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1 12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Twelve Answers and Explanations<br />

Choice (E) is a false inference based on <strong>the</strong> first paragraph;<br />

<strong>the</strong> aristocrats may well have continued to be interested in<br />

music.<br />

16. A<br />

Difficulty: Medium<br />

Choice (A) is <strong>the</strong> correct answer because 1) women were<br />

allowed to become involved in music in order to enhance<br />

<strong>the</strong> family's social status through marriage (a traditional<br />

role) and 2) singing was especially encouraged because it<br />

fit in with <strong>the</strong> traditional conception of <strong>the</strong> mo<strong>the</strong>r.<br />

There is no evidence at all in <strong>the</strong> passage to support (B).<br />

Choice (C) is incorrect because <strong>the</strong> increased participation of<br />

bourgeois women was in amateur, not professional, music.<br />

Choice (0) directly contradicts what we're told in <strong>the</strong> first<br />

paragraph. Choice (E) is not correct because <strong>the</strong> author never<br />

explicitly says that women's increased participation in music<br />

was justified by <strong>the</strong>ir show of talent.<br />

17. D<br />

Difficulty: Low<br />

The point of <strong>the</strong> entire second paragraph is that women<br />

musicians in <strong>the</strong> 19th century were still subject to <strong>the</strong><br />

authority of <strong>the</strong> men. Due to societal standards and beliefs,<br />

women could not pursue a musical career without <strong>the</strong><br />

permission and support of men. In o<strong>the</strong>r words, women<br />

musicians were not allowed to act independently, which<br />

was <strong>the</strong> accepted norm, (0). None of <strong>the</strong> o<strong>the</strong>r choices are<br />

supported by <strong>the</strong> passage at all.<br />

18. c<br />

Difficulty: Medium<br />

The third paragraph is devoted to a discussion of<br />

18th-century beliefs concerning women as artists-beliefs<br />

that held sway in <strong>the</strong> 19th century as well. The author is<br />

demonstrating that I 9th-century beliefs about women were<br />

long-standing and firmly rooted, (C).<br />

Choice (A) is wrong because <strong>the</strong> third paragraph really<br />

shows that <strong>the</strong> perception of women did not change from<br />

<strong>the</strong> 18th to <strong>the</strong> 19th centuries. Choice (B) is not supported<br />

by anything in <strong>the</strong> third paragraph. Choice (D) is out<br />

because it doesn't seem that chauvinism was any worse in<br />

<strong>the</strong> 18th century than in <strong>the</strong> 19th-it was about <strong>the</strong> same.<br />

Choice (E) is incorrect because <strong>the</strong> philosophers in <strong>the</strong> third<br />

paragraph aren't pointing out any faults in society.<br />

19. A<br />

Difficulty: Medium<br />

Look to <strong>the</strong> previous sentence ( ... writers believed that<br />

women did not possess <strong>the</strong> intellectual and emotional<br />

capacity to learn or create as artists) to understand what<br />

Rousseau means by women ... possess no artistic sensibility.<br />

Aptitude is <strong>the</strong> right synonym <strong>for</strong> capacity and <strong>the</strong>re<strong>for</strong>e<br />

<strong>the</strong> right synonym <strong>for</strong> sensibility as well, since capacity and<br />

sensibility mean <strong>the</strong> same thing here.<br />

20. E<br />

Difficulty: Medium<br />

Campe's view is presented to show that people thought it<br />

was more important <strong>for</strong> women to be wives and mo<strong>the</strong>rs<br />

than to be composers. Campe criticizes women composers<br />

on <strong>the</strong> basis that <strong>the</strong>y have neglected <strong>the</strong>ir domestic duties.<br />

Choice (E) is <strong>the</strong>re<strong>for</strong>e <strong>the</strong> correct answer.<br />

Campe never suggests that women cannot compose, and<br />

he certainly doesn't think <strong>the</strong>y have too many domestic<br />

responsibilities, so (A) and (B) are out. Choice (C) contradicts<br />

Campe. Choice (0) does not fit because Campe would never<br />

advocate that women should concentrate exclusively<br />

on music.<br />

21. B<br />

Difficulty: Medium<br />

According to <strong>the</strong> fourth paragraph, 19th-century men<br />

and women agreed with <strong>the</strong> ideas of <strong>the</strong> 18th-century<br />

philosophers. There<strong>for</strong>e, one source of <strong>the</strong> societal censure<br />

and internal conflicts that women musicians suffered must<br />

have been disapproval from o<strong>the</strong>r women, (B).<br />

The author never says women had a problem with intensity,<br />

(A), or competition from men, (0). Choice (C) is clearly<br />

wrong because women did not receive many supportive<br />

opinions. Choice (E) is a distortion of in<strong>for</strong>mation in <strong>the</strong><br />

paragraph: Schumann is cited as an example of a great<br />

woman musician with internal conflicts caused by society;<br />

she is not <strong>the</strong> reason o<strong>the</strong>r women had internal conflicts.

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