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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Six Answers and Explanations I<br />

559<br />

of media reports, <strong>the</strong>n it can be concluded that <strong>the</strong>se<br />

newspapers were popular because <strong>the</strong>y fulfilled this<br />

particular need.<br />

Choice (A) is an irrelevant detail; while this point is<br />

made earlier in <strong>the</strong> passage, it is not being made by this<br />

particular content. Choice (B) is out of scope; nothing in <strong>the</strong><br />

paragraph describes <strong>the</strong>se newspapers as quickly and easily<br />

readable. Choice (C) is correct; <strong>the</strong> inhabitants of urban<br />

America were living constantly changing, unstable lives,<br />

making newspapers a vital source of current in<strong>for</strong>mation<br />

<strong>for</strong> news that could impact <strong>the</strong>m in any number of ways.<br />

Choice (D) is an irrelevant detail; although this point is<br />

made later in <strong>the</strong> paragraph, <strong>the</strong> cited content does not<br />

refer to this characteristic. Choice (E) is out of scope; while<br />

<strong>the</strong> author indicates that this readership used <strong>the</strong> papers to<br />

in<strong>for</strong>m <strong>the</strong>ir constantly changing lives, nothing suggests that<br />

<strong>the</strong>se specific topics were <strong>the</strong> focus.<br />

Questions 1 5-24<br />

In paragraph 1, <strong>the</strong> author starts by saying that we can't<br />

really be surprised by <strong>the</strong> decline in artistic taste. He cites<br />

two causes, but he says that discussing <strong>the</strong> causes won't<br />

change anything. Instead, we should address <strong>the</strong> problem.<br />

In paragraph 2, <strong>the</strong> author says that be<strong>for</strong>e addressing artistic<br />

decline, <strong>the</strong> word art needs to be defined. He says that we<br />

shouldn't waste time debating whe<strong>the</strong>r boy bands or teen<br />

movies are art but ra<strong>the</strong>r accept all artistic endeavors as art.<br />

In paragraph 3, <strong>the</strong> author imagines a world in which parents<br />

teach <strong>the</strong>ir kids about art and schools teach pop culture<br />

alongside art history. He says that will allow children to judge<br />

new, trendier art, leading to higher-quality art when <strong>the</strong><br />

kids grow up. In paragraph 4, <strong>the</strong> author says that because<br />

better education can result in higher artistic taste, <strong>the</strong> one<br />

fundamental cause of declining artistic taste is that schools<br />

have been <strong>for</strong>ced to cut art and music programs because of<br />

tightening budgets. He goes on to say that to improve artistic<br />

awareness, <strong>the</strong> first step is to bring back <strong>the</strong>se programs in<br />

schools. More funding and higher taxes will be needed, but<br />

<strong>the</strong> investment will be well worth it.<br />

15. c<br />

Difficulty: Medium<br />

When asked about a detail, don't try to answer from<br />

memory. Make sure to find <strong>the</strong> relevant detail or details by<br />

checking your notes and <strong>the</strong>n rereading <strong>the</strong> passage.<br />

Your notes should list something like a discussion on<br />

defining art as <strong>the</strong> purpose of paragraph 2; if not, skim<br />

<strong>for</strong> <strong>the</strong> words endeavor and problematic. Ei<strong>the</strong>r way, you<br />

should find <strong>the</strong> first sentence of paragraph 2: Be<strong>for</strong>e we can<br />

begin a discussion of artistic decline, we must first define<br />

<strong>the</strong> word art, an endeavor that has proven problematic.<br />

Choice (A) is distortion; <strong>the</strong> author discusses improving<br />

<strong>the</strong> education system in later paragraphs, but he never<br />

characterizes this as a problematic endeavor. Choice<br />

(B) is distortion; in later paragraphs, <strong>the</strong> author discusses<br />

how education can make art more relevant by linking it<br />

to historical and sociological developments, but he never<br />

characterizes this as a problematic endeavor. Choice (C)<br />

is correct; it is exactly as we predicted and exactly as <strong>the</strong><br />

passage states. Choice (D) is distortion; in later paragraphs,<br />

<strong>the</strong> author discusses what students should learn in school,<br />

but <strong>the</strong> author never characterizes this as a problematic<br />

endeavor. Choice (E) is distortion; in later paragraphs, <strong>the</strong><br />

author discusses whe<strong>the</strong>r or not to teach art, but <strong>the</strong> author<br />

never characterizes this as a problematic endeavor.<br />

16. B<br />

Difficulty: Medium<br />

Use <strong>the</strong> relevant part of <strong>the</strong> passage as evidence from<br />

which to draw your own conclusion. Since you are given<br />

<strong>the</strong> part of <strong>the</strong> passage from which you must draw <strong>the</strong><br />

inference, skim paragraph 2 to find evidence of what <strong>the</strong><br />

author characterizes as too much time spent. In lines<br />

36-40, <strong>the</strong> author says that far too much time has been<br />

spent arguing over whe<strong>the</strong>r a teen movie is more or less<br />

art than Citizen Kane, or whe<strong>the</strong>r a boy band is more or<br />

less art than Sondheim. Now examine <strong>the</strong> answer choices<br />

by comparing <strong>the</strong>m to this in<strong>for</strong>mation, and eliminate those<br />

that do not necessarily have to be true.<br />

Choice (A) is an opposite; while <strong>the</strong> author discusses<br />

comparisons of classics, he does so in order to highlight <strong>the</strong><br />

comparison of such classics to modern works. Choice (B)<br />

is correct; <strong>the</strong> author implies that too much time has been<br />

spent comparing modern works to more established<br />

works in order to judge <strong>the</strong> modern works' artistic merits.<br />

Choice (C) is a misused detail; <strong>the</strong> author mentions this<br />

in a later paragraph. Choice (D) is a misused detail; <strong>the</strong><br />

author mentions this in a later paragraph. Choice (E) is<br />

distortion. The author never discusses comparisons of works<br />

traditionally considered classics to each o<strong>the</strong>r; he discusses<br />

<strong>the</strong>ir comparison to newer works.

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