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376<br />

12 Practice <strong>Tests</strong> <strong>for</strong> t h e <strong>SAT</strong><br />

Practice Test Four Answers and Explanations<br />

7. D<br />

Difficulty: Hig<br />

T h ere's an imp h l icit comparison in t h is sentence b etween<br />

ta b l e etiquette an d somet h ing e l se. W h at is ta b l<br />

b e etiquette<br />

eing compare d to? T h ink a b out h ow t h e emp h asis on<br />

"subtle" rein<strong>for</strong>ces t h is comparison.<br />

W h en a Function question asks a b out t h e aut h or's<br />

emp h asis on a particu l ar word, t h ink a b out t h e meaning of<br />

t h e word b e<strong>for</strong>e l oo king <strong>for</strong> t h e ro l e of t h e emp h asis.<br />

T h e aut h or says t h at ta b l e etiquette can b<br />

l e even trickier to<br />

earn t h an t h e strict re l igious pro h i b itions mentione d ear l ier<br />

in t h e passage. Since ru l es are "subtle" w h en t h ey are not<br />

particu l ar l y o b vious or apparent, you can infer t h at t h e<br />

aut h or is emp h asizing t h e fact t h at ta b l e etiquette can b<br />

h e<br />

ar der <strong>for</strong> a <strong>for</strong>eigner to figure out t h an religious rules are.<br />

C h oice (A) is distortion; t h e cited word is used to descri b e<br />

ta b l e etiquette, not vio l ations of re l igious customs. C h oice<br />

(B) is b extreme; t h e aut h or on l y indicates t h at ta b l e etiquette<br />

can e more c h a ll enging to figure out, not t h at it always is.<br />

C h oice (C) is out of scope; t h e aut h or makes no mention<br />

of t h e very nature of ta b l e etiquette. C h oice (D) matc es<br />

your prediction nicely. C h oice (E) is distortion; t h e aut h or<br />

does not mention anyone's ta b l e manners b eing cautious l<br />

h y<br />

i dden or protected.<br />

Questions 8-9<br />

T h e aut h or of t h is passage reca ll s h is favorite c h i ldh ood dis h ,<br />

one so h ot wit h peppers t h at h is friends didn't dare try it.<br />

8. A<br />

Difficulty: Low<br />

Notice t h e co l on in t h e relevant sentence. W h at idea does it<br />

ca ll particular attention to? T e cited description most l ike l y<br />

rein<strong>for</strong>ces or e l a b orates on t h at idea.<br />

Pay attention to t h e punctuation in t h e sentence, since it<br />

can serve as a structura l c l ue to h e l p emp h asize an idea.<br />

T h e cited words come in a sentence descri b ing one<br />

possi b l e reason w h y t aut h or as ked<br />

l <strong>for</strong> t h e cassero l e- h e<br />

i ked its appearance. T h e co l on makes it c l ear t h at aes<strong>the</strong>tic<br />

reasons <strong>for</strong> l iking t h e cassero l e are t h e focus of t h e<br />

sentence. Since t h e brilliant hues of <strong>the</strong> peppers<br />

h<br />

descri b es<br />

ow t h e peppers l oo k, you can expect t h at t h e aut h or<br />

uses t h is p h rase in order to explain w h y h e finds t h e dis<br />

aest h etica ll y p l easing.<br />

h<br />

C h oice (A) is a good matc h <strong>for</strong> your prediction. C h oice (B)<br />

is distortion; t h e aut h or does not connect t h e h otness of<br />

t h e peppers to t h eir appearance. C oice (C) is a misused<br />

detai l ; se l fis h ness is mentioned in t e l ast sentence, b ut it is<br />

not connected to t h is description. C h oice (D) is distortion;<br />

again, t h e appearance of t e peppers is not given as a<br />

reason <strong>for</strong> t h eir h otness. C h oice (E) is an opposite; t h e<br />

sentence descri b es w h y its appearance was potentia ll y<br />

important to t h e aut h or.<br />

9. D<br />

Difficulty: Medium<br />

W h at point is t h e aut h or trying to make in t h is sentence?<br />

T h ink a b out h ow t h e description contri b utes to t h e purpose<br />

of t h e sentence as a w h o l e.<br />

In questions a b out t h e function of a particu l ar word, t h ink<br />

a b out h ow t h at word contri b utes to t h e purpose of t h e<br />

sentence in w h ic h it occurs.<br />

T h e aut h or mentions two possi b l e exp l anations <strong>for</strong> w h y h e<br />

his so fond of t h e cassero l e: h e likes t h e way it l ooks, and<br />

e l i kes t h e contrast in tastes. Pepper juice is descri b ed<br />

as intimidating in t h e context of a discussion of contrast<br />

in tastes. Specifica ll y, it is compared to t h e tame taste of<br />

c h eese.<br />

C h oice (A) is out of scope; t h e dis h may b e unusua l , b ut<br />

t h e aut h does not make t h is c l aim in t h e passage. C h oice<br />

(B) is distortion; t h e aut h or is discussing h is own fondness<br />

<strong>for</strong> t h e dis , not warning t h e reader. C h oice (C) is an<br />

opposite; h t h e aut h or l iked t e peppers precise l y b ecause<br />

e knew t h ey would singe<br />

h is tongue. C h oice (D) is a nice<br />

matc h <strong>for</strong> your prediction. C h oice (E) is a misused detai l ;<br />

t h e appearance of t h e dis h is descri b ed in t h e previous<br />

sentence, not t h is one.<br />

Questions 1 0-19<br />

Paragrap h 1 introduces readers to Modernism, a l iterary<br />

movement wit h roots in Wor ld War I. Modern nove l s<br />

were c h aracterized b y a loss of innocence an d were<br />

depressing and incompre h ensi b l e to t h e genera l pu bl ic.<br />

Paragrap h 2 l ooks at Postmodernism, w h ic h arose after

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