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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

218<br />

Practice Test Two Answers an d Exp l anations<br />

museum exhibits cater to visitors who do not have much<br />

specific background in a topic. It says that concepts are<br />

introduced in a digestible <strong>for</strong>mat. It must have something to<br />

do with how easily visitors can understand material from <strong>the</strong><br />

new exhibits.<br />

Choice (A) is a distortion; <strong>the</strong> word is not to be taken<br />

literally in this context. Food is not relevant to <strong>the</strong> author's<br />

point. Choice (B) is out of scope; controversial exhibits are<br />

not discussed in <strong>the</strong> passage. Choice (C) is out of scope;<br />

whe<strong>the</strong>r or not <strong>the</strong> new exhibits present only summaries<br />

is not addressed. Choice (D) works with your prediction.<br />

Choice (E) is a misused detail; digestible refers to people<br />

learning material more easily, not to <strong>the</strong> types of people<br />

who do so.<br />

20. E<br />

Difficu l ty: Medium<br />

An effective strategy <strong>for</strong> Inference questions is simply to<br />

paraphrase <strong>the</strong> relevant material from <strong>the</strong> passage in your<br />

own words. This will help you to draw conclusions more<br />

easily. In <strong>the</strong> course of <strong>the</strong> paragraph, <strong>the</strong> author discusses<br />

<strong>the</strong> much-maligned interactive stations and how <strong>the</strong>y<br />

are an improvement over <strong>the</strong> passive viewing and lobe/­<br />

reading of o<strong>the</strong>r displays. The author assumes that this has<br />

been <strong>the</strong> primary mode of exhibit <strong>for</strong> museums without<br />

interactive stations.<br />

Choice (A) is an opposite; <strong>the</strong> author of Passage 2 thinks<br />

this method can be improved upon. Choice (B) is an<br />

opposite; <strong>the</strong> interactive stations, not <strong>the</strong> label-reading<br />

exhibits, are <strong>the</strong> innovation <strong>the</strong> author discusses. Choice<br />

(C) is a misused detail; it is <strong>the</strong> interactive stations that <strong>the</strong><br />

author says will increase <strong>the</strong> value of <strong>the</strong> museum visit.<br />

Choice (D) is extreme; <strong>the</strong> author says that innovative<br />

museums have introduced interactive exhibits, but never<br />

says that <strong>the</strong>y have completely done away with exhibits that<br />

rely on passive viewing and label reading. Choice (E) works<br />

with your prediction.<br />

21. E<br />

Difficu l ty: High<br />

It's worth <strong>the</strong> extra few seconds to make a prediction <strong>for</strong><br />

questions that ask about both passages-remember to<br />

research as well. The author of Passage 2 says that <strong>the</strong>se<br />

exhibits were born out of improved understanding of<br />

different peoples' learning styles (lines 95-96), and that<br />

<strong>the</strong>y engage a visitor's kines<strong>the</strong>tic sense (line 101) to<br />

provide a variety of experiences, not just passive viewing<br />

and label reading (lines 104-1 05). She could defend <strong>the</strong>se<br />

exhibits by showing that <strong>the</strong>y were effective teaching tools<br />

<strong>for</strong> people with learning styles that are not purely visual.<br />

Choice (A) is an opposite; <strong>the</strong> author of Passage 2 is against<br />

passive learning. Choice (B) is out of scope; a measure<br />

of <strong>the</strong> popularity of <strong>the</strong>se exhibits would not support <strong>the</strong><br />

assertion that <strong>the</strong>y are effective. Choice (C) is out of scope;<br />

<strong>the</strong> expense of <strong>the</strong>se exhibits is not discussed in ei<strong>the</strong>r<br />

passage. Choice (D) is out of scope; <strong>the</strong> number of such<br />

exhibits in use is not addressed in ei<strong>the</strong>r passage. Choice<br />

(E) works with your prediction.<br />

22. D<br />

Difficu l ty: Medium<br />

For <strong>the</strong>se types of questions, try applying <strong>the</strong> author's main<br />

argument to <strong>the</strong> relevant portion of <strong>the</strong> o<strong>the</strong>r passage.<br />

The author of Passage 1 thinks that innovations made in<br />

museums are condescending and a dumbing down of<br />

content. She does not have an argument with <strong>the</strong> goal of<br />

engaging more people, but she thinks that museums are<br />

going about it in <strong>the</strong> wrong way.<br />

Choice (A) is out of scope; <strong>the</strong> author of Passage 1 never<br />

hints at this. Choice (B) is a misused detail; <strong>the</strong> author<br />

does mention funding cuts, but only as a motivation <strong>for</strong><br />

luring people back into museums, not as a reason against<br />

broadening museums' appeal. Choice (C) is out of scope;<br />

no o<strong>the</strong>r pressing matters are addressed in ei<strong>the</strong>r passage.<br />

Choice (D) matches your prediction. Choice (E) is out<br />

of scope; <strong>the</strong> amount of training given to curators is not<br />

discussed in ei<strong>the</strong>r passage.<br />

23. E<br />

Difficu l ty: High<br />

Questions like this ask you to take on one author's<br />

viewpoint and respond to something through that lens.<br />

The author of Passage 1 thinks that new exhibits are a<br />

dumbing down of museum content. The statement that <strong>the</strong><br />

exhibit is not trying to give a visitor a thorough and detailed<br />

understanding of a topic would serve to confirm this idea.<br />

Choice (A) is out of scope; <strong>the</strong> author never mentions<br />

higher education and whe<strong>the</strong>r museums should encourage<br />

it. Choice (B) is out of scope; <strong>the</strong>re is not enough<br />

in<strong>for</strong>mation about curators' hopes to draw this conclusion.<br />

Choice (C) is an opposite; <strong>the</strong> exhibits being described are<br />

designed specifically so that those who know nothing about

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