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LE SYMPOSIUM INTERNATIONAL LE LIVRE. LA ROUMANIE. L ...

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Media and Social communication, The Roadside Crucifix... 293<br />

on this subject, a volume accompanied by a DVD and four radio shows<br />

broadcast during this period. our option was to select three localities from<br />

Bulgaria and three ones from Serbia that represent the spreading centre for<br />

the same phenomenon in less investigated areas in oltenia today.<br />

the immediate product of the research (a volume and DVD) was only<br />

the first valuation of the field information, an overview of the presence of<br />

the roadside crucifixes in rural community and about the decoding, at the<br />

first stage of reception, of the religious, cultural, historical, visual/aesthetic<br />

meanings in oltenia, timoc (Bulgaria) and Voivodina (Serbia). At this<br />

first stage the realization of typologies functioned on two different planes:<br />

historical (the sequence of the roadside crucifixes image: at the beginning of<br />

the 20 th century from the oltenia Museum archives, contemporary images –<br />

2,000 photos taken by the team members and image valued aesthetically<br />

by the painter Vasile Buz) and geographically (tracing the field researches’<br />

routes).<br />

the theme of the project meets the contemporary challenges of<br />

maintaining the cultural identity of the romanians who live abroad, of the<br />

non-material heritage which is specific to these communities, as well as of<br />

the necessity to strengthen the cross-border cultural dialogue, to create a<br />

cultural communicational network for communities which share the same<br />

identity values.<br />

the interdisciplinary character of the team project can fulfill the<br />

requirements of this viable cultural project, carried out in an extended<br />

cultural area, but having identity cultural similarities in the profound<br />

domain of the funeral ceremonies, of the material aspects that accompany<br />

these ceremonies, as well as of anthropological significance. An innovative<br />

aspect of the project consists in the fact that cultural activities were based<br />

on an ethnological comparative research (oltenia, timoc, Voivodina),<br />

facilitating the cross-border cultural dialogue.<br />

the above-mentioned communities are the main beneficiaries of the<br />

research and of the cultural activities, enhancing the awareness of the local<br />

immaterial heritage and encouraging its preservation and a creative and<br />

efficient valuation. partners from areas with the same cultural and identity<br />

background, namely romanians from the Bulgarian and Serbian timoc<br />

and Voivodina were involved in these collaboration activities regarding the<br />

immaterial local heritage<br />

the direct beneficiaries of this project are represented by:<br />

a) the communities where the field research took place, in Dolj county:<br />

salcia, Argetoaia; in olt county: Pietriş, Baldovineşti; in Mehedinţi county:<br />

Izverna, ponoarele; in Gorj: polovragi, rabova, aiming at the identification

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