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237. Angels Conveying the Body of St Catherine of Alexandria to
Mount Sinai (N I), the figure of St Catherine is a portrait of Halina
Hamerska; one of the angels allegedly has the features of Henryk
Zbierzchowski
238. The Armenian cathedral in Lvov, mural paintings on the
northern wall in the middle bay of the nave (N II)
239. The Funeral of St Odilo (1927)
240. St Odilo, after: Ägidius Ranbeck, Calendarium ann[u]ale benedictinum,
Augsburg, 1677
241. William Blake, The Return from Golgotha, c. 1799–1800
242. John Flaxman, The Procession of Trojan Women, 1792–1794
243. Georg Busch, The Funeral of Christ, c. 1913
244. Alfredo Pina, The Funeral of Dante
245. John Flaxman, The Hypocrites, c. 1793
246. Francisco Goya, The Procession of Monks, c. 1795
247. The tomb of the Schützer family, designed by Stefan Zbigniewicz,
Cracow, The Rakowicki Cemetery
248. Claus Sluter, A mourner from the tomb of Philip the Bold,
1384–1410
249. The tomb of Philip Pot, 1477–1483
250. The tombstone of Georg von Münster (d. 1439) and Jacquemière
van den Brughe (d. 1423), Bruges, the church of St.
Saveur
251. The tomb of the Łoś family from Grodków, designed by Jan
Nowak, c. 1909, Cracow, The Rakowicki Cemetery, field X
252. The Beuron Art School, The Funeral of St Scholastica, c. 1880
253. The Vision of the Seven Candlesticks: a) a miniature in the
Bamberg Apocalypse, fol. 3 r ; – b) on the ‘tapestry’ in the Funeral
of St Odilo
254. Seraphim Adoring the Apocalyptic Lamb: a) a miniature in the
Bamberg Apocalypse, fol. 13 v ; – b) on the ‘tapestry’ in the Funeral
of St Odilo
255. The Second Beast Figured by the Dragon: a) a miniature in the
Bamberg Apocalypse, fol. 33 v ; – b) on the ‘tapestry’ in the Funeral
of St Odilo
256. Angels with the Bowls Full of the Wrath of God: a) a miniature
in the Bamberg Apocalypse; fol. 40 v ; – b–c) on the ‘tapestry’ in the
Funeral of St Odilo
257. Cardinal Mercier: a) on a photograph; – b) portrait in the
Funeral of St Odilo
258. Detail of the tomb sarcophagus of Cardinal Mercier, Mechelen
(Malines), St Rumbold’ s cathedral
259. Fr Karol Csesznák: a) on a photograph; – b) portrait in the
Funeral of St Odilo
260. Fr Adam Bogdanowicz, portrait in the Funeral of St Odilo
261. Fr Leon Isakowicz, portrait in the Funeral of St Odilo
262. St Giles Defending a Hind against Hunters, mural painting on
the northern wall in the middle bay of the nave (N II); Roman
Witkiewicz was portrayed as St Giles, and Fr Fr: Kajetanowicz (),
Tadeusz Kuntze and Bogdan Agopsowicz – as hunters
263. a) St George Slaying the Dragon, painting on the northern wall
in the middle bay of the nave (N II); – b) Fr Tadeusz Fedorowicz
264. St Christopher Carrying the Infant Jesus, painting on the
northern wall in the middle bay of the nave (N II); allegedly a portrait
of Wiktor Hamerski
265. Stained-glass panel ‘Mons Pius’ (1927), in the window of the
nave (northern wall, N II, vi), archival photo, c. 1929
266. Decoration of the northern wall in the last bay of the nave
(N III): mural paintings and a statue Christ Good Shepherd (by Sophie
Rosen)
267. Saints: Margaret (portrait of Helena Ottawowa) and Barbara
(‘Mrs Drexler’); murals on the northern wall in the last bay of the
nave (N III)
268. Saints: Eustace, Vitus (portrait of Jerzy Heybowicz) and
Erasmus (Franciszek Groër); murals on the northern wall in the
last bay of the nave (N III)
269. Saints: Blasius (Ignacy Drexler), Denis (Zygmunt Harland),
Pantaleon, Acacius (Jan Szeptycki), Cyriac (Stefan Swieżawski);
murals on the northern wall in the last bay of the nave (N III)
270. The Allegories of the Five Senses and the Equilibrium, painting
on the western wall of the nave, on the southern side of the
arcade (W 1)
271. Senses, a reconstruction based on an archival photo by Ludwik
Wieleżyński of 1929
272. Cesare Ripa, Equity (Equité)
273. Cesare Ripa, Prudence (Discretion)
274. Cesare Ripa, The Senses (Les cincq sens de nature)
275. Seven Gifts of the Holy Spirit, paintings on the western wall of
the nave, on the northern side of the arcade, seen from the nave
(W 2)
276. Seven Gifts of the Holy Spirit (detail)
277. Andrea Bonaiuti (Andrea da Firenze), The Triumph of St Thomas
Aquinas, 1365–1368, Florence, Santa Maria Novella, Spanish
Chapel
278. Ferdinand Andri, Gifts of the Holy Spirit, c. 1913, detail of an
altar mosaic in the Schmelzer Pfarrkirche in Vienna
279. Franz Schilling, Gifts of the Holy Spirit, c. 1920–1925, Basle,
Heiliggeistkirche
280. The Armenian cathedral in Lvov, Cherubim and Seraphim on
the eastern wall of the nave, above the entrance arcade (E s, ch)
281. Thrones and the dove of the Holy Spirit on the western wall of
the nave, above the arcade (W t)
282. The signs of Zodiac in the intrados of the arcade in the western
wall of the nave (W z)
283. Jan Henryk Rosen, the signs of Zodiac at the National Shrine
of the Immaculate Conception, Washington (USA)
284 a–b. Jan Henryk Rosen at work on the murals in St Stephen’ s
Church, Monterey Park, CA (USA) – accompanied by a model,
Wilfried, and books
285. a) Photograph of a model; – b) a picture painted using the
photograph of the model (c. 1942), in the former National Catholic
Welfare Conference building in Washington (USA)
286. Jan Henryk Rosen at work in the Grace Cathedral in San
Francisco, c. 1953
287 a–c. Wilfried
288. a) The pluviale of Archangel Gabriel in the Angelic Salutation
(detail of Fig. 111); – b) ‘The Syon Cope’, an embroidered pluviale,
England, c. 1300–1320; – c) border of the Archangel’s pluviale;
– d) Virgin and Child in a mandorla, pattern on a silk brocade
fabric, Italy, 15 th c.
289. a) The pluviale of an angel in the St Francis of Assisi (detail
of Fig. 128); – b) Noli me tangere, pattern on a silk brocade fabric,
Italy, 15 th c.
482