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290. a) Perizonium, detail of the Crucifixion in the Armenian cathedral
in Lvov; – b) Crucifixion, miniature in the psalter-hymnal
of St Germain-des-Prés, Paris, Bibliothèque nationale de France,
ms. lat. 11550, fol. 6 r ; after M â l e, XII e siècle
291. Our Lady of Częstochowa, a painting held by St Luke, and
a model of the Vatican basilica as an attribute of St Peter (detail
of the Crucifixion)
292. Embroidery on the dalmatic worn by St Stephen (detail of the
Crucifixion)
293. The chasuble of St Gregory the Illuminator (detail of the Crucifixion)
294. a) St Casimir (detail of the Crucifixion); – b) silk brocade,
a 14 th c. Arab-Italian fabric
295. St John Vianney (detail of the Crucifixion): stole featuring the
scenes from the life of the saint
296. The crosiers: a) of St Benedict; – b) of St Gregory the Illuminator;
– c) of ‘St Maiolus’
297. a) The dress of the Virgin Mary in the Adoration of the Shepherds;
– b) silk brocade fabric, Italy, 15 th c.
298. a) A wall hanging in the background of the Annunciation;
– b) Persian arcaded wall hanging from the collection of
Dr Włodzimierz Kulczycki in Lvov
299. The so-called Wolfram-Leuchter (a candlestick): a) in Rosen’s
painting; – b) in Erfurt cathedral
300. Jan Henryk Rosen, Angel with the inscription: Angele | Dei
| ora pro | Joanne | Pictore, a mosaic in the apse of the National
Shrine of the Immaculate Conception, Washington (USA)
301. The Armenian cathedral in Lvov, Jan Henryk Rosen’s ()
khatchkhar carved on the south-western pillar of the crossing
302. Pleurants: a) in the Annunciation; – b) on an illustration in
Émile Mâle’s book
303. Sybils: a) in Rosen’s painting; – b–c) on illustrations in Émile
Mâle’ s book
304. Virgin and Child Enthroned: a) in the Vision of Elijah; – b) on
an ivory relief, 10 th –11 th c., The Cleveland Museum of Art
305. The Tree of Jesse: a) in the Ingeborg Psalter; – b) in the Chartres
cathedral, and – c) in the stained-glass windows at Saint-Denis;
after: M â l e, XII e siècle
306. a) Vestments of the angel holding the body of St John the Baptist;
– b–c) patriarchal sakkos (the so-called Dalmatic of Charlemagne),
14 th c., in the Treasury of St Peter’s Basilica, Vatican City
307. a) Silk brocade with a pattern of paired griffins in medallions,
Sicily, 10 th –12 th c.; – b) angel in the Glorification of St John the Baptist
308. Angels separating the wheat from the chaff (detail)
309. a) The tympanum of the church in Charlieu; – b) the trumeau
of Souillac; after: M â l e, XII e siècle
310. The cope of St Erasmus embroidered with an eagle
311. View of the interior of the cathedral at the time when it was
used as a storage room of the National Museum in Lvov (1998)
312. Archbishop Józef Teodorowicz surrounded by the Armenians
of Lvov – the clergy, parishioners and pupils of the Torosiewicz
Educational Establishment; a photograph taken in the backyard of
the establishment on the occasion of the 25 th ordination anniversary
of Fr Dionizy Kajetanowicz (sitting to the right of the Archbishop)
on 14 October, 1928
313. Religious service in the Armenian cathedral in Lvov on 9 October,
2005
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