16.03.2017 Views

12.Practice.Tests.for.the.SAT_2015-2016_1128p

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

130<br />

12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test One Answers and Explanations<br />

16. D<br />

Difficulty: Medium<br />

What specific aspect of 45 Minutes from Denver mentioned<br />

in Passage 1 makes it particularly distinct from previous<br />

films?<br />

This Detail question requires that you pay attention to <strong>the</strong><br />

details of both passages while you are reading. However,<br />

<strong>the</strong> wording here is important because <strong>the</strong> question asks <strong>for</strong><br />

a specific aspect of <strong>the</strong> film, which you should keep in mind<br />

as you are making your choice. Look <strong>for</strong> <strong>the</strong> choice that<br />

contains that specific aspect.<br />

Choice (A) is an opposite; Grey mentions his interpretation<br />

in <strong>the</strong> first sentence of <strong>the</strong> third paragraph. Choice (B) is an<br />

opposite; <strong>the</strong>se details are mentioned when Grey speaks<br />

of <strong>the</strong> studios wanting to rewrite his script (lines 86-90).<br />

Choice (C) is an opposite; Grey's reference to <strong>the</strong> very<br />

rich investor (line 94) eliminates this choice. Choice (D) is<br />

correct, as Grey never mentions this in Passage 2. Choice (E)<br />

is out of scope; <strong>the</strong>re is no reference to competition from<br />

o<strong>the</strong>r films in Passage 1 or 2.<br />

17. D<br />

Difficulty: Medium<br />

What aspect of Oscar Grey's multifaceted artistic abilities<br />

do both <strong>the</strong> critics and <strong>the</strong> studios seem to appreciate <strong>the</strong><br />

least? The author and critic in Passage 1 and most of <strong>the</strong><br />

major studios Oscar Grey mentions in Passage 2 all agreed<br />

that Grey was a talented director and actor, but 45 Minutes<br />

from Denver, which he wrote, was seriously flawed. Look<br />

<strong>for</strong> <strong>the</strong> choice that contains <strong>the</strong> best conclusion that can be<br />

drawn from this in<strong>for</strong>mation.<br />

Choice (A) is distortion; in Passage 1, <strong>the</strong> author mentions<br />

that many critics were "impressed by <strong>the</strong> talented director's<br />

extraordinary eye and acting ability," and in Passage 2, Grey<br />

states that he received many acting and directing offers,<br />

so this choice is not supported. Choice (B) is distortion;<br />

nei<strong>the</strong>r passage offers anything to suggest this. Choice (C)<br />

is distortion; in Passage 1, Reynolds calls <strong>the</strong> film uniquely<br />

appealing visually, and it can be assumed in Passage 2 that<br />

if <strong>the</strong> .film had no redeeming qualities, <strong>the</strong> studios would<br />

not even care to rewrite it. Choice (D) is a good match <strong>for</strong><br />

your prediction. Choice (E) is an opposite; Revisited may<br />

have been a hit, but it was a critical failure, and as stated in<br />

line 33 of Passage 1, <strong>the</strong> film did not really help Grey to get<br />

his second film produced.<br />

18. c<br />

Difficulty: Medium<br />

In lines 110- 111, Grey references those who cling to <strong>the</strong><br />

rules. How would you describe a person who breaks <strong>the</strong><br />

rules to make a difference? In <strong>the</strong> final paragraph, Grey's<br />

mention of those clinging to a meaningless set of rules is<br />

a reference to critics who he believes are not open-minded<br />

enough to understand work that challenges <strong>the</strong> norm. He<br />

punctuates this by comparing <strong>the</strong> critics of today to those in<br />

<strong>the</strong> past who discounted <strong>the</strong> work of Picasso, a painter who<br />

is universally regarded as a groundbreaking genius. Look <strong>for</strong><br />

<strong>the</strong> statement that is in accord with what is suggested by<br />

Grey's statement.<br />

Choice (A) is out of scope; it's possible Grey may agree<br />

with this, but he never suggests it. Choice (B) is extreme;<br />

to suggest that Grey would agree that critics are never right<br />

or justified is too extreme to be correct. Choice (C) is a<br />

good match <strong>for</strong> your prediction. Choice (D) is distortion; in<br />

<strong>the</strong> final sentence of <strong>the</strong> passage, Grey states that he pays<br />

attention to <strong>the</strong> reaction of nobody but himself. Choice (E)<br />

is distortion; again, in <strong>the</strong> final sentence, Grey suggests that<br />

reviews have no effect on him.<br />

SECTION 8<br />

l. c<br />

Difficulty: Low<br />

Strategic Advice: If a problem at <strong>the</strong> beginning of a section<br />

seems easy, it probably is. All you have to do is be<br />

careful that you don't make an arithmetic error.<br />

Getting to <strong>the</strong> Answer:<br />

Employees by division:<br />

Development = 1 x 4 = 4<br />

Marketing = 2 x 3 = 6<br />

Accounting = 3 x 2 = 6<br />

Public Relations= 5 x 5 = 25<br />

Overall total: 4 + 6 + 6 + 25 = 41

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!