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12.Practice.Tests.for.the.SAT_2015-2016_1128p

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252<br />

Section 4<br />

Practice Test Three<br />

Questions 16-24 are based on <strong>the</strong> following passage.<br />

The definition of aes<strong>the</strong>tic pleasure is a popular subject<br />

fo r many different fields. In <strong>the</strong> following, adapted from<br />

an article found in a science journal, a physicist discusses<br />

<strong>the</strong> unique perspective that his discipline allows him.<br />

Since time immemorial, countless scholars have<br />

asked <strong>the</strong> question: What is beauty? As philosophers<br />

engage in weighty discourses, designers<br />

Line update <strong>the</strong> latest fashions, and artists create <strong>the</strong>ir<br />

(5) masterpieces, what is considered beautiful changes<br />

at an alarming pace. Fifty years ago, <strong>the</strong> fullfigured<br />

Marilyn Monroe embodied <strong>the</strong> American<br />

aes<strong>the</strong>tic value; today, a legion of Hollywood<br />

actresses vastly different in appearance from<br />

(IO) Marilyn's have taken her place. However, aes<strong>the</strong>tic<br />

values not only differ from generation to generation,<br />

but do so along cultural lines as well. The<br />

conventions that govern painting and music vary<br />

greatly from East to West. Often, what is consid-<br />

(15) ered repellent to one civilization is <strong>the</strong> pinnacle of<br />

aes<strong>the</strong>tic appeal in ano<strong>the</strong>r. Thus, when left to <strong>the</strong><br />

sphere of human design, <strong>the</strong> search <strong>for</strong> an absolute<br />

definition of beauty remains an elusive one at<br />

best.<br />

(20) As fundamental physicists, my colleagues and I<br />

like to believe that we are involved in a search <strong>for</strong> a<br />

beauty that does not remain impervious to definition.<br />

The beauty that we search <strong>for</strong> is not that which<br />

is laid down through <strong>the</strong> work of people and subject<br />

(25) to ephemeral tastes, but ra<strong>the</strong>r that which has been<br />

established by Nature. Those not involved with<br />

physics tend to think of it as a precise and predictive<br />

science---certainly not a field of study fit <strong>for</strong> <strong>the</strong><br />

contemplation of <strong>the</strong> beautiful. Yet, one of physics's<br />

(30) greatest gifts is that it allows its students to look<br />

past extrinsic appearances into a more overwhelming<br />

beauty. As a human being, I am captivated by<br />

<strong>the</strong> visual appeal of a wave crashing on <strong>the</strong> beach.<br />

As a physicist, however, I possess <strong>the</strong> ability to be<br />

(35) captivated by <strong>the</strong> much deeper beauty of <strong>the</strong> physical<br />

laws that govern such a phenomenon. Where <strong>the</strong><br />

nonphysicist sees a lovely but inexplicable event, <strong>the</strong><br />

well-schooled physicist is able to perceive a brilliant<br />

design.<br />

( 40) Iri truth, since <strong>the</strong> day that Albert Einstein first<br />

proposed <strong>the</strong> notion that <strong>the</strong>re might be one<br />

overarching physical <strong>the</strong>ory that governs <strong>the</strong><br />

universe, aes<strong>the</strong>tics have become a driving <strong>for</strong>ce<br />

in modern physics. What Einstein and we, as his<br />

( 45) intellectual descendants, have discovered is this:<br />

Nature, at its most fundamental level, is beautifully<br />

constructed. The remarkable simplicity of<br />

<strong>the</strong> laws that govern <strong>the</strong> universe is, at times,<br />

nothing short of breathtaking. And at every step,<br />

(50) as new discoveries and technologies allow us to<br />

examine <strong>the</strong> physical world on deeper and deeper<br />

levels, we find that <strong>the</strong> beauty itself becomes more<br />

profound. As Einstein himself said, it would seem<br />

more likely that we should find ourselves living<br />

(55) in a "chaotic world, in no way graspable through<br />

thinking." Yet here we are, closer than ever to a full<br />

understanding of <strong>the</strong> universe's beautiful clockwork.<br />

16. The reference to "Marilyn Monroe" in line 7<br />

primarily serves to<br />

(A) provide an example of today's standards of<br />

beauty<br />

(B) discuss her abilities as an actress<br />

(C) demonstrate how susceptible aes<strong>the</strong>tics are to<br />

change<br />

(D) compare traditions of East and West<br />

(E) illustrate that <strong>the</strong> standard definition of<br />

beauty remains constant<br />

17. The author's assertion in lines 14-16 ("what is<br />

considered repellent . .. in ano<strong>the</strong>r") suggests that<br />

(A) cultures are naturally destined to clash<br />

(B) many civilizations are prone to disgusting<br />

behavior<br />

(C) different societies are tied toge<strong>the</strong>r by an<br />

appreciation <strong>for</strong> physics<br />

(D) it is nearly impossible to say what is truly<br />

beautiful<br />

(E) individuals tend to disagree over what <strong>the</strong>y<br />

find beautiful<br />

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