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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Ten Answers and Explanations I<br />

907<br />

also happen to many European artists. Choice (E) is out of<br />

scope; <strong>the</strong> author is fond of Homer's works, but some of<br />

<strong>the</strong> European works must possess artistic merit.<br />

18. c<br />

Difficulty: Medium<br />

This sentence relates what Homer didn 't do, so don't fall <strong>for</strong><br />

a choice that describes what he did do, like choice (E). The<br />

author states that Homer portrayed <strong>the</strong> isolation of soldiers.<br />

His work was honest and didn't gloss over <strong>the</strong> realities of<br />

war. In o<strong>the</strong>r words, he didn't ignore those aspects.<br />

Choice (A) is a common meaning <strong>for</strong> gloss, but it doesn't<br />

fit here. In (B), again, this has to do with <strong>the</strong> sense of gloss<br />

as shiny; it doesn't work in <strong>the</strong> sentence. Choice (C) is a<br />

good match. Choice (D) is <strong>the</strong> opposite of your prediction.<br />

In (E), you could argue that Homer questioned <strong>the</strong> wisdom<br />

of war through his striking images, but <strong>the</strong> question is<br />

about what he didn 't do, since he didn't gloss over <strong>the</strong><br />

realities of war.<br />

19. B<br />

Difficulty: Low<br />

Function questions often concentrate on words or<br />

phrases that emphasize a major point of <strong>the</strong> passage.<br />

The author makes a big point of Homer's independence<br />

from <strong>the</strong> established art world, and <strong>the</strong> phrase far from<br />

<strong>the</strong> art world of New York City helps to illustrate that<br />

independence.<br />

Choice (A) is distortion; <strong>the</strong> passage states that Homer<br />

didn't even seek recognition from <strong>the</strong> world of academic<br />

painting, so <strong>the</strong> author wouldn't agree that Homer was<br />

unable to obtain <strong>the</strong> approval of New York art juries.<br />

Choice (B) is a good match. Choice (C) is out of scope;<br />

<strong>the</strong> author never mentions <strong>the</strong> specific sources of Homer's<br />

inspiration. Choice (D) is out of scope; this choice describes<br />

<strong>the</strong> atmosphere of Homer's paintings, not <strong>the</strong> passage itself.<br />

Choice (E) is extreme; <strong>the</strong> distance from Maine to New<br />

York doesn't qualify as a critical detail, and <strong>the</strong> author isn't<br />

attempting to give a complete chronology.<br />

20. E<br />

Difficulty: Medium<br />

To find <strong>the</strong> function of an example, ask, What does this<br />

illustrate? If I were <strong>the</strong> author, why would I include an<br />

example? The passage as a whole is about Homer's career.<br />

In order to fully appreciate Homer, <strong>the</strong> reader needs to get<br />

some sense of what his paintings are like. The description of<br />

The Fog Warning helps convey this.<br />

Choice (A) is distortion; <strong>the</strong> description of <strong>the</strong> painting is<br />

intended to shed light on Homer's entire career, not argue<br />

<strong>for</strong> <strong>the</strong> importance of a single period in that career. Choice<br />

(B) is extreme; <strong>the</strong> author never states that this painting<br />

is <strong>the</strong> most important one. Choice (C) is an opposite; <strong>the</strong><br />

author seems to believe that <strong>the</strong> painting is excellent, so<br />

<strong>the</strong> description would hardly explain why critics didn't like<br />

it. Choice (D) is out of scope; <strong>the</strong> passage is about Homer,<br />

not <strong>the</strong> quality of life at sea. Choice (E) is a good match.<br />

21. B<br />

Difficulty: Medium<br />

Be careful not to get caught up in definitions of <strong>the</strong> word<br />

that may be correct, but not correct in this particular context,<br />

like (C) and (D). This is not referring to a physical embrace.<br />

Choice (B) works best-<strong>the</strong> painters eagerly accepted his<br />

new style. Choices (A) and (E) are opposites.<br />

22. B<br />

Difficulty: Medium<br />

Paragraph 6 describes The Fog Warning; <strong>the</strong> Henri<br />

quotation helps to complete this description.<br />

Choice (A) is a misused detail; although Henri is described<br />

as a disciple, <strong>the</strong> passage as a whole is describing Homer's<br />

work itself, not <strong>the</strong> influence of that work. Choice (B) is<br />

a good match. Choice (C) is a misused detail; <strong>the</strong> author<br />

mentions <strong>the</strong> self-reliance of <strong>the</strong> fisherman, but Henri<br />

speaks only of <strong>the</strong> power of <strong>the</strong> sea. Choice (D) is out of<br />

scope; <strong>the</strong> author never mentions Henri's ability as an art<br />

critic. Choice (E) is out of scope; no specifics are given<br />

about European paintings, so Henri's quote cannot contrast<br />

Homer's work with European painting.<br />

23. c<br />

Difficulty: Medium<br />

Even when you can't make a specific prediction, take a<br />

moment to consider <strong>the</strong> author's point of view be<strong>for</strong>e<br />

you dive into <strong>the</strong> answer choices. The author is obviously<br />

fond of Homer and emphasizes that <strong>the</strong> artist's work was<br />

unlike what o<strong>the</strong>r people were doing at <strong>the</strong> time. Look<br />

<strong>for</strong> a choice that fits in with this idea and <strong>the</strong> rest of <strong>the</strong><br />

passage.

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