09.12.2012 Views

Untitled

Untitled

Untitled

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

348 language of tourism<br />

proposition of prospect and refuge theory which<br />

suggests that individuals give high value to landscapes<br />

which simultaneously provide an opportunity<br />

to see and to hide and thus reflect prospects of<br />

survival. However, this theory has not received<br />

widespread acceptance.<br />

See also: landscape; environmental valuation<br />

References<br />

Appleton, J. �1975) The Experience of Landscape,<br />

Chichester: Wiley.<br />

Further reading<br />

Mitchell, B. �1979) Geography and Resource Analysis,<br />

London: Longman. �Chapter 6 contains a<br />

concise and perceptive overview of landscape<br />

evaluation.)<br />

language of tourism<br />

GEOFFREY WALL, CANADA<br />

The language of tourism covers all forms of<br />

touristic communication at every stage of a trip.<br />

Like other languages, it has several functions<br />

linking the addresser, addressee, content and<br />

context of messages. It is also structured in a<br />

similar fashion to advertising, especially as<br />

regards the use of tense and its promise to effect<br />

magical transformations in the receiver. But this<br />

language differs from others regarding the anonymity<br />

of the speaker �the authorless brochure, for<br />

example). Frequently, communication is a monologue<br />

emphasising the greater knowledge of the<br />

sender, while its content is replete with euphoria.<br />

There is as well a tautological quality to messages,<br />

since tourists generally filter their experiences<br />

according to prior expectations, and the latter in<br />

turn have been linguistically framed. Then too,<br />

when tourists talk among themselves at the<br />

destination and regale friends and relatives with<br />

accounts of their travels on their return home, they<br />

tend to do so using the imagery of earlier<br />

promotional sources. Therefore, the language of<br />

tourism assumes a cyclical quality reflecting the<br />

circular nature of tourism itself.<br />

However, perhaps the most important characteristic<br />

of this language is its ability to manipulate<br />

the attitudes and behaviour of tourists, both<br />

individually and collectively. The need to exercise<br />

social control over the client becomes clear with the<br />

realisation that tourism is an ever-expanding<br />

worldwide phenomenon and that, without constraint,<br />

it becomes virtually impossible to manage.<br />

Moreover, unless limits are imposed, negative<br />

sociocultural and environmental consequences will<br />

outweigh the benefits, and tourism could end up<br />

destroying itself. Such control has been manifested<br />

linguistically throughout all periods of tourism's<br />

history in travellers' tales, political speeches,<br />

lectures, guidebooks and so on. Nowhere, however,<br />

are regulatory mechanisms more necessary than in<br />

contemporary forms of mass tourism, where<br />

they are evident in hotels, various types of<br />

transport, tours, sites and attractions.<br />

One way of controlling the tourist is through the<br />

use of imperatives and hortatory language. Another<br />

allied method is to place him/her in a<br />

dependent childlike state. By treating the tourist<br />

as child, the impression can be given that,<br />

whatever the restrictions, personal freedom<br />

nevertheless remains. Maternal images, scenes<br />

evocative of infancy and themes of sun and fun are<br />

hence routinely employed by the language of<br />

tourism in order to resocialise the clientele while<br />

maintaining an illusion of liberty. The language of<br />

tourism additionally operates through several<br />

media, which correspond to the five human senses<br />

either singly or in combination. At one time, the<br />

simplest channels of communication were the<br />

written and spoken word which, before the<br />

appearance of electronic media, were the traditional<br />

ways of transmitting touristic messages. In a<br />

postmodern age of the image, however, and<br />

particularly since the advent of the Internet, the<br />

emphasis has switched to multimedia presentations<br />

focusing predominantly on the visual. Here it is<br />

important to acknowledge that the science of signs<br />

± semiotics ± can play an extremely useful role in<br />

deciphering the complex messages of the language<br />

of tourism. It should further be recognised that it<br />

has the ability to alter its discourse according to the<br />

topic at hand. Alternatively stated, the language of<br />

tourism employs many registers, at least one for<br />

every type of tourism in an increasingly diverse

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!