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124 cultural conservation<br />

artefacts, their ideas, and their values; to others the<br />

culture of a population is the peculiar or unique<br />

way of life of that population in terms of its mores,<br />

its customs, and its explicit and implied design for<br />

living �1963: 181).<br />

While the culture of some small-scale, tribal or<br />

isolated populations may be relatively homogenous,<br />

the culture �or rather cultures) of complex<br />

societies are never invariable, and they always<br />

change over time. Hence it is important to monitor<br />

the rates of diffusion, acculturation, evolution<br />

and development that are relatively transformative<br />

and enduring. Tourism managers/researchers<br />

working with a given population may recognise<br />

that what is significant �that is, viewable or<br />

protectable) about lands or heritage may change<br />

occasionally.<br />

While preservation invokes the effort to save,<br />

restore and continue customs �particularly of built<br />

representations of culture), conservation is the<br />

effort which ensures the stability of present<br />

inheritances by maintaining them against interference<br />

of some kind in the future. Thus under<br />

conservation, unlike preservation, the inherited<br />

elements or the symbolic features of a given culture<br />

may be altered in use or sanction while they are<br />

marked, cared for and sustained for the generations<br />

to come. Where cultural conservation involves the<br />

identification/protection of a cultural area, it is<br />

important to identify associative and cultural<br />

landscapes, where the former have powerful<br />

religious, artistic or cultural associations with or<br />

without material cultural evidence. It is always<br />

critical to resolve what is being protected, for<br />

whom and for what purpose. Sometimes there may<br />

be nothing that is readily viewable by tourists;<br />

sometimes conservation purposes may clash with<br />

that site's other use values; sometimes a local<br />

population may want the whole of an identified<br />

territory rendered `sacred' �or `conserved'), not just<br />

a single site.<br />

The recent history of tourism and conservation<br />

are closely connected. The conservation movement<br />

around the world is fired by the moral crusade to<br />

maintain living diversity by conserving not only the<br />

biological wilderness of places supposedly uncontaminated<br />

by the physical vestiges of humanity,<br />

but it seeks to maintain the maximum diversity of<br />

cultural heritage by helping retain the supposed<br />

authenticity of the traditions and customs of<br />

people, and by obviating harmful or unwanted<br />

cultural impacts. It is then those pristine places,<br />

and those untouched peoples, that constitute a very<br />

strong appeal in tourism, as increasing volumes of<br />

travellers seek to explore their vision of the other.<br />

In tourism research, Marie-Franhoise Lanfant<br />

�1995) considers that there is currently quite a poor<br />

understanding of the complex relationships that<br />

surround cultural conservation and of the related<br />

processes involving the displacement of the local,<br />

the disruption of systems of reference and the<br />

endowment of heritage with new interpretations.<br />

To Lanfant, the local cannot be meaningfully<br />

understood independent of the global, and a new<br />

truly international sociology of tourism is needed to<br />

probe the processes of mirroring, reflexivity and<br />

transitivity that arise in matters of culture survival,<br />

conservation and identity. Too frequently, to<br />

Lanfant, efforts to measure or monitor cultural<br />

change and cultural conservation have been<br />

dominated by the study of social and/or cultural<br />

impacts, which have positioned tourism only as an<br />

exogenous force. To Lanfant, tourism has been<br />

repeatedly and inadequately envisaged as a force of<br />

social change which arrives unidirectionally to<br />

destroy local societal integrity and identity within<br />

given cultural areas: to her, while tourism has itself<br />

been assumed to be the acting vehicle of change or<br />

of conservation, the rightful status of local actors in<br />

deliberately inviting tourism or exploiting it for<br />

their own ends has been grossly under assessed.<br />

There is now a fascinating medley of nonindigenous<br />

bodies like Tourism Concern �based in<br />

London) and Cultural Survival �based in Cambridge,<br />

Massachusetts) which project strong support<br />

for indigenous peoples in their efforts to<br />

conserve their life-ways and stand up to the<br />

claimed encroachments of tourism and related<br />

industries. Not all of such organisations have been<br />

welcomed by removed populations in isolated/<br />

undeveloped parts of the world, however, for the<br />

ideological stances they adopt are quite varied.<br />

Hollinshead �1996) has attempted to clarify this<br />

ideological nightmare in and around cultural<br />

conservation by adapting Bodley's applied anthropological<br />

continuum of certain political orientations<br />

of such caring/activist organisations towards<br />

tourism. There are three principal perspectives on

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