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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Six Answers and Explanations 581<br />

I<br />

discrimination, but in <strong>the</strong> passage, it is <strong>the</strong> show that was<br />

being neglected, not Randolph. Choice (E) is out of scope;<br />

<strong>the</strong> passage does suggest that Carver disliked Randolph's<br />

show, but from that you cannot infer he disliked Randolph.<br />

9. c<br />

Difficulty: Medium<br />

What do <strong>the</strong>se accolades and achievements directly imply<br />

about Randolph's ability to survive in <strong>the</strong> television industry?<br />

A good approach to any Function question is first to identify<br />

how <strong>the</strong> example or examples in question are connected<br />

to o<strong>the</strong>r parts of <strong>the</strong> passage and .<strong>the</strong>n determine <strong>for</strong> what<br />

purpose <strong>the</strong> author would include such an example. After<br />

Carver offers Randolph advice on how to survive in <strong>the</strong><br />

television industry in lines 33-35, <strong>the</strong> narrator states that<br />

Randolph had managed to not only survive but to thrive in<br />

<strong>the</strong> industry <strong>for</strong> five decades prior to Abel Carver's tenure<br />

and <strong>the</strong>n illustrates this by describing some of Randolph's<br />

numerous achievements. Choose <strong>the</strong> answer that best<br />

defines <strong>the</strong> function of this description with <strong>the</strong> passage.<br />

Choice (A) is distortion; Randolph's celebrity status was<br />

established in <strong>the</strong> opening paragraphs of <strong>the</strong> passage.<br />

Choice (B) is a misused detail; Carver calls Randolph our old<br />

man, but he never states that he's too old to be a success.<br />

Choice (C) is <strong>the</strong> best answer. The examples of Randolph's<br />

achievements primarily function to suggest that perhaps he<br />

does not need advice on how to survive in television. Choice<br />

(D) is an opposite; in light of <strong>the</strong>se achievements, it seems<br />

odd that <strong>the</strong> show was cancelled. Choice (E) is out of scope;<br />

most of <strong>the</strong> achievements were probably garnered long<br />

be<strong>for</strong>e Carver offered Randolph his advice.<br />

10. E<br />

Difficulty: High<br />

Randolph's lordly grunt accompanies <strong>the</strong> dismissal of<br />

Carver's advice. What specific ideas does he use to justify<br />

<strong>the</strong> dismissal of this advice, and what do <strong>the</strong>y reveal?<br />

Questions that ask you to make inferences about what lies<br />

behind a character's motives require an understanding of<br />

<strong>the</strong> origin of those motives. Synonyms of lordly include<br />

dignified and noble. In <strong>the</strong> passage, Randolph expels this<br />

lordly grunt after dismissing Carver's advice and reminding<br />

himself of his achievements as an entertainer. At <strong>the</strong> same<br />

time, this gesture displays Randolph's confidence in himself<br />

and his choices. Look <strong>for</strong> <strong>the</strong> choice that sums that up in<br />

two adjectives.<br />

Choice (A) is out of scope; Randolph is actually self-assured<br />

to a fault, and a dignified grunt does not imply dread in<br />

any way. Choice (B) is out of scope; Randolph does not<br />

come off as humorous or sarcastic within <strong>the</strong> context of <strong>the</strong><br />

words in question or <strong>the</strong> passage as a whole. Choice (C) is<br />

extreme; <strong>the</strong>se words are too strong to accurately convey<br />

<strong>the</strong> gesture. Choice (D) is out of scope; nei<strong>the</strong>r doubt<br />

nor anger is conveyed by this gesture. Choice (E) is your<br />

answer. Randolph's need to bask in his achievements after<br />

he dismisses Carver's advice indicates both a sense of pride<br />

and a desire to reassure himself of his actions.<br />

11. B<br />

Difficulty: Medium<br />

Think about <strong>the</strong> way Randolph would describe Carver,<br />

<strong>the</strong>n apply your deduction to this question. Questions<br />

that ask you to deduce <strong>the</strong> way a character would think<br />

or act require that you have a solid understanding of <strong>the</strong><br />

details you are given in <strong>the</strong> passage so you can successfully<br />

employ <strong>the</strong>m in your reasoning. Buzzwords or catchphrases<br />

such as think outside <strong>the</strong> box are essentially just witty or<br />

imaginative ways of saying very ordinary things. The fact<br />

that in line 27 <strong>the</strong> narrator mentions Carver as one who<br />

employs buzzwords is significant because it ties directly into<br />

Randolph's assessment of Carver's plan <strong>for</strong> <strong>the</strong> network<br />

and Carver himself-"Style Over Substance." There<strong>for</strong>e,<br />

Randolph probably views <strong>the</strong> use of a catchphrase in <strong>the</strong><br />

same light-flashy <strong>for</strong> <strong>the</strong> sake of being flashy. Look <strong>for</strong> a<br />

choice that best fits with this deduction.<br />

Choice (A) is out of scope; <strong>the</strong>re is nothing in <strong>the</strong> passage<br />

to suggest this. Choice (B) fits. Randolph would most likely<br />

consider <strong>the</strong> use of a catchphrase as pointless. Choice (C)<br />

is out of scope; Carver's business background is never<br />

discussed in <strong>the</strong> passage. Choice (D) is an opposite; to<br />

think outside <strong>the</strong> box basically means to be creative, but<br />

Randolph does not consider Carver to be creative. Choice<br />

(E) is out of scope; <strong>the</strong>re's nothing cryptic about <strong>the</strong> use of<br />

a cliched catchphrase.<br />

12. E<br />

Difficulty: Medium<br />

What was <strong>the</strong> nature of <strong>the</strong> doubts that filled Randolph's<br />

head in lines 76-98? No assumptions need to be made<br />

when answering Detail questions; <strong>the</strong> answer is stated<br />

somewhere in <strong>the</strong> text.

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