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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong> /<br />

Practice Test Twelve Answers and Explanations<br />

1071<br />

22. c<br />

Difficulty: High<br />

The author brings up <strong>the</strong> example of Schumann in order to<br />

show that even <strong>the</strong> most accomplished woman musician<br />

could be led by societal beliefs to doubt her own ability. In<br />

Schumann, <strong>the</strong> reader can see just how great <strong>the</strong> obstacles<br />

were <strong>for</strong> women who wanted to be creative musicians, (C).<br />

Schumann's achievements were far from typical, so (A) can<br />

be eliminated. Choice (B) is wrong because <strong>the</strong>re is never<br />

any question that <strong>the</strong>re were at least some 19th-century<br />

women who composed music. Choice (D) is a distortion<br />

of <strong>the</strong> last paragraph's point that Schumann was one of<br />

<strong>the</strong> first female composers to compose an orchestral work.<br />

Choice (E) isn't supported by anything in <strong>the</strong> passage.<br />

23. D<br />

Difficulty: Low<br />

Choice (D) is correct because it paraphrases <strong>the</strong> last<br />

sentence of <strong>the</strong> fourth paragraph.<br />

There is no evidence in <strong>the</strong> passage to support any of <strong>the</strong><br />

o<strong>the</strong>r choices.<br />

24. A<br />

Difficulty: Low<br />

The author describes <strong>the</strong> art song-<strong>the</strong> genre considered<br />

appropriate <strong>for</strong> women and <strong>the</strong> type of music that women<br />

composers gravitated to out of necessity-in order to<br />

emphasize just how much Schumann defied convention in<br />

composing an orchestral piece. Choice (A) is correct.<br />

No new point of view is ever introduced into <strong>the</strong> passage,<br />

so (B) is incorrect. Choice (C) is wrong because <strong>the</strong> art<br />

song is not a type of orchestral work. Choice (D) is out<br />

because <strong>the</strong> author never criticizes 19th-century women<br />

at all. Choice (E) simply misconstrues <strong>the</strong> point <strong>the</strong> author<br />

makes by describing <strong>the</strong> art song.<br />

SECTION 3<br />

l. D<br />

Difficulty: Low<br />

Strategic Advice: Sometimes <strong>the</strong> biggest challenge of a<br />

question is not its math but its English: notice here that<br />

you're given data in both minutes and seconds. Avoid trap<br />

choices (such as (B) in this case) by making <strong>the</strong>se units of<br />

measurement consistent.<br />

Getting to <strong>the</strong> Answer:<br />

--2.fL = <br />

60 sec. 2<br />

2. c<br />

60x = 10<br />

Difficulty: Low<br />

X= _lQ = _l_<br />

60 6<br />

Remember that questions involving ranges of possible<br />

values often require you to use ei<strong>the</strong>r or both extreme<br />

values-minimum or maximum-to answer correctly. Here,<br />

<strong>for</strong> example, you need only 80 percent of 40.<br />

Getting to <strong>the</strong> Answer:<br />

3. D<br />

0.80( 40) = 32<br />

Difficulty: Low<br />

Focus on how one piece of data leads to ano<strong>the</strong>r. If two<br />

sides are equal, <strong>the</strong> two angles opposite are equal. Then<br />

only 60 degrees remains <strong>for</strong> <strong>the</strong> top angle-which means<br />

that <strong>the</strong> triangle is equilateral: all three sides and all three<br />

angles are equal.<br />

Getting to <strong>the</strong> Answer:<br />

4. c<br />

12 + 12 + 12 = 36<br />

Difficulty: Low<br />

Strategic Advice: Often, and especially early in a section,<br />

questions test not so much your ability to conceptualize<br />

advanced math concepts as your ability to quickly and<br />

carefully per<strong>for</strong>m basic operations. Practice such questions<br />

(like this one), and on Test Day you'll move through <strong>the</strong>m<br />

with speed and accuracy. Notice, by <strong>the</strong> way, that this is<br />

one of those very rare questions in which <strong>the</strong> logic of <strong>the</strong><br />

question itself prevents <strong>the</strong> testmaker from presenting <strong>the</strong><br />

choices in size order, as <strong>the</strong>y are normally presented.

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