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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Five Answers and Explanations<br />

483<br />

I<br />

Questions 11- 12<br />

The author of this passage describes a personal experience<br />

with macular degeneration, a condition in which <strong>the</strong> person<br />

becomes blind in a short period of time.<br />

11. D<br />

Difficulty: Low<br />

Think about how <strong>the</strong> meaning of <strong>the</strong> sentence would be<br />

different without <strong>the</strong> word quick. Notice how <strong>the</strong> author's<br />

phrasing conveys his impression of <strong>the</strong> passage of time.<br />

The author's vision deteriorated Over <strong>the</strong> course of three<br />

quick years, until he found himself unable to work. This<br />

phrasing indicates that he feels like blindness gained on<br />

him rapidly, be<strong>for</strong>e he really had a chance to adjust to<br />

it. Look <strong>for</strong> a choice that captures this unexpectedly fast<br />

progression of <strong>the</strong> illness.<br />

Choice (A) is distortion; <strong>the</strong> passage says that macular<br />

degeneration is among <strong>the</strong> top causes of blindness in<br />

adults, suggesting that <strong>the</strong> illness is not particularly rare.<br />

Choice (B) is distortion; <strong>the</strong> author states that his doctors<br />

gave his treatment <strong>the</strong>ir best ef<strong>for</strong>ts. Choice (C) is an<br />

opposite; if <strong>the</strong> days were slow and plodding, <strong>the</strong>y would<br />

not have passed in three quick years. Choice (D) is a<br />

good match <strong>for</strong> your prediction. Choice (E) is an irrelevant<br />

detail; <strong>the</strong> author does not connect <strong>the</strong> three years leading<br />

up to his blindness to his development of new sensory<br />

skills afterward.<br />

12. B<br />

Difficulty: Medium<br />

Think about what role <strong>the</strong> o<strong>the</strong>r senses are described<br />

as playing in <strong>the</strong> author's life. How are <strong>the</strong> o<strong>the</strong>r senses<br />

connected to relearning his job? When a cited line implies<br />

that some sort of change has taken place, try to identify<br />

exactly what that change is. According to <strong>the</strong> passage, <strong>the</strong><br />

author never used to pay much attention to touch, smell,<br />

and hearing, but when his sight deteriorated, he realized<br />

that <strong>the</strong>se senses could help him relearn his job. Look <strong>for</strong> a<br />

choice that mentions this change in focus.<br />

Choice (A) is out of scope; <strong>the</strong> author does not suggest<br />

that it is ironic that he has become blind. Choice (B) is a<br />

good match <strong>for</strong> your prediction. Choice (C) is distortion; <strong>the</strong><br />

author only makes positive comments about <strong>the</strong> best ef<strong>for</strong>ts<br />

of doctors and does not mention o<strong>the</strong>r senses in order to<br />

lament doctors' inability to prevent blindness. Choice (D)<br />

is out of scope; <strong>the</strong> author does not discuss commonly<br />

held beliefs. Choice (E) is extreme; <strong>the</strong> passage focuses on<br />

one person's experience, not on issues of importance to all<br />

mankind.<br />

Questions 13-24<br />

These paired passages offer different opinions on whe<strong>the</strong>r<br />

DJs are musicians. The author of Passage 1 starts by saying<br />

he's qualified to enter this debate on DJs as musicians.<br />

Then he contrasts turntablist DJs with wedding DJs and<br />

dance club DJs. He says a turntablist fits <strong>the</strong> definition of<br />

a musician because turntablists create music, practicing<br />

<strong>for</strong> long hours to create <strong>the</strong> sounds <strong>the</strong>y want. He says<br />

turntablists are like jazz musicians, who improvise around<br />

a melody and make it <strong>the</strong>ir own. Passage 2's author<br />

distinguishes between master turntablists and hacks. He<br />

says he considers himself an artist, ra<strong>the</strong>r than a musician.<br />

He says turntablists are more like painters than guitar<br />

players in that <strong>the</strong>y treat <strong>the</strong> music as paint-<strong>the</strong>y don't<br />

create it, but <strong>the</strong>y are free to do what <strong>the</strong>y wish with it to<br />

create a desired effect.<br />

13. c<br />

Difficulty: Low<br />

Ask yourself what role <strong>the</strong>se references play. Note that<br />

<strong>the</strong>y make <strong>the</strong> same point, so <strong>the</strong> correct choice will reflect<br />

something with which both authors would agree. These<br />

two descriptions function in <strong>the</strong>ir respective passages to<br />

illustrate that both turntablists are established professionals.<br />

Look <strong>for</strong> <strong>the</strong> choice that best sums this up.<br />

Choice (A) is extreme; from <strong>the</strong> descriptions, it would not<br />

be a stretch to assume that both per<strong>for</strong>mers are successful,<br />

but exorbitantly wealthy is too extreme a statement to be<br />

<strong>the</strong> correct answer. Choice (B) is out of scope; it is not out<br />

of <strong>the</strong> realm of possibility that both turntablists have worked<br />

with each o<strong>the</strong>r in <strong>the</strong> past, but nei<strong>the</strong>r description makes<br />

this distinction. Choice (C) is a good match. Choice (D) is<br />

out of scope; nei<strong>the</strong>r author makes this distinction. Choice<br />

(E) is an opposite; both authors mention that <strong>the</strong>y use<br />

prerecorded materials that <strong>the</strong>y did not personally create.<br />

14. D<br />

Difficulty: Medium<br />

You can eliminate any answer choice that contains an<br />

idea that even one of <strong>the</strong> authors would disagree with. In<br />

Passage 1, after <strong>the</strong> author compares his craft to jazz, he<br />

relates how both jazz and rock were not immediately

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