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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

492<br />

Practice Test Five Answers and Explanations<br />

10. B<br />

Difficulty: Medium<br />

What word could best describe something that would cause<br />

a man to run like he was being chased down? Here, <strong>the</strong><br />

key to this Detail question is recognizing <strong>the</strong> tone of <strong>the</strong><br />

specific situations <strong>the</strong> author presents. Since this question<br />

asks <strong>for</strong> a description of <strong>the</strong> streets, <strong>the</strong> words used by <strong>the</strong><br />

author should lead you to your answer. The author states<br />

that Oscar ran in <strong>the</strong> shadows, and <strong>the</strong> streets darkened<br />

and were silenced. Perhaps <strong>the</strong> most telling clue, however,<br />

is that although Oscar was completely alone, he ran like a<br />

man being chased down. Look <strong>for</strong> <strong>the</strong> answer choice with<br />

<strong>the</strong> adjective that best reflects such descriptions.<br />

Choice (A) is out of scope; <strong>the</strong>re is no indication that <strong>the</strong><br />

streets were obstructed. Choice (B) should match your<br />

prediction; <strong>the</strong> streets upon which Oscar ran are best<br />

described as threatening. Choice (C) is an opposite; <strong>the</strong><br />

passage states that Oscar was completely alone. Choice<br />

(D) is extreme; certainly <strong>the</strong> author's description of <strong>the</strong><br />

streets conveyed some element of danger, but deadly is<br />

too extreme to be correct. Choice (E) is an opposite; <strong>the</strong><br />

passage states that The streets ... were silenced, which<br />

directly contradicts <strong>the</strong> assertion that <strong>the</strong>y were noisy.<br />

11. D<br />

Difficulty: High<br />

Oscar's impressions and Celia's observations, though of<br />

two totally separate scenes, convey something very similar<br />

about how both characters feel about <strong>the</strong>mselves. What<br />

is it? Authors intentionally employ detail and description<br />

in <strong>the</strong>ir writing to help establish elements of <strong>the</strong> character<br />

as well as to compare and contrast that character to<br />

o<strong>the</strong>r characters or situations. It is important to recognize<br />

that Oscar's impressions and Celia's observations share<br />

a common <strong>the</strong>me. This is illustrated by <strong>the</strong> fact that <strong>the</strong><br />

seemingly positive images in line 39-40 taunted Oscar and<br />

pushed him even fur<strong>the</strong>r into <strong>the</strong> shadows, and Celia felt<br />

that <strong>the</strong> sophisticated women were on <strong>the</strong> inside of some<br />

joke to which [she] was not privy. Predict what <strong>the</strong> author<br />

was trying to establish about both of <strong>the</strong> characters by using<br />

<strong>the</strong>se examples.<br />

Choice (A) is an opposite; in fact, Oscar's impressions and<br />

Celia's observations can be characterized as melancholy.<br />

Choice (B) is an opposite; Oscar's impressions and Celia's<br />

observations paint both characters as discontented.<br />

Choice (C) is distortion; Oscar's impressions and Celia's<br />

observations are descriptive of New York City lifestyles, but<br />

that is not <strong>the</strong>ir primary function within <strong>the</strong> passage. Choice<br />

(D) is <strong>the</strong> correct choice; <strong>the</strong> descriptions in <strong>the</strong> passage<br />

convey <strong>the</strong> sense that both Oscar and Celia share a feeling<br />

of being on <strong>the</strong> outside looking in. Choice (E) is out of<br />

scope; you could characterize Celia's personality as brooding,<br />

but Oscar's personality cannot be described as joyful.<br />

12. c<br />

Difficulty: Low<br />

What does <strong>the</strong> description of Oscar's pace be<strong>for</strong>e it flags<br />

most likely indicate about <strong>the</strong> word's meaning? Flag<br />

functions to indicate a change in Oscar's pace, but your<br />

answer needs to be more specific. In a straight<strong>for</strong>ward<br />

vocabulary question such as this one, your best approach<br />

is to simply replace <strong>the</strong> word in question with each of<br />

<strong>the</strong> given choices to see which makes <strong>the</strong> most sense<br />

in context. Use this approach to help you arrive at your<br />

prediction.<br />

Choice (A) is distortion; this is an alternate definition of flag<br />

that makes no sense in context. Choice (B) is an opposite;<br />

Oscar was already running at top speed like a man being<br />

chased down, so it makes no sense that his pace would<br />

revive as he neared his apartment. Choice (C) is <strong>the</strong> best<br />

match; it fits perfectly in context. Choice (D) is distortion;<br />

this is ano<strong>the</strong>r alternate definition of flag that makes no<br />

sense in context. Choice (E) is out of scope; nothing in <strong>the</strong><br />

surrounding context indicates that Oscar fell down.<br />

13. D<br />

Difficulty: Low<br />

Oscar did not ignore <strong>the</strong> doorman; he was unaware of him.<br />

What does this tell you about his state of mind at <strong>the</strong> time?<br />

A strong vocabulary is important <strong>for</strong> Inference questions.<br />

Often, knowing <strong>the</strong> definition of one tough word will<br />

provide a big clue to your answer. Usually, when a person<br />

is oblivious to a person or a thing, it means that he or she<br />

is completely unaware of that person or thing's existence.<br />

Using what you have been given about Oscar's character in<br />

<strong>the</strong> passage, make a prediction that would best explain how<br />

Oscar could be unaware of <strong>the</strong> doorman.<br />

Choice (A) is out of scope; <strong>the</strong>re is nothing to suggest that<br />

<strong>the</strong> doorman has a weak voice. Choice (B) is distortion;<br />

this implies that Oscar was ignoring <strong>the</strong> doorman, not<br />

unaware of him. Choice (C) is out of scope; nothing in <strong>the</strong><br />

passage suggests Oscar requires a hearing aid. Choice (D)

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