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Section 7<br />

538 Practice Test Six<br />

Directions: The passages below are followed by questions based on <strong>the</strong>ir content; questions follog a pair of relted<br />

passages may also be based on <strong>the</strong> relationship between <strong>the</strong> paired pass .<br />

ages. Answer <strong>the</strong> qu .<br />

est10ns on <strong>the</strong> basis of<br />

what is stated or implied in <strong>the</strong> passages and in any introductory material that may be provided.<br />

Questions 7-19 are based on <strong>the</strong> following passage.<br />

The following passage is an excerpt from<br />

.<br />

a nvel abou a<br />

talk show host who is learning to deal with life after his<br />

program is cancelled.<br />

The way late-night talk show host Randolph<br />

Meyer learned of his long-running television program's<br />

demise was not at all how he pictred t<br />

Line would be. The <strong>for</strong>eboding phone call he imagmed,<br />

(5) from his producer or a network head, was instead<br />

replaced by a small, un<strong>for</strong>giving headline in <strong>the</strong><br />

morning's paper: 'Talk Night' Gets <strong>the</strong> Axe.<br />

He should have sensed something was wrong<br />

by <strong>the</strong> line of commiserative eyes that quietly<br />

(10) fell upon him as he entered <strong>the</strong> diner, and <strong>the</strong><br />

unusually gracious treatment by <strong>the</strong> normally<br />

curt waitress. Instead, he made <strong>the</strong> egotistical<br />

error of mistaking compassion <strong>for</strong> adulation. The<br />

unsettling gawks of strangers, which on previous<br />

(15) mornings had imparted to him a confirmation of<br />

his success, were now prying daggers. Randolph's<br />

heart began to pound in his chest-not a good<br />

thing <strong>for</strong> a man his age. He paid <strong>for</strong> his breakfast<br />

and attempted to walk nonchalantly out of <strong>the</strong><br />

(20) establishment, suppressing <strong>the</strong> urge to run to <strong>the</strong><br />

tinted refuge of his car.<br />

The canceling of <strong>the</strong> talk show came as a complete<br />

surprise to everyone but Randolph. Despite<br />

<strong>the</strong> show's decent ratings, he had a sense that <strong>the</strong><br />

(25) network had purposely neglected Talk Night since<br />

<strong>the</strong> hiring of its new president Abel Carver a year<br />

earlier. Armed with <strong>the</strong> latest buzzwords and a<br />

new "groundbreaking vision" <strong>for</strong> <strong>the</strong> sinking network,<br />

Carver introduced a strong course of action<br />

(30) that Randolph quickly distilled into three words:<br />

Style Over Substance. To Randolph, that was a<br />

good description of Carver, as well.<br />

"You gotta think outside <strong>the</strong> box," Carver<br />

would often tell Randolph. "It's <strong>the</strong> only way you<br />

(35) can survive in this industry."<br />

Randolph was a familiar fixture on late-night<br />

television <strong>for</strong> three generations of Americans. He<br />

had managed to not only survive but to thrive in<br />

<strong>the</strong> industry <strong>for</strong> five decades prior to Abel Carver's<br />

( 40) tenure. Certainly "our old man" (Carver's pet<br />

name <strong>for</strong> Randolph) knew a thing or two about<br />

entertainment, and he was not about to change<br />

horses midstream. He thought about <strong>the</strong> legions<br />

of adoring (though he had to admit, graying) fans<br />

(45) and <strong>the</strong> numerous Emmys, achievement awads,<br />

and o<strong>the</strong>r various accolades that filled an entire<br />

wall of his office. He <strong>the</strong>n recalled his interviews<br />

and correspondences with some of <strong>the</strong> world's<br />

most powerful and intriguing figures, and dis-<br />

(50) missed Carver with a lordly grunt.<br />

.<br />

True, Randolph's older and intellectual audience<br />

didn't fit Carver's target demographic, but<br />

CNS wasn't some cable <strong>the</strong>me channel; it was a<br />

genuine, one-of-a-kind network television insti-<br />

(55) tution, one of <strong>the</strong> first ever to brodca<br />

,<br />

t over<br />

<strong>the</strong> country's airwaves. Networks like Chrome<br />

catered to <strong>the</strong> lowest common denominator;<br />

CNS did not. It all seemed a little backward to<br />

Randolph, anyway. By pandering to one specific<br />

( 60) segment of your audience, you completely ignre<br />

<strong>the</strong> o<strong>the</strong>rs. The object was to attract as many viewers<br />

as possible; at least that was what Randolph<br />

always believed.<br />

At this time of <strong>the</strong> day, Randolph's mobile<br />

( 65) phone would normally be ringing off te hok.<br />

Today, it was eerily silent. He stared at its shmy<br />

plastic housing and tried to will it to ring, to no<br />

avail. Who would be <strong>the</strong> first person to call? It<br />

should have been Carver, and he should have had<br />

(70) <strong>the</strong> professional courtesy to personally break <strong>the</strong><br />

news to him last night. Randolph, however, was<br />

not surprised by this selfishness and lack of<br />

professionalism. He never put much faith in those<br />

who demanded <strong>the</strong> respect of o<strong>the</strong>rs ra<strong>the</strong>r than<br />

(75) earning it.<br />

I GO ON TO THE NEXT PAGE><br />

,,

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