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<strong>International</strong> <strong>Teacher</strong> <strong>Education</strong> <strong>Conference</strong> <strong>2014</strong><br />

In music, a phrase is a single idea, often in the form of a question or answer. By identifying phrases within a<br />

piece of music and looking for repetition, it is possible to understand the overall form. As you play the following<br />

improvisation exercises, try creating “questions and answers” in the phrases you build.<br />

IMPROVISATIONS TO A DRONE BASS<br />

Without looking at the keys, place left hand fingers 5 and 1 on the black keys E b -B b (or the highest black<br />

keys of the 2 and 3 black key groups). Play quarter notes at MM 80, which serves as a “drum beat” for your first<br />

improvisation exercise.<br />

IMPROVISE AN INDIAN LEGEND<br />

!<br />

!<br />

!<br />

“drum beat” pattern<br />

Play the “drum beat” pattern shown above in the left hand at a pp (pianissimo) level, i.e. very soft, with an<br />

accented downbeat. Meanwhile, improvise one phrase with the right hand on five black keys. Before you play<br />

hands together, alternate two measures of the “drum beat” in the left hand followed by two measures of a<br />

melody in the right hand. Now, continue your exciting, living legend hands together.<br />

IMPROVISE A CONVERSATION BETWEEN TWO COWBOYS<br />

or<br />

Bass pattern 1 Bass pattern 2<br />

This exercise takes on the character of a conversation between two cowboys on horseback. With the left<br />

hand, play a horse’s “clip-ty clop-ty.” Try both of these rhythmic versions in the left hand. Which one feels more<br />

natural to you?<br />

In the right hand, improvise a melody on any of the five black keys or chord clusters that compliment the<br />

cowboy theme.<br />

501

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