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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Five Answers and Explanations<br />

491<br />

I<br />

describes an ef<strong>for</strong>t to slander or falsify in<strong>for</strong>mation about<br />

<strong>the</strong> defendant. Look <strong>for</strong> a word that means to slander or<br />

misrepresent.<br />

In (A), a lack of credible or convincing evidence would not<br />

necessarily cause one to enter into arbitration, which also<br />

cannot be referred to as a shameful act. In (B), nothing in<br />

<strong>the</strong> sentence suggests <strong>the</strong> prosecutor would have resorted<br />

to excessive self-admiration to help his cause. Choice (C)<br />

is a great match <strong>for</strong> your prediction. In (D), being frustrated<br />

by a lack of credible or convincing evidence would not<br />

necessarily cause one to become more tenacious, or firm,<br />

in one's opinions. In (E), expressing solicitude, or concern,<br />

cannot really be considered a shameful act.<br />

Questions 7- 19<br />

The passage not only describes <strong>the</strong> events leading up to<br />

<strong>the</strong> moment <strong>the</strong> main character unknowingly encounters<br />

his long-lost daughter, but it also provides insight into <strong>the</strong><br />

similar personalities and insecurities of <strong>the</strong> two principal<br />

characters by displaying <strong>the</strong>ir initial reactions to each<br />

o<strong>the</strong>r.<br />

7. A<br />

Difficulty: Medium<br />

What does <strong>the</strong> passage offer about both characters' prior<br />

knowledge of each o<strong>the</strong>r? A global question requires<br />

that you look at <strong>the</strong> passage as a whole in order to arrive<br />

at <strong>the</strong> correct answer. What do <strong>the</strong> details supplied<br />

about both characters reveal about <strong>the</strong>ir meeting on <strong>the</strong><br />

elevator? The passage depicts <strong>the</strong> thoughts and actions<br />

of a fa<strong>the</strong>r and a daughter in <strong>the</strong> moments be<strong>for</strong>e <strong>the</strong>y<br />

meet on an elevator. What <strong>the</strong> passage does not offer<br />

or imply, however, is whe<strong>the</strong>r ei<strong>the</strong>r character is actively<br />

searching <strong>for</strong> <strong>the</strong> o<strong>the</strong>r or when or how <strong>the</strong>ir relationship<br />

is eventually revealed. Choose <strong>the</strong> answer that best<br />

describes <strong>the</strong>se circumstances.<br />

Choice (A) matches your prediction nicely; <strong>the</strong> passage<br />

offers nothing specific about <strong>the</strong>ir meeting o<strong>the</strong>r than it was<br />

a chance encounter. Choice (B) is out of scope; no tears<br />

were shed by ei<strong>the</strong>r character. Choice (C) is distortion;<br />

though <strong>the</strong> circumstances of both characters lives are<br />

different, <strong>the</strong>y have <strong>the</strong> same color hair and distinctive eye<br />

coloring. Choice (D) is distortion; though <strong>the</strong> passage offers<br />

Oscar's first impression of Celia, this passage was written<br />

in <strong>the</strong> third-person point of view of <strong>the</strong> author. Choice (E)<br />

is out of scope; nothing in <strong>the</strong> passage suggests that Oscar<br />

was searching <strong>for</strong> Celia or, <strong>for</strong> that matter, even knew she<br />

existed.<br />

8. B<br />

Difficulty: Medium<br />

In questions such as <strong>the</strong>se, look <strong>for</strong> specific words that<br />

somehow relate to <strong>the</strong> descriptions offered by <strong>the</strong> author.<br />

The description of Oscar's telling brow that more than once<br />

betrayed <strong>the</strong> true man hidden behind <strong>the</strong> steely demeanor<br />

of his strong jaw suggests that Oscar tries to outwardly<br />

appear in a way contradictory to his inward nature. Look <strong>for</strong><br />

<strong>the</strong> choice that best conveys what this reveals about Oscar's<br />

true personality and manner.<br />

Choice (A) is a misused detail; while this may fit a later<br />

description of him in <strong>the</strong> passage, you are looking <strong>for</strong> what<br />

<strong>the</strong> specific lines in question suggest about Oscar. Choice<br />

(B) is a good match <strong>for</strong> your prediction; <strong>the</strong> betrayal of a<br />

true man hidden behind <strong>the</strong> steely demeanor suggests that<br />

Oscar is actually a sensitive individual. Choice (C) is out of<br />

scope; nothing in <strong>the</strong> passage suggests that he is arrogant<br />

or abrasive. Choice (D) is distortion; this betrayal referred<br />

to in <strong>the</strong> passage does not imply that Oscar's nature is<br />

untrustworthy. Choice (E) is an opposite; <strong>the</strong> description<br />

reveals that Oscar tries to appear impenetrable, but his<br />

expressions betray him.<br />

9. c<br />

Difficulty: Low<br />

What particular artistic career could be associated with<br />

<strong>the</strong> two metaphorical words? A simple Inference question<br />

like this is not hard to decipher, just look at <strong>the</strong> text of <strong>the</strong><br />

question and try to make <strong>the</strong> most obvious connections.<br />

Essential to answering this question is to recognize that<br />

Oscar's meticulous approach to examining <strong>the</strong> wrinkles<br />

on his face is compared to his artistic endeavors, and <strong>the</strong><br />

metaphorical words directly reference that comparison.<br />

Your prediction should reflect this connection to a specific<br />

·<br />

art <strong>for</strong>m.<br />

Choice (A) is distortion; <strong>the</strong> editing of a book certainly<br />

deals with proofreading and documents, but it is not an art<br />

<strong>for</strong>m. Choice (B) is distortion; an office clerk may also deal<br />

with proofreading and documents, but not as an art <strong>for</strong>m.<br />

Choice (C) matches your prediction; a novelist's art would<br />

entail proofreading and documents. Choice (D), a lmvyer,<br />

deals with documents but not with art; (E), a painter, deals<br />

with art but not with documents.

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