PIANO MUSIC - Abeille Musique

Patetico.
INDEX BY S NUMBER S30 (continued) to S121a
ORIGINAL WORKS
S120
Part 4 Sabbato maioris hebdomadae (Sabbato Sancto). Responsorium 1 Sicut ovis . . . . . cs 1
Responsorium 1 Versus Tradidit in mortem cs 2
. . . . . . . . . . . . . . . Responsorium 2 Jerusalem, surge cs 3
. . . . . . . . . . . . . . . . . . . . Responsorium 2 Versus Deduc quasi torrentem cs 4
. . . . . . . . . . . . . Responsorium 3 Plange quasi virgo cs 5
. . . . . . . . . . . . . . . . . . . Responsorium 3 Versus Accingite vos cs 6
. . . . . . . . . . . . . . . . . . . Responsorium 4 Recessit pastor noster cs 7
. . . . . . . . . . . . . . . . . Responsorium 4 Versus Destruxit quidem cs 8
. . . . . . . . . . . . . . . . Responsorium 5 O vos omnes cs 9
. . . . . . . . . . . . . . . . . . . . . . Responsorium 5 Versus Attendite cs bl
. . . . . . . . . . . . . . . . . . . . . Responsorium 6 Ecce quomodo moritur iustus cs bm
. . . . . . . . . . . . Responsorium 6 (variant harmonization) Ecce quomodo moritur cs fn
. . . . Responsorium 6 Versus Tamquam agnus cs bn
. . . . . . . . . . . . . . . . . Responsorium 6 Versus (variant harmonization) Tamquam agnus cs fo
. . . . . Responsorium 7 Astiterunt reges terrae cs bo
. . . . . . . . . . . . . . . . . Responsorium 7 Versus Quare fremuerunt gentes cs bp
. . . . . . . . . . . . Responsorium 8 Aestimatus sum cs bq
. . . . . . . . . . . . . . . . . . . . Responsorium 8 Versus Posuerunt me cs br
. . . . . . . . . . . . . . . . . . Responsorium 9 Sepulto Domino cs bs
. . . . . . . . . . . . . . . . . . . . Responsorium 9 Versus Accedentes principes cs bt
. . . . . . . . . . . . . . Ad Benedictus Antiphona Mulieres sedentes ad monumentum cs bu
. . . . .
Part 5 In Officio defunctorum. Responsorium 1 Credo quod Redemptor meus . . . . . cs cl
Responsorium 1 Versus Quem visurus cs cm
. . . . . . . . . . . . . . . . . . Responsorium 1 & Versus (variant harmonizations) Credo – Quem cs fp
. . . . Responsorium 2 Qui Lazarum resuscitasti cs cn
. . . . . . . . . . . . . . . Responsorium 2 Versus Qui venturus est cs co
. . . . . . . . . . . . . . . . . Responsorium 3 Domine, quando veneris cs cp
. . . . . . . . . . . . . . . Responsorium 3 Versus 1 Commissa mea cs cq
. . . . . . . . . . . . . . . . Responsorium 3 Versus 2 Requiem aeternam cs cr
. . . . . . . . . . . . . . Responsorium 4 Memento mei Deus cs cs
. . . . . . . . . . . . . . . . . . Responsorium 4 Versus De profundis cs ct
. . . . . . . . . . . . . . . . . . . Responsorium 5 Hei mihi! Domine cs cu
. . . . . . . . . . . . . . . . . . . Responsorium 5 Versus Anima mea cs dl
. . . . . . . . . . . . . . . . . . . . Responsorium 6 Ne recorderis cs dm
. . . . . . . . . . . . . . . . . . . . . . Responsorium 6 Versus 1 & 2 Dirige, Domine – Requiem aeternam cs dn
. . Responsorium 7 Peccantem me cs do
. . . . . . . . . . . . . . . . . . . . . Responsorium 7 Versus Deus, in nomine tuo cs dp
. . . . . . . . . . . . . . Responsorium 8 Domine, secundum actum meum cs dq
. . . . . . . . . . Responsorium 8 Versus Amplius lava me cs dr
. . . . . . . . . . . . . . . . . Responsorium 9 Libera me Domine de viis inferni cs ds
. . . . . . . . . . . Responsorium 9 Versus 1 Clamantes et dicentes cs dt
. . . . . . . . . . . . . Responsorium 9 Versus 2 Requiem aeternam cs du
. . . . . . . . . . . . . . Responsorium 9 bis Libera me, Domine, de morte cs el
. . . . . . . . . . . Responsorium 9 bis Versus 1 Tremens factus cs em
. . . . . . . . . . . . . . . Responsorium 9 bis Versus 1 (variant harmonization) Tremens factus cs fq
. . . Responsorium 9 bis Versus 2 Dies illa, dies irae cs en
. . . . . . . . . . . . . . Responsorium 9 bis Versus 3 Requiem aeternam cs eo
. . . . . . . . . . . . . Responsorium 9 bis reprise Libera me, Domine, de morte cs ep
. . . . . . .
Piano & orchestra
Grande fantaisie symphonique on themes from Berlioz’s Lélio 1834; scores and parts corrected
from manuscript sources by Leslie Howard LISZT / BERLIOZ
1Lento Movement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jp bq
2Allegro Movement vivace – Andantino, senza interruzione – Vivace animato . . . . . . . . jp br
S121 Concerto in E minor for piano and strings ‘Malédiction’ circa 1833
1Quasi Movement moderato ‘Malédiction’–Sostenuto–Mol toagitato–Calmato‘Pleurs,
2Un Movement poco più animato –Unpocoagitato–Vivo‘Rail lerie’–Semprepiùdi
3Energico Movement nobilmente –Sempremoderato, atemporubato–Sostenuto–Recitativo.
4Animato Movement con agitazione –Mol toanimato,
angoise’ . . . . . . . . . . . . . . . . . . . . . . . . . . . jq 1
fuoco . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jq 2
Senzatempo–Andantelacrimoso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jq 3
quasipresto–Stretto–Strepitoso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jq 4
S121a De profundis – Psaume instrumental pour orchestre et piano principal 1834/5
score prepared from manuscript sources by Jay Rosenblatt; further preparation and completion
(final six bars) of the work by Leslie Howard; formerly catalogued as S691
1Andante Movement
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jr 8
2L’istesso Movement tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jr 9
3Cadenza Movement del pianoforte – A tempo . . . . . . . . . . . . . . . . . . . . . . . . . jr bl
4Allegro Movement moderato Tempo di polacca . . . . . . . . . . . . . . . . . . . . . . . . jr bm
5Tempo Movement primo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jr bn
6Allegro Movement marziale . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jr bo
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