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<strong>International</strong> <strong>Teacher</strong> <strong>Education</strong> <strong>Conference</strong> <strong>2014</strong><br />

playing. Their note reading is slowed down tremendously, to the point none-existence and progress is very slow.<br />

Unfortunately, most of the units in Book One deal with the different five finger positions of playing, instead of<br />

having multi-faceted for the syllabus of reading the note.<br />

Rote's method, it is an effective method in teaching the piano. It focuses on teaching students the basics of<br />

piano playing. In this way, the students became aware of the keyboard first before starting in reading the notes<br />

from the staff. The student learns hearing, thinking, sight reading and harmony on the keyboard. So, it is in the<br />

very beginning easier and better. Concentrating on the keyboard opens before the student several chances for<br />

extemporization and melodizing. As a result, a concept for a better piano, and music as a whole, develops.<br />

Pace's Method is of the right style, educationally for teaching the beginners. It introduces the scientific<br />

subject in a summed up way and in specific points. This way of piano teaching prepares the students for an early<br />

classic store. Note reading and strong playing skills are great benefits of the Pace Method. Moreover, he avoids<br />

the position playing method, which limits the basic skills for students’ from the very beginning. Although this<br />

method is difficult, the student's only complaint was that the music had been from the old style. The method can<br />

use more sight reading exercises and material. It requires a lot of effort on the part of both the student and the<br />

teacher, in spite of its effectiveness.<br />

Hanz Hoiman's Method depended for teaching the piano to the beginners upon removing fear far from them<br />

and relying on a fast playing for the piano and not on training. He was interested in writing down all his<br />

compositions in an educational way, going from easiness to the more difficult gradually, to what suits the<br />

student's educational level. As well he gave importance to coping with the modern age in composing such as; the<br />

Jazz, Rock, Pop and Folk but in graduation in difficulty level. His style relied upon specifying music period<br />

time, only on playing the piano but in a daily manner with concentration and mixing information in a short<br />

period to defect students' fear. He used excitement style in learning in his musical notes whether by means of a<br />

teacher or without to be a powerful base in playing practically and theatrically. (Yassen. A., 2006, p.97-99)<br />

Many of the research methods of teaching piano, was conducted. Including, for example, (Leila Zidan, 1972)<br />

study in which she made a comparison for the piano playing methods in the 19 th c., and knowing their effect on<br />

the piano playing teaching. She collected between "matte's style" which relied upon showing the theoretical and<br />

physiological bases, necessary for playing the piano with "kurto's way" which is based upon the practical<br />

applications for theses bases. She got out a method collects between the two methods. She introduces exercises<br />

for training on the varied technical kinds with an explanation, fits the beginning scholar. Has been reported (El<br />

Rakhawy N., 1979) to the importance of putting the correct technical base in singing playing which is of well<br />

expression, and encouraging students in studying the piano instrument. (Gomaa G., 1992) study in which he<br />

dealt with the most important different modern attitudes in teaching the piano in the second half of the 20 th c. ,<br />

and how to get use of these attitudes and the range of its fit for the Egyptian student. (Koutb M., 1996) study<br />

which targeted towards student's wishing for training on playing on the piano and guiding him to the correct way<br />

of training till getting his fruits through some of exercises to break down some of performance difficulties. As<br />

well, giving the student a chance for taking part in choosing a piano instrument syllabus which fits his<br />

individual abilities.<br />

Method and procedures<br />

The current study is based upon using the descriptive syllabus which lies an registering and describing what<br />

is being, and the experimental syllabus through running a questionnaire for the misers experts and specialists in<br />

the field of piano playing in the items which is suitable for the suggested presented method and which is based<br />

on constructing a scientific theoretical content, includes a theoretical background about the methods and styles.<br />

The beginner student is exposed to, when starting to learn playing on the piano. Its idea depended upon<br />

collecting between Rote's method and all methods and styles which are used currently for the students of the<br />

specific educational faculty Alex University.<br />

The Questionnaire items came to include:- 1) A hint about the piano instrument constructions. 2) The<br />

instrument mechanism and how to get sound out of it. 3) The correct sitting to the piano instrument. 4) The bases<br />

of playing on the piano. 5) The most important performance of playing skills intended to be acquired and<br />

development (Subject Search) and includes "The Technique - The Musical sentence and phrase - The constant<br />

playing - The intermittent playing - The Melodic line - The Short expressional bow - The Musical scale - The<br />

Arpeggio - The Ornaments -The Strong pressure - The Pedal.! The researcher presented the most important<br />

points, which are: -<br />

Sitting right in front of the piano, Attention must be paid to sit in front of the piano session right until the<br />

student gets used to hearing right from the beginning of training.<br />

925

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