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<strong>International</strong> <strong>Teacher</strong> <strong>Education</strong> <strong>Conference</strong> <strong>2014</strong><br />

Generally, the first group of activities leverages the knowledge of students, trying to connect their personal<br />

experiences and “images” with the Gallery and seeks the exercise of their observation.<br />

Recommended time: 15 - 20 minutes<br />

Links to other activities<br />

These first descriptive attempts of young visitors can be combined with any activity of the second group<br />

(creative writing) or fourth (descriptions by creating theatrical images: fantasy games).<br />

Group activities B: Creative Writing<br />

General purpose<br />

Students can understand that visual arts, in this case, poetry and literature, are different kinds of art, language<br />

expression and communication with different media.<br />

Links to the group - description<br />

Specific activities preferred portraits or paintings with scenes of everyday life, especially if in the first<br />

activities group we choose landscapes (second worksheet). The reason is that the description of persons and<br />

roles - characters or scenes can easily be connected to literary works in school curriculum. Students are<br />

accustomed to analyze human types and "see" behind the paintings.<br />

At the first worksheet, we give a ready description (external or internal) and we ask children to connect this<br />

description with paintings. At the second worksheet, we request the opposite: to stand forth in a portrait or a<br />

painting scene and produce their own text. They‘ll try to describe both, the appearance of the depicted persons<br />

and their feelings or even their character if they can.<br />

Examples connection with textbook includes:<br />

1. Mayday in Corfu (C. Pahis ) to describe the scene with style and vocabulary of Karkavitsas or Xenopoulos<br />

(are writers) .<br />

2. Daughter’s head (P. Gyzis – a painter ): connection with the beggar by Karkavitsas<br />

3. After the Memorial (N. Gyzis ) : Connection to: Oblivion by Mavilis / Voices by Cavafis (poet)<br />

4. Portait of Corfiot lawyer named Donatos Dimoulitsas (By M. Tsokos ) : A form and substance of Xenopoulos<br />

5. Given text in writing style of Xenopoulos: association with: George Pyrran , harbormaster of Zakynthos ( N.<br />

Koutouzis, painter ) .<br />

Expected results<br />

From these activities, we expect students to develop both, analytical and synthetic thinking. On the first<br />

worksheet, is deliberately more playful style, invites students to discover what the painting is. In the second<br />

activity of this group, student attempt to communicate with the paintings. This procedure makes the child<br />

creative.<br />

Recommended time: 20 minutes<br />

Group activities C: Exploration games through a " race ."<br />

General purpose<br />

The overall goal of this group of activities is to activate most of the students, applying the method of<br />

“entertaining learning”, thus renewing the interest of children for both, paintings and the overall experience of<br />

visiting the museum.<br />

Connection with the team and description<br />

Through its past activities, students, from one hand, have been in close to contact with several paintings and<br />

feel comfortable in the place of museum, on the other hand, is the right time for something different that will<br />

relax them, and stimulate their attention but lacks in learning power. A " racing " is a very popular game for the<br />

children and develops the competition and the collaborative spirit, motivates feelings satisfaction. It also<br />

stimulates confidence and creates a pleasant climate. Thus, from this perspective, these activities are close in<br />

temperament and interests of students, escaping from traditional ways of learning and contributing to the success<br />

of the experience of the whole visit.<br />

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