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<strong>International</strong> <strong>Teacher</strong> <strong>Education</strong> <strong>Conference</strong> <strong>2014</strong><br />

An Innovative Method of Teaching The Qanoon To Develop The Capacity<br />

Playing For The Beginner Student Though Innovative Training Technical<br />

Mayada Gamal El-Dine Agha a *<br />

ª DR. , Lecture in Department of Music <strong>Education</strong> Faculty of Specific <strong>Education</strong> - Alexandria University – Egypt<br />

Abstract<br />

This research aims to, create some technical courses on El Qanoon instrument to evolve the ability of play to<br />

untrained student, and analysis creation of training and recognize it forms of Rhythm or Drams and structures<br />

which are used within it, and it has been used system. Analysis contain" to describe the phenomenon and<br />

analysis the contain of trainings. And the innovated term the research has created technical training for El<br />

Qanoon instrument, which were suggested by scholar and references?<br />

Keywords.<br />

Introduction<br />

El Qanoon is one of the most important instruments in the oriental music and it considered the basic of the<br />

Arabic musical band and which enriches our Arabic music inherit age. And El Qanoon is the basic instrument in<br />

teaching the Arabic music in especial institutes and it has own term. it advanced with wide pitch , multi pitch<br />

and a strong and clearness in the pitch it has a high occupied and it is generally in songs and the historians<br />

considered the Arabic scales hand mental inspiring the student's teaching term and the importance of the<br />

research , that it achieves the pervious aims and we may assure the matron of technical of art , according to el<br />

Qanoon instruments as Egyptian , valuable and inveterate instrument , and so the developed the ability of<br />

playing for untrained player .<br />

The inner tube of doctrinaire includes 1- El Qanoon instrument 2- Untrained student 3-techinqual training<br />

and mechanics tire contain on creative training on El Qanoon instrument by research assistant and her analysis<br />

and results of quest , achievements for the questions and the quest was conclusion , ended by recommends and<br />

Mohamed Kamal El Kholey 1932<br />

El Qanoon is one of instrument which played a vital role in performing various of Arabic music if it was<br />

playing or songs<br />

El Qanoon was evolved gradually since ages , since the setting up the writer and become on its shape in the<br />

present time<br />

Elfarbu who was the first inventor the instrument and some so that he modify in her designs it is the<br />

inveterate ancient instrument was found in old civilization. And it had many titles and forms which different<br />

from the shape that days<br />

It was the first player Abdel fatah Elmanssy . He was between six and seven old besides playing the piano<br />

and studied them in the union music institute then he became professional in playing El Qanoon in musical band<br />

and it has many musical composes , especially with El Qanoon such as Elnozha – Farhi – Shabui - Arose elnile<br />

– Hewudi from his traditi and works " long Hagizu karkd " and he taught this instrument in Egypt in the faculties<br />

and different institutes , and he taught it in auteur and Elkwait and he left for us his prints in the field of<br />

teaching El Qanoon and his advanced with showing his performance and his skill in the play .<br />

And he shared in playing the photographic music for several movie and recording films and played concerto<br />

El Qanoon from foaud Elzawhrui's works ( Nabil Abd ElHady shora 2003 ).<br />

Inspire of these : He didn't gain fame such as his brother who was the player of violet ( Anwar Elmanssu ) and<br />

this because he was busy with the production of films . but when he Bankrupt he returned to play with his<br />

friend Abd Elhalum Nwuria ) .<br />

When he set up Arabic musical band and it was said he was the one of the composer who wrote down<br />

hormone for tone for El Qanoon his experience in the piano benefit him a lot and made him playing with his<br />

hands Together. Where his holding with El Qanoon fuel of decorates and renewable tone. And his playing<br />

remarkable with control in El Qanoon and performance and this is due to using both his hands Together in<br />

Email address: mayadaagha@yahoo.com<br />

77

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