding condition of the body can be explained by physical causes, the harmony of<br />
elements in the soul cannot be reduced to a rational balance of the opposite desires. Medicine<br />
produces the balance of different elements by evening out variance. But the harmonious soul of<br />
Plato’s philosopher contains not only rational, but also irrational elements.<br />
[Reference]<br />
Brandwood, L., “Stylometry and chronology,” in R. Kraut ed., The Cambridge Companion to Plato,<br />
Cambridge, 1992: 90-120.<br />
Burnet, J., ed., Platonis Opera Tom. II, Oxford: 1901.<br />
Craik, E. M., “Plato and Medical Texts: <strong>Symposium</strong> 185c-193d,” Classical Quarterly 51.1 (2001):<br />
109-114.<br />
Dover, K., “The date of Plato’s <strong>Symposium</strong>,” Phronesis 10, 1965: 2-20.<br />
----, “The Significance of the Speeches in Plato’s <strong>Symposium</strong>,” Philosophy and Rhetoric 2, 1969:<br />
215-34.<br />
Edelstein, L., “The Role of Eryximachus in Plato's <strong>Symposium</strong>,” Transactions and Proceedings of the<br />
American Philological Association 76, 1945: 85-103.<br />
Gill, C., Plato: the <strong>Symposium</strong>, Penguin, 1999.<br />
Howatson, M. C. and Sheffield, F. C. C., eds., Howaston tr., Plato, the <strong>Symposium</strong>, Cambridge, 2008.<br />
Hunter, R., Plato’s <strong>Symposium</strong>, Oxford, 2004.<br />
8 On this, “Plato agrees with the Hippocratic author of On the Sacred Disease that epilepsy is to be explained by a physical,<br />
not a religious, account.” (McPherran 2006: 77) “Plato even goes so far as to implicitly deny the popular view that epilepsy<br />
is caused by a divinity.” (77 n.18)<br />
9 Even for the Hippocratics, the influence of divinity might still remain. (McPherran 2006: 81)<br />
186