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<strong>International</strong> <strong>Teacher</strong> <strong>Education</strong> <strong>Conference</strong> <strong>2014</strong><br />

Arts <strong>Education</strong> for Creative Community Building Illustrated by Wol-Wall<br />

Festival in Seoul<br />

Haekyoung Lee a*<br />

a<br />

College of Art, Kookmin University<br />

Abstract<br />

Wol-Wall Festival is a festival I established and ran from 2009 to 2011 in Seoul, Korea. Wol-Wall means “to<br />

leap over” aiming to transcend the wall between the arts and everyday life. The festival explored how<br />

universities can utilize a neighborhood’s natural, social, cultural environments to foster the development of a<br />

creative community through art education and cultural activities. There were three goals of Wol-Wall. First,<br />

establishing a creative partnership between the local government, university, artists, and residents. Second,<br />

highlighting the characteristics of the community and involving the residents in creative activities through arts<br />

education. Third, revitalizing the history of the neighborhood to develop new cultural contents and transcend the<br />

wall between generations. This paper is in two parts. The first section will demonstrate the evolution of Wol-<br />

Wall Festival. The second will explore the performances prepared by professional actors and amateur residents,<br />

their creative processes of arts education, and regional development.<br />

Keywords.<br />

Introduction<br />

Creative Community through the Arts<br />

Wol-Wall Festival is a festival I ran for three years from 2009 to 2011 in Bukjeoung Walled Neighborhood<br />

(or Bukjeong Village) of Seongbuk-gu, Seoul, Korea. The name Wol-Wall combines the Chinese character<br />

(hanja) 越 (wol) that means “to leap over” or “to transcend” and the English word Wall. It contains the meaning<br />

of transcending the wall between the arts and everyday life, between generations, and between regions. The<br />

festival was based on a series of research that explored how universities can utilize a neighborhood’s natural,<br />

social, cultural environments to foster the development of a creative community through research, education,<br />

and artistic activities (Lee, 2006).<br />

There were three core goals of Wol-Wall. First, establishing a creative community through a creative<br />

partnership between the local government, university, artists, and residents. Second, highlighting the history and<br />

characteristics of Seoungbuk 2-dong and involving the residents in cultural activities through arts education.<br />

Third, revitalizing the works of influential artists who resided in the neighborhood to develop new cultural<br />

contents and transcend the wall between generations.<br />

This paper is in two parts. The first section will explore the beginnings of Wol-Wall and its development<br />

from 2009-2011. The second section will critically explore the performances and their creative processes of arts<br />

education and regional development.<br />

Evolution of Wol-Wall Festival<br />

The Beginnings of Wol-Wall: Establishing a Partnership<br />

Wol-Wall started with my presentation, “The 21 st Century of Culture, Creative Community: Theory and<br />

Practice” given to the gu-office (akin to ward or borough offices) of Seongbuk-gu. With the budget secured on<br />

the basis of the presentation, the planning began for a neighborhood festival. On the academic side, I gave a<br />

presentation at Kookmin University, “Creative Community Centered on Kookmin: Interdisciplinary Practice of<br />

Culture,” which led to the contribution from professors and students across different fields including design,<br />

dance, music, theatre, and film. As such, the gu-office provided administrative and financial support, the<br />

University provided programming and operations support, and artists provided the talent, forming a natural<br />

partnership between government, school, and artists. In the process, a lot of effort was put in to getting the trust<br />

and cooperation of the residents. Programming, the naming of the festival, designing the poster, and running the<br />

E-mail address: hkl@kookmin.ac.kr<br />

389

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