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Symposium - AIC

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Annie Larrivée<br />

the Alcibiades, among other dialogues), to care primarily for the soul, philosophia, and intelligence,<br />

rather than one’s wealth or reputation. (In what follows, I will refer to this order of priorities as<br />

‘Socrates’s hierarchy of care’). These apparently innocent comments from the prologue are<br />

significant, for they reveal the correlation between being intensely devoted to and enamoured with<br />

Socrates, and starting to care about the right things in life, things that truly matter and deserve<br />

attention. 3 The speeches on love carefully memorized and later retold by Apollodorus shed light on<br />

other aspects of the possible connection between love and care. The first two, in particular, seem to<br />

offer a vision of love that is compatible with the Socratic exhortation to care about the self (as soul).<br />

However, as we will now see, such a rapprochement is problematic in many ways.<br />

Phaedrus: taking care of oneself in order to be loved<br />

The core idea of Phaedrus’ eulogy 4 , as summarized in its conclusion, is simple: Eros is the most<br />

powerful force that enables human beings to acquire virtue and eudaimonia. 5 At first glance,<br />

Phaedrus’ praise, with its emphasis on the role of eros in “living well” (178c5-6) seems in harmony<br />

with the Socratic hierarchy of care –an impression made even stronger by the fact that he depreciates<br />

the role of kinship, public honor and wealth in this good life (178c6-d1). It is love, he claims, that is<br />

the source of the greatest goods in so far as it imparts this “guidance each person needs for his whole<br />

life, if he is to live well” (178c5-6, note that the ‘guiding love’ he has in mind is pederastic).<br />

However, the resemblance between the role Phaedrus attributes to love and Socrates’ hierarchy of<br />

care remains superficial; Phaedrus’ account is centered on love’s power to trigger an intense concern<br />

for oneself, but the form that this concern takes is clearly unsocratic. He in no way suggests that love<br />

leads to virtue by inciting the lover or the beloved to care for the state of his soul (there is no mention<br />

of the psuche in Phaedrus’ speech). In the wake of the traditional heroic ideal, he thinks of virtue and<br />

eudaimonia essentially in terms of actions, and more importantly, actions that are (or could be)<br />

witnessed, seen by the loved-one. 6 His understanding of virtue and eudaimonia is somehow ‘external’<br />

as it is focused on the public (or at least, ‘visible’) performance of fine actions and the achievement of<br />

great and beautiful deeds (megala kai kala erga, 178d4). Phaedrus holds that love is the source of fine<br />

deeds (mostly courageous ones in the context of war) and an obstacle to shameful acts, for a lover<br />

would rather die than be seen performing dishonourable acts by his beloved. Thus what love seems to<br />

trigger, beyond a care for virtue as such, is a fear of shame and a desire to be admirable (kalon) in the<br />

beloved’s eyes.<br />

Now, needless to say, from a Socratic point of view this emphasis on visibility raises<br />

questions. First, one can wonder if eros is the principle of a genuine form of individual and political<br />

betterment or if it only triggers a concern for the way one appears to be. 7 This problem appears later in<br />

the interlude between Aristophanes’ and Agathon’s speeches when Socrates asks Agathon if it is<br />

really the case that he would only be ashamed of doing something disgraceful if it was witnessed by a<br />

group of intelligent individuals and would not mind at all if it happened before a crowd of ordinary<br />

people (194c). 8 With this remark Socrates seems to question the idea that the quality of an action<br />

somehow depends on the ‘audience’ that witnesses it. This echoes his well known attack on the care<br />

for doxa, reputation, and appearances.<br />

Let us note in passing that the value Phaedrus attributes to love-motivated self-sacrifice at the<br />

end of his eulogy also raises important questions for my inquiry. Can self-sacrifice be, in certain<br />

3<br />

The prologue also subtly evokes a theme that will be crucial in Diotima’s speech, namely the necessity to constantly<br />

reactivate one’s memories and to repeat and thus recreate what one knew in order to maintain one’s identity, 208a. Indeed,<br />

Apollororus twice mentions the fact that he was well exercised (ouk ameletetos einai 172a1, ouk ameletetos echo, 173c1),<br />

having apparently memorized, told and retold Socrates’ speech (as well as the other guests’).<br />

4<br />

Despite the fact that Eryximachus was the one to suggest a eulogy to eros, the idea originates from Phaedrus and since<br />

Phaedrus is also presented as learning a speech about love by heart in the Phaedrus, we can infer that eros was a topic to<br />

which he had given quite a bit of thought. That, coupled with the fact that he is the first to speak, makes his speech<br />

important: it is his speech that sets the scene and to which the other guests will react.<br />

5<br />

“Love is the most ancient of the gods, the most honored, and the most powerful in helping men gain virtue and blessedness,<br />

whether they are alive or have passed away” 180b. Eros’ capacity to lead to eudaimonia at the level of the polis is mentioned<br />

at 178d, e. Although Phaedrus does not explain what this contribution consists in, we can infer that he is thinking of its<br />

collective usefulness in the context of war and as a motive for self-sacrifice.<br />

6<br />

On the importance of being or not being seen, see 178d-e, 178a. Vernant [1991] 105-7, provides insightful explanations on<br />

this aspect of Greek culture.<br />

7<br />

And if the latter is the case, could this concern for the actions witnessed by the beloved lead, eventually, to a real<br />

improvement of the lovers' character?<br />

8<br />

“ –S:...if you did run into wise men, other than yourself, you’d certainly be ashamed at the thought of doing anything ugly<br />

in front of them. Is that what you mean? –A.: That’s true, he said. –S.: On the other hand, you wouldn’t be ashamed to do<br />

something ugly in front of ordinary people. Is that it?”<br />

42

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