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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Two Answers an d Exp l anations<br />

201<br />

I<br />

but not <strong>the</strong> musician himself. Choice (0) matches your<br />

prediction perfectly. Choice (E) is out of scope; <strong>the</strong> passage<br />

does not indicate whe<strong>the</strong>r Ojango was given any honors.<br />

20. D<br />

Difficu l ty: Low<br />

Be sure to predict first and look at <strong>the</strong> choices second. The<br />

difficulty Ojango faced was <strong>the</strong> disfigurement of his hand<br />

and <strong>the</strong> loss of three fingers. If he was working hard to<br />

compensate <strong>for</strong> losing three digits, you can infer that digits<br />

are <strong>the</strong> same thing as fingers.<br />

Choice (A) is an opposite; though this is a common<br />

meaning of <strong>the</strong> word digits, it makes no sense <strong>for</strong> Ojango<br />

to be coping with <strong>the</strong> loss of three numbers. Choice (B)<br />

is out of scope; <strong>the</strong>re is nothing in <strong>the</strong> passage to indicate<br />

that <strong>the</strong> accident caused Ojango to lose money. Choice (C)<br />

is out of scope; this doesn't make sense in context. Choice<br />

(0) matches your prediction. Choice (E) is out of scope;<br />

electronics are not mentioned in <strong>the</strong> passage at all.<br />

21. A<br />

Difficu l ty: High<br />

Note <strong>the</strong> difference, in prose, between language that<br />

indicates a firm conclusion and language that is not<br />

necessarily supported by evidence. Seems and apparently<br />

suggest that <strong>the</strong> author is making a conjecture ra<strong>the</strong>r<br />

than drawing a conclusion based on firm evidence. She is<br />

speculating that people who are <strong>the</strong> same as everyone else<br />

have trouble making art that is very different from everyone<br />

else's.<br />

Choice (A) matches your prediction perfectly. Choice (B)<br />

is a distortion; if this were an explanation, it would be<br />

elaborating on a point made previously. This statement,<br />

however, introduces a new idea. Choice (C) is an opposite;<br />

<strong>the</strong> phrase is a generalization, not a specific story. Choice<br />

(0) is a distortion; <strong>the</strong> author is taking a guess but not<br />

exploring <strong>the</strong> topic <strong>for</strong> support. Choice (E) is an opposite;<br />

<strong>the</strong> phrase is a generalization, not a specific example.<br />

22. c<br />

Difficu l ty: Medium<br />

When looking <strong>for</strong> an assumption made in <strong>the</strong> text, ask<br />

yourself what has to be true <strong>for</strong> <strong>the</strong> relevant phrase to make<br />

sense. The author says that <strong>for</strong> a musician to restrict herself<br />

to two-fingered technique, if she has five working fingers,<br />

is unnecessary work. In <strong>the</strong> sentence be<strong>for</strong>e, she poses<br />

<strong>the</strong> question why should ano<strong>the</strong>r musician be expected to<br />

try such a thing? (lines 71-73). It seems that <strong>the</strong> author is<br />

making <strong>the</strong> assumption that most musicians wouldn't limit<br />

<strong>the</strong>mselves if <strong>the</strong>y didn't have to.<br />

Choice (A) is an opposite; <strong>the</strong> assumption is that <strong>the</strong>y don 't<br />

do this. Choice (B) is an opposite; most musicians have<br />

access to a full hand of fingers. Ojango is <strong>the</strong> exception.<br />

Choice (C) works with your prediction. Choice (0) is out of<br />

scope; <strong>the</strong> author doesn't make any judgments on <strong>the</strong> work<br />

ethic of musicians in general. Choice (E) is extreme; <strong>the</strong><br />

author assumes only that musicians wouldn't unnecessarily<br />

restrict <strong>the</strong>mselves in order to improve <strong>the</strong>ir technique, not<br />

that <strong>the</strong>y don't work to improve <strong>the</strong>ir technique at all.<br />

23. E<br />

Difficu l ty: Medium<br />

Ask yourself what point <strong>the</strong> author is supporting with <strong>the</strong><br />

given phrase. The notion that expressing pity <strong>for</strong> those who<br />

are physically challenged can be seen as insulting is not<br />

mentioned anywhere else in <strong>the</strong> passage. It seems that <strong>the</strong><br />

author wants to quickly add a supplementary reason to <strong>the</strong><br />

main argument-that it's not necessary to pity <strong>the</strong> physically<br />

challenged.<br />

Choice (A) is an opposite; <strong>the</strong> author seems to admire,<br />

not feel inordinate sympathy toward, physically challenged<br />

people. Choice (B) is an opposite; <strong>the</strong> notion that pity<br />

might be deemed insulting has little to do with <strong>the</strong> previous<br />

argument (that such pity is unnecessary). Choice (C) is out<br />

of scope; <strong>the</strong> author does not mention that she herself is<br />

insulted. Choice (0) is out of scope; some say does not<br />

indicate <strong>the</strong> presence of experts, because <strong>the</strong> some does<br />

not identify anybody specific. Choice (E) works well with<br />

your prediction.<br />

24. B<br />

Difficu l ty: Low<br />

Use your notes to help you determine <strong>the</strong> intent of a<br />

paragraph and zero in on <strong>the</strong> purpose of a section of it.<br />

The cited section includes <strong>the</strong> phrase Those who are<br />

different-really, substantially different-have access to<br />

a whole world that "normal" people can only dream of<br />

(lines 80-83). The view expressed here is that physical<br />

disability provides a person with <strong>the</strong> opportunity to explore<br />

things from a different point of view than that of o<strong>the</strong>rs and,<br />

<strong>the</strong>re<strong>for</strong>e, find new techniques and ideas.

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