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<strong>International</strong> <strong>Teacher</strong> <strong>Education</strong> <strong>Conference</strong> <strong>2014</strong><br />

finishes his training, perfectly and easily. He acquires that skill and knows how to move his foot on the<br />

pedal at the right time.(Abu Auf B.,1986 pp. 279-292) The use of pedal - art is based on some simple basic<br />

rules: The first rule; pedal change must be followed directly fiddle harmony, new note, or new melodic. The<br />

second rule: pedal differing treatment depends on the layers of instrument sound, whenever we turn on the<br />

sounds of acute pedal its use must be free and as we head for the big sounds shall it renews the pedal slowly.<br />

The third rule: Renewal of the pedal with every change of Harmony, a base of great importance in the<br />

expression of the mysterious sounds, thin and modern inside harmonies. The rule must take into account the<br />

full accuracy in the application of the basic rules, rather because of its great importance. (Nassif, H., 1977,<br />

P.31-32)!<br />

The researcher prepared a list of items and basic skills through a questionnaire, and the attention of the<br />

experts and professors who specialize in playing the piano. The result of the survey, as shown in the following<br />

table, with some modifications in those items.<br />

TABLE I. The items and basic skills in a questionnaire<br />

Number Points Value<br />

(1) A hint about the piano instrument constructions. 100%<br />

(2) The instrument mechanism and how to get sound out of it. 100%<br />

(3) The correct sitting to the piano instrument. 100%<br />

(4) The bases of playing on the piano. 100%<br />

(5) The most important musical skills intended to be acquired:-<br />

(5-1) The Technique. 100%<br />

(5-2) The Musical sentence and phrase. 100%<br />

(5-3) The constant playing.(legato) 100%<br />

(5-4) The intermittent playing.(portato) 100%<br />

(5-5) The Melodic line. 100%<br />

(5-6) The Short expressional bow.(slur) 100%<br />

(5-7) The Musical scale. 100%<br />

(5-8) The Arpeggio. 100%<br />

(5-9) The Strong pressure.(accent) 100%<br />

(5-10)<br />

(5-11)<br />

DISCUSSION<br />

The Ornaments.<br />

Pedal skill<br />

Through the previous table that demonstrates opinion questionnaire items and the percentage of approval of<br />

the points to be included in the proposed method of teaching the skills of piano performance<br />

We note that all the agreed views of professors who specialize on the validity of all the items, except for item<br />

differed in some ornaments to the difficulty of their performance at the beginning of the learning of the student<br />

novice.<br />

The data showed that the! proposed method of researcher interest in teaching piano skills. These findings<br />

agreed with Study for Yassin A., (2006) which exposed to collect between the modern style of both "J.<br />

Thomposon and H. Hoiman " for learning adults playing the piano. It informed that both styles integrates each<br />

other and it easy for the piano teacher to use a new style and method for playing on the piano. The findings of<br />

the current study were also supported by several studies, such as (El Sawi H., 2006) study in her presentation<br />

and analysis of "Michael Aaron" for learning playing on the piano for the beginners which help the student get to<br />

the good performance through using some of scales with raising and lowering marks. But this is made for each<br />

passage alone. His use of alternative hands style when performing for the first time and by the opposite way of<br />

the two hands by the same numbering of finger. (Saleh S., 1994) this study targeted at studying "Francis Clark's<br />

method" for learning beginners playing on the piano and showing the followed up method in a group of books<br />

"look and listen". And the distinguished points of him as this has an effecting in enlarging the scopes of music<br />

teacher and providing him with some of the modern styles in learning playing on the piano. She pointed out her<br />

findings for Clark's method is different concerning learning beginning, tones, fingers used and added the<br />

guidance's, necessary for model performance<br />

CONCLUSION<br />

From the previous showing of this paper, it appears the modern teaching methods to learn to play the piano,<br />

and the most important of these modern methods and innovative in performance on the piano. As well, how to<br />

develop the playing skills and performance overcome the difficulties of the student from beginner through them<br />

70%<br />

100%<br />

928

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