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128<br />

12 Practice <strong>Tests</strong> <strong>for</strong> <strong>the</strong> <strong>SAT</strong><br />

Practice Test One Answers and Explanations<br />

8. D<br />

Difficulty: Low<br />

The passage states that Revisited managed to become a<br />

success through word of mouth. In terms of movies that<br />

are heavily promoted, how would you characterize this type<br />

of advertising? The best context clue to help you answer<br />

this vocabulary question is found in <strong>the</strong> third paragraph of<br />

Passage 1, where <strong>the</strong> author states that by word of mouth<br />

(line 34), Revisited managed to become a success. Look <strong>for</strong><br />

<strong>the</strong> answer choice that best describes what this clue implies<br />

about <strong>the</strong> type of hit <strong>the</strong> movie was.<br />

Choice (A) is distortion; this particular definition of quiet<br />

makes no sense in context. Choice (B) is out of scope;<br />

<strong>the</strong>re is nothing in <strong>the</strong> passage that indicates Revisited<br />

lacked action. Choice (C) is distortion; Revisited is only<br />

described as quirky (line 32); <strong>the</strong> tone of <strong>the</strong> film is not<br />

offered. Choice (0) is a good match. Choice (E) is an<br />

opposite; here, quiet is modifying <strong>the</strong> noun hit-a film that<br />

enjoys monetary success.<br />

9. A<br />

Difficulty: Medium<br />

What does <strong>the</strong> author of Passage 1 state that Oscar Grey<br />

does in piecing toge<strong>the</strong>r <strong>the</strong> events of Roth's life <strong>for</strong> <strong>the</strong><br />

film? Passage 1 states that <strong>the</strong> film is a loose interpretation<br />

of <strong>the</strong> details of Alexander's Roth's life, which are spotty at<br />

best and that Oscar Grey takes liberties . .. while attempting<br />

to fill in <strong>the</strong> many blanks. These blanks, of course, are <strong>the</strong><br />

unknown details of <strong>the</strong> author's life. Look <strong>for</strong> <strong>the</strong> choice that<br />

best summarizes this in<strong>for</strong>mation.<br />

Choice (A) is a good match <strong>for</strong> your prediction. Choice<br />

(B) is extreme; a loose interpretation implies that <strong>the</strong><br />

portrayal was based on some fact; <strong>the</strong>re<strong>for</strong>e, to label it as a<br />

complete fabrication is incorrect. Choice (C) is distortion; a<br />

mild embellishment is to be expected in a film and would<br />

probably not spark an outrage. Choice (D) is out of scope;<br />

<strong>the</strong> passage specifically states that Grey took liberties.<br />

Choice (E) is out of scope; <strong>the</strong>re is nothing in <strong>the</strong> passage<br />

to suggest that <strong>the</strong> film's portrayal of Roth is idolatrous;<br />

in fact, <strong>the</strong> outrage of Roth's fans might even suggest <strong>the</strong><br />

opposite.<br />

10. B<br />

Difficulty: Medium<br />

There are a few Hollywood insiders who are not convinced<br />

<strong>the</strong> movie will be a complete failure. What reasons do <strong>the</strong>y<br />

offer <strong>for</strong> <strong>the</strong>ir conviction? The Hollywood insiders suggest<br />

that <strong>the</strong> critics predicting <strong>the</strong> film's quick death may be<br />

exaggerating things a bit. These insiders <strong>the</strong>n go on to<br />

in<strong>for</strong>m us of <strong>the</strong> large numbers of both Grey and Roth<br />

admirers and <strong>the</strong>ir fierce loyalty to <strong>the</strong> artists. It can be<br />

assumed that <strong>the</strong>se fans will fill more than a few seats in<br />

<strong>the</strong> <strong>the</strong>ater. Look <strong>for</strong> <strong>the</strong> choice that best sums this up.<br />

Choice (A) is an opposite; on <strong>the</strong> contrary, <strong>the</strong> Hollywood<br />

insiders in fact suggest that <strong>the</strong> bad reviews may not<br />

seriously affect <strong>the</strong> turnout <strong>for</strong> <strong>the</strong> movie. Choice (B) is a<br />

good match <strong>for</strong> your prediction. Choice (C) is distortion;<br />

<strong>the</strong> critics were wrong about Revisited, but <strong>the</strong> author<br />

mentions this fact only to accentuate how many fans of<br />

Oscar Grey <strong>the</strong> film generated. Choice (D) is an opposite;<br />

<strong>the</strong> Hollywood insiders are referring to fans with a particular<br />

interest in Grey and Roth, <strong>the</strong>y do not discuss <strong>the</strong> average<br />

moviegoer. Choice (E) is out of scope; <strong>the</strong>re is nothing in<br />

<strong>the</strong> passage that indicates a bias against Grey or Roth.<br />

11. D<br />

Difficulty: Medium<br />

Which of <strong>the</strong> choices best rewords Reynolds's description,<br />

an art film with an action film 's budget and expectations?<br />

The passage is full of criticisms of <strong>the</strong> film, and this question<br />

asks you to find <strong>the</strong> choice that sums all of <strong>the</strong>m up. Both<br />

<strong>the</strong> author and <strong>the</strong> critic Reynolds offer clues to help you:<br />

In lines 44-45, Reynolds calls 45 Minutes an art film with<br />

an action film 's budget and expectations; in addition, in<br />

<strong>the</strong> concluding paragraph, <strong>the</strong> author says <strong>the</strong> film will<br />

please <strong>the</strong> coffeehouse crowds but disappoint <strong>the</strong> average<br />

filmgoer. Look <strong>for</strong> <strong>the</strong> choice that best describes what can<br />

be gleaned from <strong>the</strong>se two examples.<br />

Choice (A) is an opposite; though Reynolds dislikes <strong>the</strong><br />

film, he does say that it is uniquely appealing visually (line<br />

46). Choice (B) is distortion; this is a particular criticism of<br />

<strong>the</strong> film-you are looking <strong>for</strong> a choice that lumps <strong>the</strong>m all<br />

toge<strong>the</strong>r. Choice (C) is distortion; <strong>the</strong> passage indicates that<br />

<strong>the</strong>re may not be enough known about Roth to base a film<br />

upon him, but <strong>the</strong> author never suggests Roth is not worthy.<br />

Choice (D) is a good match <strong>for</strong> your prediction. Choice (E)<br />

is an opposite; <strong>the</strong> criticisms, though mostly negative, in fact<br />

suggest that <strong>the</strong> film is perhaps too original.

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