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Примењена лингвистика у част Ранку Бугарском - Језик у

Примењена лингвистика у част Ранку Бугарском - Језик у

Примењена лингвистика у част Ранку Бугарском - Језик у

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JEZIK U UPOTREBI / LANGUAGE IN USE<br />

only two subcultures, both related to contemporary youth music culture – the<br />

Skinhead and Punk subcultures. The examination of the contexts in which the<br />

relevant concepts of this thematic category occurred revealed little critical analysis<br />

of the relation of these subcultures to the common or ‘mainstream’ culture,<br />

or of the social and historical contexts in which these subcultures were created.<br />

Instead, they included mainly the description of the characteristics of the subcultures,<br />

the visible artefacts commonly associated with them, and their historical<br />

background in rock music. Therefore, the high frequency of occurrence of the<br />

concepts classified into this thematic category could be interpreted merely as a<br />

sign that youth music culture is in the focus of students’ interest.<br />

The third thematic category identified was the one most directly related<br />

to the theoretical framework of the course and the topics dealt with in class. It<br />

included the concepts of cultural profiles, cultural differences, and culture shock.<br />

We find this a very important thematic category, because the contexts in which<br />

the concepts occurred included general discussions of the theories and models of<br />

culture (Hall’s high-context and low-context cultures, Bennett’s DMIS, the notion<br />

of intercultural communication apprehension; Hofstede’s dimensions of culture),<br />

and attempts at analyzing specific examples using these theoretical tools. The<br />

contexts included comparisons of specific national cultures (British and Serbian,<br />

Canadian and Serbian), based on two kinds of materials – the images presented<br />

in the media (TV series, e.g. Only Fools and Horses), and personal experience,<br />

obtained through interviews, or offered in published texts. This latter type of<br />

materials was particularly interesting, because it focused two different kinds of<br />

perspectives – the one of cultural ‘insiders’ (Kate Fox, Watching the English;<br />

Jeremy Paxman, The English: A Portrait of a People), or that of cultural ‘outsiders’<br />

(e.g. George Mikes, How to be a Brit; interviews with Serbian immigrants<br />

in Canada). Within this thematic category, we identified several more specific<br />

concepts that we interpret as indicators of students’ cultural awareness and sensitivity.<br />

For instance, one was the idea that cultural models may represent helpful<br />

generalizations, but that, at the same time, they are another instance of stereotyping,<br />

because they are based on simplifying and reduction. Another interesting<br />

concept was the idea that the way people treat animals can be seen as a reflection<br />

of deeper cultural differences. Nationalism was yet another important concept<br />

identified within this thematic category, and classified here based on the analysis<br />

of the contexts in which it occurred, since it was brought up as a cultural trait and<br />

part of specific cultural profiles. As pointed out by Bugarski (2002: 23), the term<br />

nationalism can be used with very different meanings, and, like Ianus, faces two<br />

opposite directions – that of patriotism, love, and loyalty, and that of chauvinism<br />

243

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