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12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test Twelve Answers and Explanations I<br />

1077<br />

Questions 10- 15<br />

Paragraph 1 states that Brooks's relationship with <strong>the</strong> earlier<br />

poets of <strong>the</strong> Renaissance was overlooked. Paragraph 2<br />

explains that <strong>the</strong>re were two basic impulses in poetry during<br />

<strong>the</strong> Harlem Renaissance, a romantic and a realistic one.<br />

Paragraph 3 says that Brooks's poetry in <strong>the</strong> 1940s reflected<br />

a more realistic view of <strong>the</strong> problems of poor black women.<br />

Paragraph 4 emphasizes Brooks's realism and notes her<br />

influence on black artists of <strong>the</strong> 1960s and 1970s.<br />

10. B<br />

Difficulty: Low<br />

The critics' initial response to A Street in Bronzeville is<br />

discussed in <strong>the</strong> first two sentences. These lines tell you<br />

that critics praised Brooks's craft and stylistic successes. This<br />

should lead you to (B), which is a good paraphrase of <strong>the</strong>se<br />

comments.<br />

11. D<br />

Difficulty: Low<br />

The question you're referred to ends <strong>the</strong> first paragraph. That<br />

means it will probably be answered or discussed in <strong>the</strong> rest of<br />

<strong>the</strong> passage. So <strong>the</strong> purpose it serves is to introduce <strong>the</strong> rest<br />

of <strong>the</strong> passage. The only answer choices whose first words<br />

sound possible are (C) and (D). After reading <strong>the</strong> rest of (C)<br />

and (D), you'll find that (D) best describes <strong>the</strong> passage.<br />

12. c<br />

Difficulty: Low<br />

This question asks about a detail covered in <strong>the</strong> passage, but it<br />

doesn't give you a line reference. Since questions 10 and 11<br />

covered paragraph 1, you should start looking in paragraph 2.<br />

The paragraph's first sentence tells you that <strong>the</strong> Renaissance<br />

poets were proud of <strong>the</strong>ir cultural heritage and believed that<br />

<strong>the</strong> arts were a good place to express that pride.<br />

13. B<br />

Difficulty: Medium<br />

The preceding lines tell you exactly what <strong>the</strong> poem is<br />

exemplifying: <strong>the</strong> tendency to romanticize black women.<br />

14. D<br />

Difficulty: Low<br />

Ano<strong>the</strong>r Vocabulary-in-Context question. As always,<br />

be sure to check <strong>the</strong> context. You're sent to <strong>the</strong> final<br />

paragraph where <strong>the</strong> author discusses influences on<br />

Brooks's poetry. It says that although Brooks rejected <strong>the</strong><br />

romanticizing aspect of Renaissance, she was conditioned<br />

by its optimism. The word although indicates a contrast: if<br />

she rejected one thing, she must have accepted, or been<br />

influenced, by ano<strong>the</strong>r.<br />

15. c<br />

Difficulty: High<br />

With primary focus Global questions, you need to find an<br />

answer choice that sums up <strong>the</strong> passage without being<br />

too broad or too narrow. For example, (D) is too broad (it<br />

doesn't even mention Brooks!), and (E) is too narrow (this is<br />

only mentioned at <strong>the</strong> end of <strong>the</strong> last paragraph). Choice (C)<br />

has <strong>the</strong> right focus-Brooks-and covers <strong>the</strong> discussion of her<br />

relation to <strong>the</strong> literary tradition of <strong>the</strong> Harlem Renaissance.<br />

Questions 16- 17<br />

This short passage talks about <strong>the</strong> Hubble Heritage Project.<br />

To celebrate its five-year anniversary, astronomers released<br />

a picture of <strong>the</strong> Sombrero, a faraway galaxy.<br />

16. D<br />

Difficulty: Low<br />

Look through <strong>the</strong> short passage to see where <strong>the</strong> images<br />

of <strong>the</strong> Sombrero are discussed. You'll notice that <strong>the</strong> author<br />

describes it as a composite, pieced toge<strong>the</strong>r, and a mosaic.<br />

You can infer that <strong>the</strong> final image was made up of many<br />

pieces.<br />

Choice (A) is out of scope; <strong>the</strong> author never mentions this.<br />

Choice (B) is a distortion; <strong>the</strong> author says <strong>the</strong> image was<br />

released to celebrate <strong>the</strong> anniversary of <strong>the</strong> Hubble Heritage<br />

Project, not to prove what <strong>the</strong> Hubble can do. Choice (C)<br />

is out of scope; <strong>the</strong> comparison in <strong>the</strong> passage is to <strong>the</strong><br />

Milky Way itself, not to images of <strong>the</strong> Milky Way. Choice<br />

(D) matches your prediction. Choice (E) is a distortion; <strong>the</strong><br />

author doesn't mention <strong>the</strong> rest of <strong>the</strong> scientific community.

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