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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Seven Answers and Explanations 659<br />

I<br />

will be very positive. The artists who made <strong>the</strong> sets might<br />

be prolific, but <strong>the</strong> sets <strong>the</strong>mselves can't be. If <strong>the</strong> sets were<br />

modest, <strong>the</strong>y probably wouldn't be considered such a visual<br />

achievement, (B). The sets couldn't be reticent. Like (A),<br />

this is something that could only apply to people. The sets<br />

should evoke <strong>the</strong> future, but archaic sets would do just <strong>the</strong><br />

opposite. Grandiose fits perfectly. (You might recognize <strong>the</strong><br />

word grand, even if you're not familiar with grandiose.)<br />

5. A<br />

Difficulty: High<br />

In this example, we must assume that circumstances, such<br />

as <strong>the</strong> rise in rewards and <strong>the</strong> desire to win no matter<br />

what, could cause someone's personality to change in a<br />

negative way. In order to fill in <strong>the</strong> blank, we also need to<br />

know <strong>the</strong> word base, which means morally low or meanspirited.<br />

There<strong>for</strong>e, <strong>for</strong> a negative change to occur, <strong>the</strong> base<br />

elements must be intensified, (A).<br />

6. A<br />

Difficulty: High<br />

Start by filling in <strong>the</strong> first blank. Since <strong>the</strong> first part of <strong>the</strong><br />

sentence contrasts a hummingbird's light weight with its<br />

appetite, you can predict that a word like big or gluttonous<br />

must fill this blank. Only (A), voracious, matches this<br />

prediction. But just to be sure that (A) is correct, plug <strong>the</strong><br />

second word of this choice into <strong>the</strong> second blank. It makes<br />

sense. Though hummingbirds weigh very little, <strong>the</strong>y are<br />

voracious eaters with high body temperatures, consuming<br />

many times <strong>the</strong>ir weight in food each day.<br />

Questions 7- 19<br />

The italicized intro reveals <strong>the</strong> basic contrast between<br />

<strong>the</strong> two passages: Author 1 stresses Leonardo's artistic<br />

sensibility, while Author 2 stresses his technological<br />

achievements. Author 1 argues that Leonardo's artistic<br />

mentality interfered with his real accomplishments.<br />

He tended toward variability and inconstancy in his<br />

endeavors, he was impractical and restless, and despite<br />

his extraordinary inventiveness, he was more of an artist<br />

than a true scientist. Author 2 has a diametrically opposite<br />

view, arguing that Leonardo was an engineering genius and<br />

that his approach to scientific problems was thoroughly<br />

systematic.<br />

7. E<br />

Difficulty: High<br />

The overall point of Passage 1 is that Leonardo's<br />

accomplishments as a scientist and engineer were limited<br />

by <strong>the</strong> fact that he approached everything as an artist-he<br />

moved compulsively from one engineering project to <strong>the</strong><br />

next because he realized that <strong>the</strong> perfection of art was not<br />

attainable in those fields.<br />

8. B<br />

Difficulty: Medium<br />

The author expands on Leonardo's variability and<br />

inconstancy at <strong>the</strong> end of <strong>the</strong> paragraph-we're told that<br />

Leonardo made a habit of moving compulsively from one<br />

project to <strong>the</strong> next. So variability means changeability, (B).<br />

9. E<br />

Difficulty: Low<br />

The author's opinion of <strong>the</strong> Last Supper is expressed<br />

pretty clearly at <strong>the</strong> end of paragraph 2-despite its<br />

shortcomings, it is worthy of our greatest veneration<br />

because it succeeded brilliantly in capturing <strong>the</strong> acute<br />

anxiety of <strong>the</strong> apostles.<br />

10. A<br />

Difficulty: Medium<br />

Leonardo's approach to natural science is scatterbrained; he<br />

begins by inquiring into <strong>the</strong> properties of herbs and ends<br />

up observing <strong>the</strong> motions of <strong>the</strong> heavens. So <strong>the</strong> author is<br />

describing it as an example of his mental restlessness . ..<br />

when applied to scientific matters.<br />

11. B<br />

Difficulty: High<br />

The author's criticism of <strong>the</strong> pensieri is that while <strong>the</strong>y<br />

reflect Leonardo's compulsion with observation and<br />

problem solving . .. such things alone do not constitute<br />

science, which requires <strong>the</strong> working out of a systematic<br />

body of knowledge.<br />

12. c<br />

Difficulty: Medium<br />

The author presents modern scientific investigation as <strong>the</strong><br />

working out of a systematic body of knowledge, implying<br />

throughout that Leonardo wasn't sufficiently disciplined in

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