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226 ferry<br />

ferry<br />

Ferry service is offered on short sea routes as a<br />

means of urban transportation �for example, the<br />

Hong Kong Star or Staten Island ferry), as an<br />

extension to road/rail services �as in the English<br />

Channel), or as an essential transport link �for<br />

example, to the Greek islands) for people and<br />

vehicles. It is mostly provided by conventional rollon<br />

roll-off vessels, but sometimes by faster hovercraft,<br />

hydrofoil or twin-hulled catamaran services,<br />

and is used by residents and tourists alike.<br />

festival<br />

ANNE GRAHAM, UK<br />

All cultures celebrate, and the things, persons or<br />

themes they value provide reasons for festivals.<br />

Falassi �1987: 2) described them as `a sacred or<br />

profane time of celebration, marked by special<br />

observances'. Pieper �1973: 32) believed that only a<br />

religious celebration could be a true festival, and<br />

that `through it the celebrant becomes aware of,<br />

and may enter, the greater reality which gives a<br />

wider perspective on the world of everyday work'.<br />

While traditional festivals often retain religious<br />

or sacred meanings, contemporary ones are<br />

primarily secular, or profane. Although many<br />

traditional themes have been retained, countless<br />

new ones have been established for purposes<br />

ranging from economic development to building<br />

community identity and pride. But the notion<br />

of contrast with everyday life remains a valid<br />

defining construct. Festivals and other forms of<br />

special events provide more than amusement; the<br />

atmosphere might be one of gaiety, joyfulness,<br />

playfulness or liberation from normal constraints.<br />

Festivals are not fairs, which have their origin<br />

and significance in the exchange of goods and<br />

services and are closely linked to periodic markets.<br />

Over time, however, many fairs encompassed<br />

educational exhibitions, competitions, amusements<br />

and festival-like celebrations. Contemporary planners<br />

of many types of event frequently attempt to<br />

create a festive or celebratory atmosphere so as to<br />

appeal to a broader audience, attract more<br />

attention or fabricate a tradition. Hence, mega-<br />

events like the Superbowl or world's fairs become<br />

festival-like.<br />

Many festivals, regardless of theme and programming,<br />

are actually celebrations of the community<br />

itself. Falassi �1987: 2) noted:<br />

Both the social function and the symbolic<br />

meaning of the festival are closely related to a<br />

series of overt values that the community<br />

recognizes as essential to its ideology and<br />

worldview, to its social identity, its historical<br />

continuity, and to its physical survival, which is<br />

ultimately what festival celebrates.<br />

Festivals have a multitude of potential meanings<br />

and encompass a number of paradoxes �Lavender<br />

1991). They can be read as `texts' which are stories<br />

told by members of a culture about themselves; as<br />

performances, or social dramas full of conflict and<br />

power statements; as communications about social<br />

ties in the society; as art forms; as deliberate<br />

inversions or role reversals, mocking but simultaneously<br />

reinforcing social norms. As explained by<br />

Manning �1983: 4), celebration is performance: `it<br />

is, or entails, the dramatic presentation of cultural<br />

symbols'. Celebration is public, with no social<br />

exclusion, is entertainment for the fun of it, and is<br />

participatory, actively involving the celebrant who<br />

takes time out of ordinary routine, and `...does so<br />

openly, consciously and with the general aim of<br />

aesthetic, sensual and social gratification'.<br />

Tourists often seek out festival and other<br />

events to gain an authentic cultural experience.<br />

By sharing with residents in an important local<br />

event, the visitor can capture some of the flavour of<br />

local lifestyles and traditions. But when festivals<br />

and other special events are consciously developed<br />

and promoted as attractions, there is the risk that<br />

commercialisation will detract from celebration;<br />

that entertainment or spectacle will replace<br />

the inherent meanings of the celebrations. In other<br />

words, tourism might destroy cultural authenticity,<br />

the very thing many contemporary tourists<br />

appear to be seeking. The dilemma, however, is<br />

that the benefits to be realised from tourism also<br />

offer the means to create or expand festivals,<br />

restore and cultivate traditions, and foster community<br />

spirit and sharing.<br />

Given that the essence of authenticity is its<br />

cultural meaning, host communities must deter-

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