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510 risk, perceived<br />

ing a plan to reduce the level of political, economic<br />

and/or physical risk. Assessments identify the de<br />

minimis risk, meaning those risks that are so<br />

negligible that nothing need be done to control<br />

them, so that resources can be focused on the<br />

major hazards.<br />

Tourism facilities are often vulnerable to environmental<br />

hazards. Locations along coastlines, in<br />

the mountains, along rivers and lakes, in wooded<br />

areas and so on may increase the danger from<br />

hurricanes, earthquakes, floods, fire and other<br />

disasters. Assessing the risk requires examination<br />

of 100-year and 500-year flood levels, hurricane<br />

cycles, seismic activity estimates and other predictions<br />

of the occurrence and intensity of disasters.<br />

Political risk is assessed in terms of the history of<br />

political instability, judgements concerning the<br />

level of government support for the industry, and<br />

other factors that may change over time as the<br />

political situation in the nation changes. Of<br />

particular importance is the capacity of tourism<br />

businesses and governments to protect tourists and<br />

residents from natural disasters and political<br />

threats.<br />

See also: emergency management<br />

Further reading<br />

Drabek, T. �1994) `Risk perceptions of tourist<br />

business managers,' The Environmental Professional<br />

16: 327±41. �Examines how tourism executives<br />

interpret risk and act to reduce threats to their<br />

facilities and customers.)<br />

Kunreuther, H., and Slovic, P. �1996) Challenges of<br />

Risk Assessment and Management, Thousand Oaks,<br />

CA, Sage Publications. �Provides a comprehensive<br />

guide to risk analysis and suggests ways for<br />

firms to reduce risk.)<br />

risk, perceived<br />

WILLIAM L. WAUGH, USA<br />

Perceived risk includes the anticipated hazard,<br />

natural or social occasions, which is always greater<br />

for risk-averse than for risk-taking tourists. On<br />

the supply side, it refers to currency uncertainty<br />

perceived by international operators, political and<br />

economic instability for foreign investors, default<br />

risk for creditors and stock return volatility for<br />

shareholders, which is composed of market-related<br />

systematic risks and firm-specific unsystematic<br />

risks.<br />

rite of passage<br />

ZHENG GU, USA<br />

Rites of passage or transition rites are anthropological<br />

terms for rites where a person is<br />

transferred from one status into another, like in<br />

initiation rites and puberty rites, or for rites that are<br />

enacted when crossing the boundaries between the<br />

profane and the sacred or the natural and the<br />

supernatural, as in secularisation, rites of desacralisation<br />

and rites of purification. In transition rites,<br />

the ritual subjects go through phases that are<br />

called preliminal, liminal and postliminal �see<br />

liminality). The first is the normal profane state<br />

of being, the second is sacred, anomalous,<br />

abnormal and dangerous, and the third is the<br />

normal state of things to which the ritual subject<br />

re-enters after the transition. The liminal is a state<br />

and a process in the transition phase during which<br />

the ritual subjects pass a cultural area or zone that<br />

has minimal attributes of the states preceding or<br />

following the liminal, and where the norms and<br />

sanctions of the society do not necessarily apply.<br />

Graburn �1989) has shown how tourism can be<br />

understood as a journey to the sacred in an analogy<br />

with transition rites.<br />

The stage in tourism that resembles the liminal<br />

in rites of passage could be called the liminoid or<br />

quasiliminal. This is produced and consumed by<br />

individuals while the liminal is believed by the<br />

members of society to be of divine origin and is to<br />

its nature anonymous. The liminoid is also<br />

fragmentary compared to the liminal. Often,<br />

elements of the liminal have been separated from<br />

the whole to act individually in specialised fields<br />

like art. In art, popular culture, entertainment and<br />

tourism products that promise to remove the<br />

consumer from the everyday experience are made<br />

for consumption by individuals and groups. They<br />

promise a transition into a stage that resembles the<br />

liminal for a limited time span. This liminal stage

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