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1078<br />

112 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Twelve Answers and Explanations<br />

17. E<br />

Difficulty: Medium<br />

With "EXCEPT" questions, eliminate all answers that are<br />

included in <strong>the</strong> passage. Sometimes <strong>the</strong> right answer will<br />

be a choice that could be true, but is not supported by<br />

<strong>the</strong> passage. Verify each of <strong>the</strong> statements against <strong>the</strong><br />

in<strong>for</strong>mation in <strong>the</strong> passage.<br />

Choice (A) is true; this is a direct quote from <strong>the</strong> passage.<br />

Choice (B) is true; <strong>the</strong> passage says it has ten times <strong>the</strong><br />

star clusters that <strong>the</strong> Milky Way has. Choice (C) is true; it is<br />

ano<strong>the</strong>r direct quote from <strong>the</strong> passage. Choice (D) is true;<br />

<strong>the</strong> passage describes it as massive. As <strong>for</strong> (E), <strong>the</strong> Hubble<br />

Heritage Project is five years old, but <strong>the</strong> passage doesn't<br />

mention when <strong>the</strong> Sombrero was discovered.<br />

Questions 18-24<br />

The passage traces <strong>the</strong> development of Impressionism,<br />

noting especially <strong>the</strong> contributions of Claude Monet.<br />

Paragraph 1 describes <strong>the</strong> gradual development of<br />

Impressionism under Monet and his colleagues. The author<br />

concentrates on <strong>the</strong> artistic goals and techniques of <strong>the</strong><br />

artists. Paragraph 2 explores how <strong>the</strong> development of<br />

photography helped create a new role <strong>for</strong> painting-a role<br />

embraced by <strong>the</strong> Impressionists. Paragraph 3 explores <strong>the</strong><br />

critical reception of <strong>the</strong> Impressionists. Their contemporaries<br />

disparaged <strong>the</strong>ir works, but <strong>the</strong>se paintings today are some<br />

of <strong>the</strong> most prized works in <strong>the</strong> art world.<br />

18. D<br />

Difficulty: Medium<br />

A quick scan at <strong>the</strong> first word of each answer choice can<br />

often help you rule out several choices. With answer choices<br />

like <strong>the</strong>se, look at <strong>the</strong> beginning verbs. Think first of <strong>the</strong><br />

tone of <strong>the</strong> passage, which in this case is pretty neutral-<strong>the</strong><br />

author gives a brief history of Impressionism with a focus<br />

on Claude Monet. Eliminate all verbs that are not in keeping<br />

with that tone.<br />

Choice (A) is extreme; <strong>the</strong> word condemn is too negative.<br />

Choice (B) is out of scope; <strong>the</strong> author doesn't talk about<br />

<strong>the</strong> o<strong>the</strong>r painters enough <strong>for</strong> <strong>the</strong> word contrast to work<br />

here. Choice (C) is a distortion; <strong>the</strong> word describe sounds<br />

good, but this choice is too specific. The author doesn't<br />

talk too much about <strong>the</strong> paintings <strong>the</strong>mselves, and this<br />

choice leaves out <strong>the</strong> bigger picture of Impressionism in<br />

general. Choice (D) explains <strong>the</strong> overall purpose pretty well.<br />

Choice (E) is a distortion; <strong>the</strong> author never really argues <strong>for</strong><br />

anything here. The purpose is simply to describe or explain.<br />

19. D<br />

Difficulty: Medium<br />

In "EXCEPT" questions, you're looking <strong>for</strong> four true statements<br />

and one false one; <strong>the</strong> false one is <strong>the</strong> correct answer to <strong>the</strong><br />

question. Hunt <strong>for</strong> each of <strong>the</strong>se details in <strong>the</strong> passage.<br />

Choice (A) : This group . .. made it a common practice<br />

among <strong>the</strong>m to paint <strong>the</strong> same scene many times in a<br />

day . . .. Choice (B): . .. an interest that led him to attempt<br />

to paint light itself ra<strong>the</strong>r than <strong>the</strong> objects off of which light<br />

reflected. Choice (C) : . .. using small patches of color ra<strong>the</strong>r<br />

than <strong>the</strong> large brushstrokes and blended color . .. Choice<br />

(D): This is <strong>the</strong> opposite of what happened, as described in<br />

paragraph 3. People didn't like <strong>the</strong> paintings at first. Choice<br />

(E): This freed <strong>the</strong> Impressionists to find new roles <strong>for</strong> <strong>the</strong>ir<br />

medium and encouraged <strong>the</strong> public to think about painting<br />

ma new way.<br />

20. D<br />

Difficulty: Medium<br />

In Function questions, be sure to consider <strong>the</strong> role of a<br />

detail in both <strong>the</strong> paragraph and <strong>the</strong> passage as a whole.<br />

At <strong>the</strong> end of paragraph 1, where this phrase occurs, <strong>the</strong><br />

author mentions that <strong>the</strong> Impressionists used a techniquepatches<br />

of colors-to capture <strong>the</strong> light. This is different, she<br />

states, from <strong>the</strong> large brushstrokes and blended color that<br />

characterized painting technique at this time.<br />

Choice (A) is distortion; while it's true that <strong>the</strong> Impressionists<br />

painted outdoors, <strong>the</strong> author never offers a description of<br />

<strong>the</strong> light <strong>the</strong>y encountered <strong>the</strong>re. Choice (B) is extreme;<br />

<strong>the</strong> author says that <strong>the</strong> Impressionists were innovators, but<br />

never implies that <strong>the</strong> old paintings were inferior. Choice<br />

(C) is extreme; you don't know from <strong>the</strong> passage that a//<br />

modern painters used this technique-you only know that <strong>the</strong><br />

Impressionists did. Choice (D) is a good fit. Choice (E) is out<br />

of scope; this comes from <strong>the</strong> wrong part of <strong>the</strong> passage-it's<br />

from paragraph 2.<br />

21. c<br />

Difficulty: Medium<br />

With Function questions, be sure to answer 'Why?" The<br />

author mentions photography in paragraph 2. She says

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