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LE SYMPOSIUM INTERNATIONAL LE LIVRE. LA ROUMANIE. L ...

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The Phanariot prince nicolae Petru Mavrogheni... 47<br />

as he enjoyed the protection of a pasha (Iusuf) and of Cesaerli, admiral-in-<br />

chief of the ottoman navy 18 . the very interesting part, most likely taken<br />

from some kind of prevalent folklore, is the description of Mavrogheni’s<br />

personality 19 :<br />

he was strict, queer with a different kind of character… the substance of<br />

his spirit looked like a combination of opposed ideas and fantasies, his<br />

mind a monstrous amalgamation of many superstitions and prejudices…<br />

with this outer structure and his unusual ways he seemed to suffer from<br />

stupidity or a different kind of madness; on the inside, seen without<br />

passion he did not seem deprived of spirit and mind for he was most<br />

observant of the holy things, very just to the people and a warm protector<br />

of the country or to put it in a better way he was the savior of Wallachia<br />

in the next war20 .<br />

the turks feared him; he could have fled the country at the end but<br />

refused to do so21 .<br />

Fotino’ s history was translated by Gh. Sion in 18592222and thus the<br />

information spread and was kept on romanian soil as well as in the Greekspeaking<br />

territories.<br />

In 1891 a romanian historian, G. I. Ionescu-Gion, wrote a history of<br />

the Fanariots in which Mavrogheni’s portrait was inspired by ienăchiţă<br />

Văcărescu23 .<br />

his chapter is written in a romantic style and starts with the assumption<br />

that the period before the reign of Mavrogenis, i.e. from 1774, when the<br />

throne of Wallachia was taken by Alexander Ipsilantis, had been an era of<br />

peace and tranquillity set of course against a climate of corruption.<br />

In the climate of peace and diplomatic efforts, Mavrogheni came like<br />

a lightning.<br />

Ionescu-Gion imagined Mavrogheni as the son of a fisherman, a sailor<br />

and maybe a pirate. to him he had “a high, lean, black face. his appearance<br />

was horrible and when he gnashed his teeth it sounded like breaking olive<br />

stones. his movements were fast and he could not say anything without<br />

gestures and stumps of his feet”. he suffered like many great people from<br />

18 Ibidem, p. 360.<br />

19 the translation from Greek to english is ours.<br />

20 Dionysios FotIno, op.cit., pp. 358-361.<br />

21 Ibidem, p. 373.<br />

22 Dionisie FotIno, Istoria generală a Daciei, tome II, Bucharest.<br />

23 G.I. IoneSCu-GIon, Nicolae P. Mavrogheni. “O poznă a firii”, Bucharest,<br />

2008.

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