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<strong>International</strong> <strong>Teacher</strong> <strong>Education</strong> <strong>Conference</strong> <strong>2014</strong><br />

FURTHER IDEAS FOR CREATIVE IMPROVISATION<br />

The following ideas can be used for interesting improvisations. Use two or three techniques below to add<br />

variety to the “Indian Legend” or “Cowboy Conversation.”<br />

• Play an octave higher/lower with either hand.<br />

• Change dynamics<br />

• Play staccato or legato<br />

• Change the tempo<br />

• Repeat phrases<br />

• Change the mood of the work<br />

LESSON 3: 12 MAJOR FIVE-FINGER PATTERNS READ FROM KEYBOARD IMAGES<br />

!<br />

whole whole half whole<br />

The first five notes of a C major scale represent the C major five-finger patterns.<br />

Finger memory of the twelve major five-finger patterns will help you to read piano music without looking at<br />

the keyboard by recognizing the black and white key patterns with your fingers.<br />

SECRETS OF SIGHT-READING WITHOUT LOOKING AT THE KEYBOARD<br />

Just as you felt your way across the keyboard in Lesson 2, you will expand on this concept in order to learn<br />

five-finger patterns. Begin by feeling the black and white key patterns with the right hand without looking at the<br />

keyboard. The groups of two black keys are surrounded by the white keys C, D, E, and the groups of three black<br />

keys are surrounded by F, G, A, B.<br />

Look at the image below, but avoid looking at the real keyboard. Feel the group of two black keys with<br />

fingers 2 and 3, then play C, D, E, which surround the two black keys.<br />

3 2<br />

Feel<br />

2 3<br />

LH<br />

C D E<br />

!<br />

!Feel!for!the!group!of!<br />

!<br />

!<br />

!two$black$keys$<br />

!<br />

!<br />

!then!<br />

!<br />

!<br />

Play!C,!D,!E!<br />

C D E<br />

RH<br />

502<br />

3 2 1<br />

Play<br />

1 2 3

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