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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong> I<br />

Practice Test Four Answers and Explanations<br />

393<br />

of fi l m is quite important, not transitory. C h oice (D) is<br />

distortion; neit h er word captures t h e aut h or's t h rust in t h e<br />

passage. C h oice (E) is extreme; paramount is too strong a<br />

word <strong>for</strong> fi l m's importance, and t h e aut h or never c l aims t h at<br />

fi l m is not well established.<br />

22. D<br />

Difficulty: Low<br />

Don't re l y on your memory of t h e passage; you want to<br />

make sure t h at your prediction fits t h e exact sentence t h at is<br />

being quoted, not anot h er argument from e l sew h ere in t h e<br />

passage. Go back and refres h your memory be<strong>for</strong>e doing<br />

anyt h ing e l se.<br />

In t h is sentence, t h e aut h or stresses t h e simi l arity of<br />

screenp l ays and stage p l ays, mentioning t h at t h e l atter are<br />

one of <strong>the</strong> oldest and most revered of all literary <strong>for</strong>ms.<br />

Predict t h at t h e aut h or is using t h e stage p l ay to en h ance<br />

t h e prestige of screenp l ays.<br />

C h oice (A) is a misused detai l ; t h e superiority of nove l s<br />

an idea more appropriate to Passage 1 . C h oice (B) is<br />

distortion; a l t h oug h t h e aut h or mentions t h at stage p l ays<br />

are an o ld er <strong>for</strong>m, h e never c l aims t h at t ey h ave been<br />

replaced in some way by screenp l ays. C h oice (C) is out of<br />

scope; t h e issue of p l ays based on nove l s never comes up<br />

in eit h er passage. C h oice (D) is t h e most appropriate fit <strong>for</strong><br />

your prediction. Choice (E) is out of scope; expense and<br />

ease of production are never mentioned in <strong>the</strong> discussion<br />

of stage p l ays.<br />

23. c<br />

Difficulty: Medium<br />

T h e correct answer c h oice wi ll probabl y invo l ve not just t h e<br />

detai l in question but a l so h ow it fits into t h e l ogic of t h e<br />

aut h or's overa ll argument. Make sure you understand bot<br />

t h e use of t h e detai l and t h e overa ll context be<strong>for</strong>e making<br />

h<br />

a prediction.<br />

T e aut h or is using a r h etorica l question to suggest t h at<br />

S h akespeare's reputation is not affected adverse l y by t h e<br />

fact t h at is p l ays were m e ant to be enjoyed eit h er by<br />

reading t em or in per<strong>for</strong>mance. Predict t h at t h e correct<br />

answer c h oice wi ll invo l ve a restatement of t h is idea.<br />

C h oice (A) is out of scope; a l t h oug h t h e author mig h t<br />

be l ieve t h is, S h akespeare is not used in t h e context of trying<br />

to predict from w h ere t h e next writer of simi l ar genius wi<br />

arise. Choice (B) is distortion; t h e author never argues <strong>for</strong><br />

ll<br />

t h e superiority of reading p l ays to watc h ing t h em. C h oice<br />

(C) is a good matc h <strong>for</strong> your prediction, restated in s l ig h t l y<br />

more genera l terms. C h oice (D) is out of scope; t h e aut h or<br />

never h as t h e exp l icit purpose of trying to prove h is own<br />

know l edge of l iterature. C h oice (E) is out of scope; t h e<br />

aut h or never suggests t h at reading screenp l ays s h ou ld take<br />

t h e p l ace of watc h ing fi l ms.<br />

24. c<br />

Difficulty: Medium<br />

Remember that t h e use of two examp l es gives you two<br />

ways to ru l e out wrong answer c h oices; se l ect on l y t h e<br />

c h oice t h at agrees wit h BOTH passages. If eit h er part of an<br />

answer c h oice doesn't fit, cross it out.<br />

To l kien is mentioned as someone w h o defended t h e va l ue<br />

of reading a story and imagining it <strong>for</strong> onese l f, w h ereas<br />

S h akespeare is used as an examp l e of someone w h o wrote<br />

great l iterature t h at was a l so meant to be per<strong>for</strong>med onstage.<br />

Predict t h at t h e correct c h oice wi ll invo l ve t h is distinction.<br />

C h oice (A) is a misused detai l ; a l t h oug h To l kien is a more<br />

recent writer t h an S h akespeare is, t h e issue of o ld er versus<br />

modern writing never comes up in eit h er passage. C h oice<br />

(B) is out of scope; t h e va l ue of fantasy writing versus<br />

rea l istic writing is never mentioned by eit h er aut h or. Choice<br />

(C) is t h e best fit <strong>for</strong> your prediction. C h oice (D) is distortion;<br />

<strong>the</strong> first author never exp l icit l y mentions screenp l ays and<br />

wou ld probabl y not be defending t h em even if he h ad.<br />

Choice (E) is an opposite; neit h er part of t h is c h oice is in<br />

keeping wit h t h e topic or views of eit h er aut h or.<br />

SECTION 7<br />

1. B<br />

Difficulty: Low<br />

Strategic Advice: So l ve <strong>for</strong> a, t h en find b (w h ic h must be<br />

t h e reciproca l of a in order <strong>for</strong> t h e product to be 1 ).<br />

Getting to <strong>the</strong> Answer:<br />

6a =48<br />

a=S<br />

ab =8b= 1<br />

b= J_<br />

8

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