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12.Practice.Tests.for.the.SAT_2015-2016_1128p

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174<br />

Section 6<br />

Practice Test Two<br />

The purpose of <strong>the</strong>se exhibits is not to provide<br />

viewers with a complex and thorough under-<br />

(85) standing of a particular phenomenon-<strong>the</strong>re are<br />

whole college courses <strong>for</strong> that-but to introduce<br />

<strong>the</strong>m to an area of knowledge that <strong>the</strong>y have not<br />

been exposed to be<strong>for</strong>e and inspire <strong>the</strong>m to want<br />

to learn more. Not only that, but <strong>the</strong> exhibits<br />

(90) are presented with nested layers of knowledge,<br />

footnotes and references and fur<strong>the</strong>r reading, so<br />

that <strong>the</strong> portion of <strong>the</strong> audience that does have a<br />

background in <strong>the</strong> topic will have something new<br />

to chew on as well.<br />

(95) Improved understanding of different peoples'<br />

learning styles has led to entirely new exhibit<br />

types, such as <strong>the</strong> much-maligned interactive<br />

stations where viewers can participate in <strong>the</strong> quest<br />

<strong>for</strong> knowledge in a more active way. These exhib-<br />

(100) its, far from being passive learning tools, engage<br />

a visitor's kines<strong>the</strong>tic sense to give in<strong>for</strong>mation<br />

ano<strong>the</strong>r path into <strong>the</strong> brain. These tools are meant<br />

to increase <strong>the</strong> value of <strong>the</strong> museum visit by providing<br />

a variety of experiences, not just passive<br />

( 105) viewing and label reading, along <strong>the</strong> way. One<br />

exhibit might allow a visitor to operate an antique<br />

machine by proxy or allow visitors to choose<br />

between different aspects of <strong>the</strong> exhibit that <strong>the</strong>y<br />

wish to have more in<strong>for</strong>mation about.<br />

(1 10) It's true that <strong>the</strong>re may be a shift in <strong>the</strong> mission<br />

statement of <strong>the</strong> museum as we know it. Instead<br />

of providing specialized scholars with more and<br />

more arcane knowledge about <strong>the</strong>ir topic, museums<br />

are encouraging laypeople and <strong>the</strong> generally<br />

( 115) educated to interact and to be inspired by things<br />

<strong>the</strong>ir minds have not encompassed be<strong>for</strong>e. These<br />

public institutions are heading in <strong>the</strong> right direction:<br />

to be more and more useful to-who else?­<br />

<strong>the</strong> public.<br />

13.<br />

14.<br />

15.<br />

What would <strong>the</strong> authors of both passages probably<br />

agree is <strong>the</strong> main purpose of a museum?<br />

(A) to inspire visitors to learn more about <strong>the</strong><br />

topics on display<br />

(B) to help visitors develop a complex and<br />

thorough understanding of relevant concepts<br />

(C) to be a fun place to visit<br />

(D) to raise funds to complete new exhibits<br />

(E) to provide specialized scholars with in-depth<br />

research material<br />

What does <strong>the</strong> author of Passage 1 claim is <strong>the</strong><br />

cause of "<strong>the</strong> worst of such results" (line 11)?<br />

(A) <strong>the</strong> decline in education of <strong>the</strong> visitors<br />

(B) entertaining interactive displays<br />

(C) a museum curator's belief that <strong>the</strong> museum<br />

content is too difficult <strong>for</strong> visitors to<br />

understand<br />

(D) a museum curator who fails to understand<br />

that different people have different learning<br />

styles<br />

(E) a decline in federal funding <strong>for</strong> museums<br />

In Passage 1, "interactive" exhibits (line 26) are<br />

mentioned in order to provide an example of<br />

(A) a way that museums have broadened <strong>the</strong>ir<br />

exhibits to appeal to different learning styles<br />

(B) a way that museums have "dumbed down"<br />

<strong>the</strong>ir content<br />

( C) a method <strong>for</strong> raising funds to <strong>for</strong>estall <strong>the</strong><br />

current crisis in museums<br />

(D) a tactic museums use to cater to specialized<br />

scholars<br />

(E) <strong>the</strong> way that visitors have influenced <strong>the</strong><br />

evolution of museum exhibits<br />

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