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12.Practice.Tests.for.the.SAT_2015-2016_1128p

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772<br />

Section 3<br />

Practice Test Nine<br />

(85) The reasons turned out to be ones that any future<br />

art historian would be very unlikely to deduce.<br />

The same image-<strong>for</strong> example, a fish painted<br />

by aboriginal Australians-proves to have been<br />

painted <strong>for</strong> different reasons on different occasions.<br />

(90) Some fish paintings serve to mark a tribal territory,<br />

o<strong>the</strong>rs tell a story ("I caught this big fish"),<br />

still o<strong>the</strong>rs spring from <strong>the</strong> traces of shamans.<br />

It shouldn't surprise us that <strong>the</strong> Cro-Magnons'<br />

motives may have been equally diverse, given all<br />

(95) <strong>the</strong> evidence <strong>for</strong> <strong>the</strong>ir modern mentality.<br />

* spelunker: modern term <strong>for</strong> an amateur cave<br />

explorer<br />

13. In line 3, <strong>the</strong> author most likely mentions<br />

body painting in order to suggest that<br />

(A) <strong>the</strong> use of paint began earlier than is<br />

commonly believed<br />

(B) <strong>the</strong> earliest <strong>for</strong>ms of art are probably lost<br />

to our knowledge<br />

( C) art served many different functions in<br />

prehistoric society<br />

(D) cave paintings were not <strong>the</strong> most common<br />

<strong>for</strong>m of prehistoric art<br />

(E) prehistoric hunters used body art as a <strong>for</strong>m<br />

of hunting magic<br />

14. According to <strong>the</strong> author, <strong>the</strong> Cro-Magnon cave<br />

paintings "rivet our attention" (line 16) because<br />

<strong>the</strong>y<br />

(A) provide insight into <strong>the</strong> origins of modern art<br />

(B) raise questions about when <strong>the</strong> first art was<br />

created<br />

(C) stimulate curiosity about <strong>the</strong> people who<br />

created <strong>the</strong>m<br />

(D) depict people and animals that we know<br />

nothing about<br />

(E) cast doubt on common assumptions about<br />

our remote ancestors<br />

15. In lines 23-28, <strong>the</strong> author suggests that Cro­<br />

Magnon people painted in caves because caves<br />

(A) accommodated even <strong>the</strong> largest paintings<br />

(B) provided inspiring settings <strong>for</strong> <strong>the</strong>ir work<br />

( C) sheltered <strong>the</strong> paintings from <strong>the</strong> elements<br />

(D) offered <strong>the</strong> privacy that painters needed<br />

(E) protected <strong>the</strong> paintings from human damage<br />

16. The word "riot" in line 25 can best be taken<br />

to mean<br />

(A) profusion<br />

(B) disorder<br />

(C) brawl<br />

(D) interaction<br />

(E) violence<br />

17. According to <strong>the</strong> author, <strong>the</strong> term "cavemen"<br />

(line 33) evokes a misleading image of<br />

Cro-Magnon people as<br />

(A) less advanced than <strong>the</strong> Neanderthals<br />

(B) more dependent on animals than is normally<br />

assumed<br />

( C) incapable of building <strong>the</strong>ir own dwellings<br />

(D) more primitive than <strong>the</strong>y actually were<br />

(E) capable of great brutality toward animals<br />

18. It can be inferred from lines 36-38 that more<br />

Cro-Magnon artifacts have been found in caves<br />

than elsewhere primarily because<br />

(A) <strong>the</strong> majority of Cro-Magnon people lived<br />

m caves<br />

(B) artifacts in o<strong>the</strong>r locations are more likely to<br />

have decayed<br />

( C) trail signs led archeologists to many cave sites<br />

(D) archeologists are more likely to study cave<br />

sites<br />

(E) Cro-Magnon people used caves as storehouses<br />

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