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PIANO MUSIC - Abeille Musique

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ORIGINAL WORKS<br />

S122 to S132 INDEX BY S NUMBER<br />

S122 Fantasie über Motive aus Beethovens Ruinen von Athen circa 1837 / 1848/52 / 1855<br />

LISZT / BEETHOVEN<br />

Movement<br />

2Cadenza Movement del pianoforte – Allegro vivace ma non troppo –Al legromol tovivace–Cadenzadel<br />

3Allegretto Movement – Poco a poco più mosso –Vivo–Tempodimarcia.Animato–Piùal<br />

1Tempo di marcia Moderato . . . . . . . . . . . . . . . . . . . . . . . . . . . . jp 5<br />

pianoforte . . . . . . . . . . . . jp 6<br />

legro–Presto . . . . . . . . . . . . . . . . . . . . . . . jp 7<br />

S123 Fantasie über ungarische Volksmelodien circa 1852/5<br />

1Andante Movement mesto – Allegro molto . . . . . . . . . . . . . . . . . . . . . . . . . . . js cn<br />

2Allegro Movement eroico – Più animato – Molto adagio, quasi fantasia – Moderato Fest . js co<br />

3Allegretto Movement alla Zingarese – Molto animato – Cadenza . . . . . . . . . . . . . . . js cp<br />

4Vivace Movement assai – Prestissimo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . js cq<br />

S124 Concerto No 1 in E flat major 1830s/1849/1853/1856<br />

1Allegro Movement maestoso Tempo giusto . . . . . . . . . . . . . . . . . . . . . . . . . . jp 1<br />

2Quasi Movement adagio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jp 2<br />

3Allegretto Movement vivace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jp 3<br />

Movement<br />

4Allegro marziale animato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jp 4<br />

S125 Concerto No 2 in A major 1839/1849/1853/1857/1861<br />

Movement<br />

Movement<br />

Movement<br />

Movement<br />

Movement<br />

Movement<br />

Movement<br />

S125a Concerto in E flat circa 1836/9; score prepared from manuscript sources by Jay Rosenblatt;<br />

further preparation and performing version of solo part by Leslie Howard<br />

Movement<br />

Movement<br />

Movement<br />

Movement<br />

Movement<br />

1Adagio sostenuto assai – Un poco più mosso . . . . . . . . . . . . . . . . . . . jr 1<br />

2L’istesso tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jr 2<br />

3Allegro agitato assai – Un poco più mosso – Tempo del Andante . . . . . . . . . jr 3<br />

4Allegro moderato – In tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . jr 4<br />

5Allegro deciso – L’istesso tempo . . . . . . . . . . . . . . . . . . . . . . . . . . jr 5<br />

6Sempre allegro – Marziale, un poco meno allegro – Un poco animato . . . . . jr 6<br />

7Un poco meno mosso – Allegro animato – Stretto – Sempre animato . . . . . . jr 7<br />

1Andantino – Recitativo del pianoforte . . . . . . . . . . . . . . . . . . . . . . . jq 5<br />

2Allegro – Tempo primo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jq 6<br />

3Andante . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jq 7<br />

4Tempo primo – Allegro come prima . . . . . . . . . . . . . . . . . . . . . . . . jq 8<br />

5Allegro vivace – Più mosso . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jq 9<br />

S126i Totentanz – Phantasie für Pianoforte und Orchester ‘De profundis version’ 1849;<br />

score prepared from manuscript sources by Ferruccio Busoni, 1919<br />

01Andante Movement – Allegro – Allegro moderato . . . . . . . . . . . . . . . . . . . . . . . js bm<br />

02Variation Movement 1 Allegro moderato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . js bn<br />

03Variation Movement 2 Un poco animato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . js bo<br />

04Variation Movement 3 Allegro animato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . js bp<br />

05Variazione Movement fugata . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . js bq<br />

06Alternativo Movement Allegretto scherzando – Variation 4 – Variation 5 – Variation 6 . . . . . . js br<br />

07Variation Movement 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . js bs<br />

08Adagio Movement ma non troppo ‘De profundis’ . . . . . . . . . . . . . . . . . . . . . . . js bt<br />

09Allegro Movement – Cadenza – Scherzando – Cadenza . . . . . . . . . . . . . . . . . . . . js bu<br />

10Allegro Movement con fuoco . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . js cl<br />

1earlier Movement version of Variation 7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . js cm<br />

S126ii<br />

Totentanz – Paraphrase über Dies irae 1852/9; final version<br />

IntroductionAndante – Presto – Allegro – Allegro moderato . . . . . . . . . . . . . . . . . . jp 8<br />

Variation 1 Allegro moderato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jp 9<br />

Variation 2 [L’istesso tempo] – Un poco animato . . . . . . . . . . . . . . . . . . jp bl<br />

Variation 3 Molto vivace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . jp bm<br />

Variation 4 ‘canonique’ Lento – Presto . . . . . . . . . . . . . . . . . . . . . . . . jp bn<br />

Variation 5 Vivace Fugato – Cadenza . . . . . . . . . . . . . . . . . . . . . . . . jp bo<br />

Variation 6 Sempre allegro, ma non troppo –Unpocomenoal legro–Cadenza–Presto–Al legroanimato . . . . . . . . . . . . . . . . . . jp bp<br />

Chamber music<br />

S132 Romance oubliée 1880; original version for viola and piano . . . . . . . . . . . . . . . jo 5<br />

65

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